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Art --- painting [image-making] --- Minimal --- sculpting --- Conceptual --- LeWitt, Sol
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LeWitt, Sol --- Lewitt, Sol --- kunst --- twintigste eeuw --- Verenigde Staten --- concept art --- conceptuele kunst --- schilderkunst --- muurschilderingen --- wandschilderingen --- 75.071 LEWITT --- Exhibitions --- MAD-faculty 12 --- hedendaagse schilderkunst --- hedendaagse tekenkunst --- Lewitt; Sol
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Art styles --- Minimal --- minimal art --- Andre, Carl --- LeWitt, Sol --- Morris, Robert --- Judd, Donald --- Flavin, Dan
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Art styles --- Minimal --- minimal art --- Andre, Carl --- LeWitt, Sol --- Morris, Robert --- Judd, Donald --- Flavin, Dan --- anno 1900-1999
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A pioneer of minimalism and conceptual art, Sol LeWitt (1928-2007) is best known for his monumental wall drawings. LeWitt's broad artistic practice, however, also included photography, artist's books, sculpture, and printmaking. From the familiar to the underappreciated aspects of the artist's oeuvre, this book examines the ways that LeWitt's work was multidisciplinary, humorous, philosophical, and even religious. Locating Sol LeWitt contains nine new essays that explore the artist's work across media and address topics such as LeWitt's formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan's Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist's practice, along with contingency in relation to site, space, and movement. Together, these studies shed light on the full scope of LeWitt's creativity and offer a multifaceted reassessment of this singular and influential artist.
Art --- prints [visual works] --- sculpture [visual works] --- drawing [image-making] --- painting [image-making] --- photography [process] --- artists' books [books] --- LeWitt, Sol --- Beeldende kunst ; installaties ; in-situ ; 20ste eeuw --- Minimal Art ; Sol LeWitt --- Beeldende kunst ; 2de helft 20ste eeuw --- Lewitt, Sol 1928-2007 (°Hartford, Connecticut, Verenigde Staten) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z
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Cet ouvrage a été publié à l'occasion de l'exposition éponyme présentée au musée des Arts décoratifs, Paris, du 7 mars au 8 juillet 2018. Cet ouvrage réunit plus de 200 bijoux d'artistes influents : des XXe siècles parmi lesquels Keith Haring, Anish Kapoor, Orlan Sol LeWitt, ou encore Jeff Koons, Niki de Saint Phalle et Man Ray. Ces bijoux, pour la plupart uniques, et fruits de commandes exceptionnelles, loin des distinctions entre art mineur et décoratif, revêtent le statut d'oeuvre d'art. Ensemble, ils forment une collection idéale d'oeuvres à porter sur soi, sensibles et originales.
Applied arts. Arts and crafts --- private collections --- artists [visual artists] --- sieraden --- juweelkunst --- LeWitt, Sol --- Haring, Keith --- Koons, Jeff --- Saint-Phalle, de, Niki --- Kapoor, Anish --- Man Ray --- Collectionneur --- Métier d'art --- Design --- private collections [object groupings]
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Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Art --- outdoor sculpture --- earthworks [sculpture] --- art [discipline] --- public art --- art theory --- site-specific works --- identity --- public spaces --- interactive art --- Andre, Carl --- LeWitt, Sol --- Buren, Daniel --- Lacy, Suzanne --- Holt, Nancy --- Haacke, Hans --- Morris, Robert --- Smithson, Robert --- Weiner, Lawrence --- Manglano-Ovalle, Iñigo --- Martinez, Daniel Joseph --- Müller, Christian Philipp --- Sperandio, Christopher --- Torres, Rigoberto --- Ukeles, Mierle Laderman --- Noguchi, Isamu --- Serra, Richard --- Moore, Henry --- Acconci, Vito --- Judd, Donald --- Dion, Mark --- Orozco, Gabriel --- Wodiczko, Krysztof --- Calder, Alexander --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009
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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
artistieke fotografie --- photography [process] --- Conceptual --- Photography --- conceptuele kunst --- Conceptual art --- Photography, Artistic --- Art and photography --- kunst --- fotografie --- kunst en fotografie --- concept art --- kunstenaarsboeken --- artists' books --- Verenigde Staten --- twintigste eeuw --- Ruscha Ed --- LeWitt Sol --- Bochner Mel --- Dibbets Jan --- Snow Michael --- Wallace Ian --- Nauman Bruce --- Paolini Giulio --- Broodthaers Marcel --- Baldessari John --- van Elk Ger --- Acconci Vito --- Heizer Michael --- Matta-Clark Gordon --- Burgin Victor --- Rosler Martha --- Huebler Douglas --- Sekula Allan --- Kawara On --- Shore Stephen --- Antin Eleanor --- Boetti Alighiero --- Attalai Gabor --- Smithson Robert --- Baumgarten Lothar --- Winogrand Garry --- Celmins Vija --- Klein William --- Clemente Francesco --- Ader Bas Jan --- Maurer Dora --- Polke Sigmar --- Sikora Rudolf --- Kiefer Anselm --- Barry Robert --- Denes Agnes --- Kosuth Joseph --- Anselmo Giovanni --- Becher Bernd & Hilla --- Wall Jeff --- Baxter Iain --- N.E. Thing Co. --- Klein Yves --- Ruppersberg Allen --- Manzoni Piero --- Prini Emilio --- Vaccari Francesco --- Mulas Ugo --- Zorio Gilberto --- Oppenheim Dennis --- Wegman William --- Conrad Tony --- Boltanski Christian --- Wilson Martha Story --- Feldmann Hans-Peter --- Anderson Laurie --- Messager Annette --- Gilbert & George --- Piper Adrian --- Graham Dan --- Salvo --- Mangione Salvatore --- Penone Giuseppe --- Export Valie --- Dimitrijevic Braco --- Nemetschek Peter --- Haacke Hans --- 7.038 --- Exhibitions --- History --- N.E. Thing Co --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Arte Povera --- conceptual artists --- LeWitt, Sol --- Penone, Giuseppe --- Ruscha, Ed --- Acconci, Vito --- Bochner, Mel --- Nauman, Bruce --- Baldessari, John --- anno 1960-1969 --- anno 1970-1979 --- Conceptual art - Exhibitions --- Photography, Artistic - Exhibitions --- Art and photography - Exhibitions
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fotografie --- photography [process] --- artistieke fotografie --- Photography --- Intr. par Alain Sayag --- kunst --- Brus Günter --- Muehl Otto --- Schwarzkogler Rudolf --- Appelt Dieter --- Becher Bernd & Hilla --- Becher Bernd --- Becher Hilla --- Boltanski Christian --- Broodthaers marcel --- Brooks Ellen --- Close Chuck --- Conner Bruce --- Cumming Robert --- Dibbets Jan --- Drahos Tom --- Faucon Bernard --- Fleischer Alain --- Fulyon Hamish --- Gilbert & George --- Gioli Paolo --- Hilliard John --- Kiefer Anselm --- Le Gac Jean --- Leisgen Barbara --- Leisgen Michael --- Lewitt Sol --- Long Richard --- Lüthi Urs --- Matton Charles --- Mesnager Jérôme --- Michals Duane --- Nagatani Patrick --- Nauman Bruce --- de Nooijer Paul --- Rainer Arnulf --- Rauschenberg Robert --- Rousse Georges --- Ruscha Edward --- Samaras Lucas --- Sherman Cindy --- Skoglund Sandy --- Smithson Robert --- Starn Mike --- Starn Doug --- Tahara Keiichi --- Tosani patrick --- Udo Nils --- Warhol Andy --- Webb Boyd --- Wegman William --- Wilson-Pajic nancy --- Witkin Joel-Peter --- 77.038 --- 77.01
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