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120 of the world's most influential contemporary artists discuss the art that inspires them in this lavishly packaged and designed book. 

Artists have long been stimulated and motivated by the work of those who came before them - sometimes, centuries before them. Interviews with 120 international contemporary artists discussing works from The Metropolitan Museum of Art's collection that spark their imagination shed new light on art-making, museums, and the creative process. Images of the artworks appear alongside images of the contemporary artists' work, allowing readers to discover a rich web of visual connections that spans cultures and millennia.

Art --- art [discipline] --- influence --- artists [visual artists]

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Mass media --- Research --- Influence --- Influence. --- Research. --- Mass communication --- Media, Mass --- Media, The --- Communication --- Arts and Humanities --- Language & Linguistics --- Médias --- Recherche

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Judaism --- Judaïsme --- Influence. --- Influence --- Schoenberg, Arnold, --- Composers --- -Jews --- Religions --- Semites --- Jews --- Religion --- Schoenberg, Arnold --- -Influence --- Schönberg, Arnold --- Judaïsme --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Schönberg, Arnold

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This monograph investigates the history and the reception of the rhapsody. This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that ‘rhapsody’ and ‘Gypsiness’ can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called ‘Gypsies’) as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications.

Rhapsodies (Music) --- Romanies --- Influence (Literary, artistic, etc.) --- History and criticism. --- History --- Liszt, Franz, --- Influence. --- 1800-1899 --- Rapsodie --- Rapsodies --- Geschiedenis --- Waardering --- Music --- rapsodieën --- muziekgeschiedenis

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muziekgeschiedenis --- Music --- religieuze muziek --- anno 1500-1599 --- Church music --- Protestant churches --- 16th century --- Calvin, Jean --- Influence