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Graphic arts --- lettertypes --- Computer architecture. Operating systems --- fonts (informatica) --- Caractères d'imprimerie --- Polices (Industries graphiques) --- Imprimerie --- Typographie --- Caractère --- Polices (Industries graphiques) - Spécimens --- Imprimerie - Spécimens

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Made with FontFont commemorates the fifteen-year anniversary of the groundbreaking digital type foundry FontShop International. Edited by FSI co-founder Erik Spiekermann and Dutch writer-designer Jan Middendorp, the colorful compendium is actually an anthology of type specimens and essays closely and creatively examining how FontFont operates. Each page is truly a visual treat -- designed by typography designers after all, testifying to this foundry's influence on the trends of type and typography. It's truly a book created by "designers for designers.The 351 pages are divided into five chapters revealing the essence of and its legacy: Thinking FontFont, Talking FontFont, Making FontFont, Showing FontFont, Made with FontFont. These heavily illustrated sections demonstrate the dynamic range of the FontFont typefaces, which have been used for everything from instructions for wearing an Indian sari to the packaging for Viagra.

Middendorp, Jan --- Spiekermann, Erik --- Typographie --- Caractère --- Informatique appliquée --- Graphics industry --- Graphic arts --- lettertypes --- fonts (informatica) --- typography --- typefaces [type forms] --- typografie --- grafische vormgeving --- FontFont --- Spiekermann Erik --- Brody Neville --- 766.021 --- 766:655.24 --- Typografie ; fonts ; computerletters ; naslagwerken --- FontFont type library --- Lettervormen ; letters --- Lettertypes --- Brody, Neville --- Grafische vormgeving ; typografie --- Gebruiksgrafiek ; typografie ; lettertypes --- Letterontwerpen --- Lettertype --- Letterontwerp --- 766.22.038 --- Grafische industrie en ontwerp ; schrift ; typografie ; 1950 - 2000

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Printing --- Type and type-founding --- 655.244 <03> --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Typesetting --- Specimens --- Typografische lettersoorten--in de drukkunst--Naslagwerken. Referentiewerken --- Graphic arts --- letters [signs] --- typefaces [type forms] --- typografie

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In 1958 at the Werkkunstschule in Offenbach, Franz Erhard Walther devised a typographical font without any diagonals. In this artist's book he uses so-called work sets to form a letter on each page, facing a scene from his life between 1954 to 1973 on the opposite pagean encounter with Reiner Ruthenbeck and Jörg Immendorff, for example, or his first show at the Museum of Modern Art in New York. Paging through, four sequential work sets make an appearance, including The body draws and Sculptural memory: on the left side, a hand-drawn letter in a mutable yellow, and on the right, a drawing of a recollection originating in his photographic memory. This book, conceived and designed by the artist himself, is itself a work of art. "All throughout my life I was fascinated by this idea: that a work could have a plot. With the consequence that the plot itself takes on the character of a work of art." Franz Erhard Walther, Süddeutsche Zeitung Magazin.

Drawing --- drawing [image-making] --- typography --- kunstenaarsboeken --- Walther, Franz Erhard --- Type and type-founding --- 741.07 --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Printing --- Typesetting --- Design --- Tekenkunst ; tekenkunstenaars A - Z --- 766:655.24 --- Tekenkunst ; 2de helft 20ste eeuw ; Franz Erhard Walther --- Walther, Franz Erhard 1939 (Fulda, Duitsland) --- Gebruiksgrafiek ; typografie ; lettertypes