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Film --- sketches --- preliminary sketches [sketches] --- Fellini, Federico --- film --- tekeningen --- film. --- tekeningen. --- Fellini, Federico.
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791.43-2 --- #SBIB:309H1323 --- Speelfilms. Filmdrama's --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Fellini, Federico --- Fellini, Frederico --- Fellini, F. --- Felini, Federiḳo --- פליני, פדריקו --- Fellini, Federico. --- 791.43-2 Speelfilms. Filmdrama's --- Fellas,
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"The book of dreams is an enchanting voyage through the most intimate spaces of Federico Fellini's creative mind. It is a deeply personal work in which emotional, cultural, and erotic themes are interwoven with geographical, architectural, and fantastical imagery."
Fellini, Federico --- Motion picture producers and directors --- Dreams in art --- 798.53 --- film --- cinema --- dagboeken --- regisseurs --- cineasten --- Italië --- 20e eeuw (twintigste eeuw) --- dromen --- tekeningen --- Jung, Carl Gustav --- film, cineasten --- Fellini, Frederico --- Fellini, F. --- Felini, Federiḳo --- פליני, פדריקו --- Fellas, --- Criticism and interpretation. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons
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Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki Kaurismäki, Ken Loach, Tomás Gutiérrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book’s scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film. .
Teaching --- filmgeschiedenis --- film --- onderwijs --- opvoeding --- filmeducatie --- Allen, Woody --- Pasolini, Pier Paolo --- Coppola, Francis Ford --- Kurosawa, Akira --- Renoir, Jean --- Sica, de, Vittorio --- Clément, René --- Kaurismäki, Aki --- Kiarostami, Abbas --- Loach, Ken --- Tsai, Ming-Liang --- Welles, Orson --- Rohmer, Éric --- Olmi, Ermanno --- Menzel, Jiří --- Goretta, Claude --- Sen, Mrinal --- Moretti, Nanni --- Ouedraogo, Idrissa --- Novaro, María --- Kaige, Chen --- Gutiérrez Alea, Tomás --- Gitai, Amos --- Schroeder, Barbet --- Waddington, Andrucha --- Barmak, Siddiq --- Hong, Sang-Soo --- Kravchuk, Andrei --- Poromboui, Corneliu --- Haneke, Michael --- Wilder, Billy --- Dardenne, Jean-Pierre --- Dardenne, Luc --- Fassbinder, Rainer Werner --- Fellini, Federico
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«L'image-mouvement, qui a la singularité d'être à la fois un grand livre philosophique et un grand livre de cinéma, indivisiblement, part de cette idée que si, comme on le dit souvent, l'essence du cinéma c'est le mouvement, l'essence de ce mouvement n'a généralement pas été comprise (sinon intuitivement et pratiquement par les grands cinéastes). Le recours de Deleuze à Bergson balaye l'interprétation phénoménologique réductrice qui a dominé toute approche globale du cinéma depuis la guerre, en rapportant celui-ci aux données abstraites de la "perception naturelle". » (cop.) Cahiers du cinéma
Cinétique --- -Gilles Deleuze --- film en semiotiek --- deconstructivisme --- cadrering --- Griffith David Wark --- Vertov Dziga --- Gance Abel --- Bergson Henri --- Beckett Samuel --- Pasolini Pier Paolo --- Rohmer Eric --- Vigo Jean --- Grémillon Jean --- Eisenstein Sergei --- von Sternberg Josef --- Dreyer Carl Theodor --- Bresson Robert --- Minnelli Vincente --- Snow Michael --- von Stroheim Erich --- Buñuel Luis --- expressionisme --- naturalisme --- Vidor King --- Ray Nicholas --- Losey Joseph --- filmgenres --- de Mille Cecil B. --- westerns --- Ford John --- Kazan Elia --- komedies --- Chaplin Charles --- Lubitsch Ernst --- Hawks Howard --- Keaton Buster --- Herzog Werner --- Kurosawa Akira --- Mizoguchi Kenji --- Marx Brothers --- Hitchcock Alfred --- Lumet Sidney --- Cassavetes John --- Altman Robert --- Temporalité --- Sémiotique et cinéma --- -#SBIB:309H520 --- Gilles Deleuze --- tijd --- neorealisme --- Rossellini Roberto --- De Sica Vittorio --- Godard Jean-Luc --- Rivette Jacques --- Ozu Yasujiro --- Peirce C.S. --- Carné Marcel --- Mankiewicz Joseph --- Clair René --- flashback --- musicals --- Donen Stanley --- Lewis Jerry --- Tati Jacques --- Ophuls Max --- Renoir Jean --- Fellini Federico --- Visconti Luchino --- Robbe-Grillet Alain --- Resnais Alain --- Kubrick Stanley --- Duras Marguerite --- Straub Jean-Marie --- Syberberg Hans Jürgen --- Motion pictures --- Philosophy. --- #SBIB:309H520 --- #SBIB:309H524 --- 791.41 --- Artaud Antonin --- film --- filmmuziek --- filmtechniek --- filmtheorie --- filosofie --- geluid --- Italië --- Lang Fritz --- lichamelijkheid --- Nietzsche Friedrich --- nouvelle vague --- Peirce C.S --- Rouch Jean --- semiotiek --- Welles Orson --- 791.43.01 --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Philosophy --- Audiovisuele communicatie: algemene werken --- Audiovisuele communicatie: semiotiek --- Bergman Ingmar --- beweging --- de Mille Cecil B --- montage --- Film --- Theatrical science --- Cinéma --- Philosophie et cinéma --- Temps --- Esthétique --- Au cinéma --- Cinéma --- Philosophie --- Film. --- Philosophie et cinéma. --- Sémiotique et cinéma. --- Esthétique. --- Au cinéma. --- FRANCE. --- CDL --- Motion pictures - Philosophy
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