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In one of the most eloquent accounts of photography ever devised (originally published in 1982 and unavailable for many years), the writer John Berger and the photographer Jean Mohr set out to understand the fundamental nature of photography and how it makes its impact. Asking a range of questions 'What is a photograph?' 'What do photographs mean?' 'How can they be used?' they give their answers in terms of a photograph as 'a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photography are often contradictory'. From these beginnings they develop a theory of photography that has at its centre the form's essential ambiguity, arguing that photography is totally unlike a film and has nothing to do with reportage. Rather, it constitutes 'another way of telling'. The unique combination of critic and photographer results in a work that moves beyond the landmarks established by Walter Benjamin, Roland Barthes and Susan Sontag to establish a new theory of photography. This unique combination of words and pictures includes 230 photographs by Jean Mohr.

Photography --- Photographers --- Travel writing --- 77.01 --- Fotografie ; theorie --- Artists --- Travel --- Authorship --- Fotografie ; theorie, filosofie, esthetica --- photography [process] --- fotografie --- Sontag, Susan --- Barthes, Roland --- Benjamin, Walter

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Sous ses formes presque infinies, le récit est présent dans tous les temps, dans tous les lieux, dans toutes les sociétés ; le récit commence avec l'histoire même de l'humanité ; il n'y a pas, il n'y a jamais eu nulle part aucun peuple sans récit ; toutes les classes, tous les groupes humains ont leurs récits, et bien souvent ces récits sont goûtés en commun, par des hommes de culture différente, voire opposée : le récit se moque de la bonne et de la mauvaise littérature : international, transhistorique, transculturel, le récit est là, comme la vie. Les spécialistes de plusieurs pays (France, Etats-Unis, Allemagne) se trouvent réunis ici autour d'une problématique commune : récit, narrateur, narration, personnage.

Narration (Rhetoric) --- Discourse analysis, Narrative --- Narration --- Discours narratif --- tekstanalyse --- 82 --- CDL --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Narratees (Rhetoric) --- Fiction --- linguïstiek --- Narrative poetry, French --- Narration (Rhetoric). --- MAD-faculty 13 --- kunst en filosofie --- Barthes, Roland --- Literary semiotics --- Poétique --- Point de vue (littérature) --- Récit

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Radically subjective. Radically unapologetic. Radically demanding. These are the hallmarks of Dirk Lauwaert's skill, attitude, and sensitivity, which are the result of radical attention.Belgian writer and critic Dirk Lauwaert (1944-2013) wrote about images, be they moving or still, historical or contemporary, overfamiliar or unseen. He experienced them intensely, studied them attentively, and connected them to ethical, philosophical, or social issues in texts that invited readers to do the same, whether they were leaving the movie theater browsing a photo book, or visiting an exhibition.This selection presents the depth and scope of Lauwaert's immense output through 15 key texts in which the Belgian author unfolds his central ideas and motifs, displaying his kaleidoscopic thinking and essayistic ability. The texts span 25 years - from 1983 to 2008 - and were originally published in various contexts over the course of three decades.

Motion pictures --- Art criticism --- kunst --- kunsttheorie --- kunstkritiek --- film --- filmtheorie --- fotografie --- fotografietheorie --- mode --- onderwijs --- kunstonderwijs --- twintigste eeuw --- eenentwintigste eeuw --- België --- 7.01 --- Art --- Arts --- Criticism --- History --- Analysis, interpretation, appreciation --- History and criticism --- Barthes, Roland 1915-1980 (°Cherbourg, Frankrijk) --- Kunsttheorie ; kunstkritiek en essays --- Film ; theorie --- Lauwaert, Dirk --- 791.43.01 --- Filmkunst ; theorie, filosofie, esthetica --- Aesthetics of art --- art criticism --- philosophy of art --- beeldanalyse --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- Art criticism. --- Cinéma --- Critique d'art. --- art criticism. --- Philosophy --- History. --- Philosophie --- Histoire.

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Art --- Philosophy --- philosophy of art --- kunst --- 7.01 --- Sennett Richard --- Flusser Vilém --- techniek --- Maharaj Sarat --- Derrida Jacques --- Lyotard Jean-François --- deconstructie --- postmodernisme --- Said Edward --- Morrison Toni --- FanoN Frantz --- Césaire Aimé --- postkolonialisme --- Sontag Susan --- Bourdieu Pierre --- Foucault Michel --- Arendt Hannah --- sociologie --- politiek --- Lévi-Strauss Claude --- Bataille Georges --- Huizinga Johan --- antropologie --- Sartre Jean-Paul --- Heidegger Martin --- existentialisme --- Merleau-Ponty Maurice --- Ingarden Roman --- Husserl Edmund --- fenomenologie --- Badiou Alain --- Freud Sigmund --- psychoanalyse --- Danto Arthur C --- Langer Susanne --- Wittgenstein Ludwig --- Kristeva Julia --- Barthes Roland --- semiologie --- semiotiek --- structuralisme --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- Kunst --- taal --- sociale functies --- kunstfilosofie --- postmodern --- filosofen --- Sontag, Susan --- Bataille, Georges --- Morrison, Toni --- Said, Edward W. --- Flusser, Vilém --- Bourdieu, Pierre --- Césaire, Aimé --- Derrida, Jacques --- Ingarden, Roman --- Barthes, Roland --- Danto, Arthur C. --- Langer, Susanne Knauth --- Arendt, Hannah --- Maharaj, Sarat --- Sennett, Richard --- Sartre, Jean-Paul --- Wittgenstein, Ludwig --- Lévi-Strauss, Claude --- Heidegger, Martin --- Freud, Sigmund --- Fanon, Frantz --- Husserl, Edmund --- Huizinga, Johan --- Foucault, Michel --- Badiou, Alain --- Kristeva, Julia --- Lyotard, Jean-François --- Merleau-Ponty, Maurice --- Filosofie --- taalkunde --- politicologie --- MAD-faculty 19 --- kunst en filosofie --- linguistics --- semiotics --- phenomenology --- anthropology --- political science --- psychoanalysis --- sociology --- deconstruction [theory] --- existentialism --- postcolonialism --- Postmodern

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color [perceived attribute] --- philosophy of art --- Art --- art [fine art] --- Cash, Johnny --- Halley, Peter --- Vasarely, Victor --- Truitt, Anne --- Ono, Yoko --- Léger, Fernand --- Itten, Johannes --- Rothko, Mark --- Newman, Barnett --- Cruz-Diez, Carlos --- Melville, Herman --- Koolhaas, Rem --- Riley, Bridget --- Moreau, Gustave --- Corbusier, Le --- Shonibare, Yinka --- Ozenfant, Amédée --- Brusatin, Manlio --- Balla, Giacomo --- Smith, Melanie --- Denis, Maurice --- Marden, Brice --- Ruskin, John --- Durham, Jimmie --- Wittgenstein, Ludwig J.J. --- Judd, Donald --- Spengler, Oswald --- Buren, Daniel --- Gleizes, Albert --- Smithson, Robert --- Blanc, Charles-Alexandre-Philippe-Auguste --- Boccioni, Umberto --- Jung, Carl Gustav --- Merleau-Ponty, Maurice --- Bell, Clive --- Reis, Pedro Cabrita --- Michaux, Henri --- Brakhage, Stan --- Olitski, Jules --- Delaunay, Robert --- Stokes, Adrian --- Welling, James --- Matisse, Henri --- Kandinsky, Vasili Vassileevich --- Manzoni, Piero --- Metzinger, Jean --- Rimbaud, Arthur --- Lévi-Strauss, Claude --- Baudelaire, Charles --- Marcos [Subcomandante Insurgente] --- Kundera, Milan --- Gabo, Naum --- Fry, Roger Eliot --- Albers, Josef --- Stockholder, Jessica --- Batchelor, David --- Adorno, Theodor W. --- Pynchon, Thomas --- Frankenthaler, Helen --- Deleuze, Gilles --- Kelly, Ellsworth --- Reed, David --- Nordau, Max --- Eco, Umberto --- Rodtschenko, Alexander Michajlowitsch --- Delaunay, Sonia --- Auster, Paul --- Carrà, Carlo --- Gass, William H. --- Huysmans, Joris-Karl --- Severini, Gino --- Huxley, Aldous --- Whiteread, Rachel --- Doesburg, van, Theo --- Eisenstein, Sergei M. --- Gogh, van, Vincent --- Noland, Kenneth --- Baudrillard, Jean --- Tarantino, Quentin --- Rilke, Rainer Maria --- Kelley, Mike --- Milhazes, Beatriz --- Benjamin, Walter --- Jarman, Derek --- Oiticica, Hélio --- Signac, Paul --- Hiller, Susan --- Richter, Gerhard --- Allais, Alphonse --- Barthes, Roland --- Mondriaan, Piet --- Klein, Yves --- Morris, Robert --- Calvino, Italo --- Gauguin, Paul --- Klee, Paul --- Reinhardt, Ad --- Kristeva, Julia --- Malevitsj, Kasimir --- Derrida, Jacques --- Bochner, Mel --- Berenson, Bernard --- Dean, Tacita --- Russolo, Luigi --- anno 1900-1999 --- anno 2000-2099 --- Color in art --- Color (Philosophy) --- kunst --- kunsttheorie --- kleur --- kleurtheorie --- twintigste eeuw --- eenentwintigste eeuw --- Adorno Theodor --- Albers Josef --- Barthes Roland --- Baudelaire Charles --- Baudrillard Jean --- Benjamin Walter --- Blanc Charles --- Birren Faber --- Bochner Mel --- Brik Osip --- Brusatin Manlio --- Buren Daniel --- Le Corbusier --- Delaunay Robert --- Delaunay Sonia --- Denis Maurice --- van Doesburg Theo --- Durham Jimmie --- de Duve Thierry --- Eco Umberto --- Frankenthaler Helen --- Gauguin Paul --- Halley Peter --- Huysmans Joris-Karl --- Itten Johannes --- Kandinsky Wassily --- Kelley Mike --- Klee Paul --- Klein Yves --- Kristeva Julia --- Lévi-Strauss Claude --- Lichtenstein Jacqueline --- Magnetic Fields --- Malevich Kazimir --- Manzoni Piero --- Mondriaan Piet --- Newman Barnett --- Noland Kenneth --- Oiticica Hélio --- Olitski Jules --- Reinhardt Ad --- Richter Gerhard --- Riley Bridget --- Rilke Rainer Maria --- Rothko Mark --- Ruskin John --- Shonibare Yinka --- Signac Paul --- van Gogh Vincent --- Wittgenstein Ludwig --- 7.017 --- Color in art. --- Art, Modern. --- Kunst ; optische effecten, perspectief, illusie --- 7.048.3 --- Kleur in de kunst ; 20ste en 21ste eeuw --- Iconografie ; licht, beweging, kleur --- Wittgenstein, Ludwig --- Corbusier, le --- Art, Modern --- Colors in art --- Monochrome art --- Modern art --- Nieuwe Ploeg (Group of artists) --- art [discipline] --- Kandinsky, Wassily