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This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982). However, EMI’s role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI’s amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the ‘limits’ of British cinema.

Film --- Directing --- TV (televisie) --- film --- Anderson, Lindsay --- Great Britain

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Lindsay Anderson was a highly influential personality within British cinema, mostly famous for landmark films like This Sporting Life (1963) and If….(1968). This book deals primarily with hitherto unexplored aspects of his career: his biographical background in the British upper class, his devoted film criticism, and his angry relationship to contemporary society in general. Thus, the book contains, for instance, chapters about his childhood in India, his writings about John Ford, his relationship to French star Serge Reggiani, his work on TV in the 1950s, with scripts provided by blacklisted scriptwriters, his troubles with the British film establishment, and his gradually emerging concern regarding himself being Scottish, not English. The book also has some chapters written by close friends of Anderson, who died in 1994, dwelling on his penchant for controversy and quarrel, but also on his remarkable artistic talent and strong commitment.

Sociology of culture --- Didactics of the arts --- Ethnology. Cultural anthropology --- Film --- Directing --- History of civilization --- History --- filmgeschiedenis --- etnologie --- cultuur --- film --- geschiedenis --- Europese cultuur --- Anderson, Lindsay --- Great Britain --- Europe

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In this digital age of computer-generated graphics and typography, it's refreshing to find typographers who still believe in working by hand. No longer relegated to designer's sketchbooks, hand-drawn type has emerged from the underground as a dynamic vehicle for visual communication from magazine, book, and album covers to movie credits and NFL advertisements. As the practice and appreciation of hand-drawn type grows, it s time to celebrate the work of those typographers whose every letterform is a work of art. Hand Job collects groundbreaking work from fifty of today's most talented typographers who draw by hand. Graphic designer and hand typographer Michael Perry selects work representing the full spectrum of design methods and styles. Each hand-drawn work is entirely shaped by the artist's unique process every one a carefully executed composition enhanced by unplanned 'accidents' of line, color, and craft. Hand Job also includes photographs of found type, artists studios, and the tools that help make typography come to life. Whether you are looking to invigorate your design work or are just in need of a little offbeat inspiration, Hand Job will have you reaching for your favorite pen.

Perry, Michael --- Graphisme --- Typographie --- Informatique --- grafische vormgeving --- Graphic arts --- typography --- graphic design --- typografie --- Type and type-founding --- Alphabets --- Lettering --- Type designers. --- Typographers. --- Printing --- Caractères d'imprimerie --- Lettrage --- Lettristes --- Typographes --- Imprimerie --- Specimens. --- History --- Spécimens --- Histoire --- Lettertypes --- Typografie --- Type designers --- Typographers --- 766.039 --- Anderson Emily --- Askew Tyler --- Bingaman Kate --- Botting Barbara --- Brogna Ed --- Camron Robin --- Cheuk Dean --- Clark Paul --- Dean Jeremy --- Glue Kit --- grafisch design --- Hopkinson Holly --- Hugo Mario --- Human Empire --- illustraties --- Johnson Adrian --- Keenan John Zachary --- Lai Jeff --- Lyons Kevin --- Marx Stefan --- McFetridge Geoff --- Miller Patrick --- Murphy Kindra --- Perry Michael --- Ramsey Luke --- Sagmeister Stefan --- tekenkunst --- Type directors --- Designers --- Printers --- Specimens of type --- Type specimens (Printing) --- Printing, Practical --- Typography --- Lettertype

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Modern [style or period] --- moderne kunst --- women [female humans] --- hedendaagse kunst --- Contemporary [style of art] --- Art --- Holzer, Jenny --- Goldin, Nan --- Artists --- Sherman, Cindy --- Kahlo, Frida --- Mori, Mariko --- Wearing, Gillian --- Hatoum, Mona --- Hesse, Eva --- Kruger, Barbara --- Lafontaine, Marie-Jo --- Clark, Lygia --- Dumas, Marlene --- Bourgeois, Louise --- fine arts --- 7.071.1-055.2 --- redactie Uta Grosenick --- Ahtila Eija-Liisa --- Antoni Janine --- Anderson Janine --- Beecroft Vanessa --- Delaunay Sonia --- Eichhorn Maria --- Export Valie --- Gallaggher Ellen --- Genzken Isa --- Goldin Nan --- Goncharova Natalia --- Green Renée --- Gröting Asta --- Guerilla Girls --- HEpworth Barbara --- Hershman Lynn --- HEsse Eva --- Hohenbuchler Christine --- Hohenbuchler Irene --- Holt Nancy --- Horn Rebecca --- Jetelova Magdalena --- Kahlo Frida --- Khedoori Toba --- Klein Astrid --- Krasner Lee --- Lafontaine Marie-Jo --- de Lempicka Tamara --- LEenard Zoe --- Merritt Natacha --- Messager Annette --- Moffatt Tracey --- Nevelson Louise --- Noland Cady --- O'Keeffe Georgia --- Ono Yoko --- Oppenheim meret --- Orlan --- Pane Gina --- Piper Adrian --- Richier Germaine --- Riley bridget --- Posler Martha --- Rothenberg Susan --- de Saint-Phalle Niki --- Scher Julia --- Schneemann Carolee --- Sherman cindy --- Sieverding KAtharina --- Smith Kiki --- Sturtevant Elaine --- Taylor-Wood Sam --- Trockel Rosemarie --- Varejao Adriana --- Walker KaraMWearin Gillian --- Whiteread rachel --- Wilke Hannah --- Wilson JAne --- Wilson Louise --- Hedendaagse kunststromingen. Post-moderne kunst --- Vrouwelijke kunstenaars --- 7.071.1-055.2 Vrouwelijke kunstenaars --- feminism --- art [fine art] --- Sociology --- Hepworth, Barbara --- Schneemann, Carolee --- Anderson, Laurie --- anno 1900-1999 --- anno 2000-2099 --- 7.039 --- kunst --- twintigste eeuw --- installaties --- eenentwintigste eeuw --- feminisme --- gender studies --- Abramovic Marina --- Amer Ghada --- von Bonin Cosima --- Bourgeois Louise --- Bulloch Angela --- Calle Sophie --- Chicago Judy --- Clark Lygia --- Darboven Hanne --- Dijkstra Rineke --- Dumas Marlene --- Emin Tracey --- Fleury Sylvie --- Fritsch Katharina --- Hatoum Mona --- Höch Hannah --- Kilimnik Karen --- Kruger Barbara --- Krystufek Elke --- Lawler Louise --- Levine Sherrie --- Lockhart Sharon --- Lucas Sarah --- Martin Agnes --- Mendieta Ana --- Mori Mariko --- Morris Sarah --- Neshat Shirin --- Owens Laura --- Peyton Elizabeth --- Rist Pipilotti --- White Pae --- Zittel Andrea --- 7.036 --- fine arts [discipline] --- art [discipline] --- vrouwelijke kunstenaar

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Before John Cage (1912-1992), there was hardly anyone as consistent as he was in questioning the boundaries of music and its connections to other fields of art and the everyday world. Along with Erik Satie, Marcel Duchamp, Nam June Paik, and Joseph Beuys, Cage is one of the greatest strategists and pioneers of twentieth-century music and art. Starting with these key figures, this publication examines twelve fundamental strategies of art and music since 1900: recording, collage, silence, destruction, calculation, coincidence, feeling, thought, belief, furnishing, repetition, and playing. Interdisciplinary essays by art and music theorists as well as exemplary works and original sources by artists, musicians, and composers are featured alongside visual documentation, showing the impressive diversity of parallel and overlapping activities between music and art from Laurie Anderson and Robert Filliou to Anri Sala and Iannis Xenakis.

Art and music --- Music in art --- Cage, John --- C., J. --- Cage, John Milton, --- J. C. --- Keidž, Džon --- Keĭdzh, Dzhon --- Kēji, Jon --- Exhibitions --- Iconography --- Art --- Sculpture --- Graphic arts --- Music --- Film --- phonograph records --- musical instruments --- art [fine art] --- music [performing arts] --- sound [acoustics] --- video art --- performance art --- sculpting --- graphic arts --- kunst --- muziek --- Zappa, Frank --- Berberian, Cathy --- Goebbels, Heiner --- Blake, Peter Thomas --- Keersmaeker, de, Anne Teresa --- Gert, Valeska --- Richter, Hans --- Haubenstock-Ramati, Roman --- Gojowczyk, Hubertus --- Creed, Martin --- Paik, Nam June --- Heartfield, John --- Warhol, Andy --- Satie, Erik --- Hausmann, Raoul --- Ernst, Max --- Cardiff, Janet --- Fox, Terry --- Nicolai, Carsten --- Ono, Yoko --- Brown, Earle --- Bures Miller, George --- Duchamp, Marcel --- Kutiman --- Aladağ, Nevin --- Johns, Jasper --- Atlas, Charles --- Bender, Sonja --- Brötzmann, Peter --- Schönberg, Arnold --- Casavola, Franco --- Clash, The --- Xenakis, Iannis --- Fontaine, Dick --- Morris, Robert --- Clair, René --- Hildebrandt, Gregor --- Khan, Idris --- Kosugi, Takehisa --- Kreidler, Johannes --- Lohner, Henning --- Luciani, Sebastiano Arturo --- Beuys, Joseph --- Muenz, Harald --- Raccoursier, Anne Julie --- Rilke, Rainer Maria --- Klee, Paul --- Schwarz, Lillian --- Sturm, Oliver --- Tse, Su-Mei --- Roth, Dieter --- Voigt, Jorinde --- von der Wense, Jürgen --- Who, The --- Yoshihide, Otomo --- Davis, Miles --- Marinetti, Filippo Tommaso --- Macchi, Jorge --- Reich, Steve --- Rühm, Gerhard --- Klein, Yves --- Boulez, Pierre --- Beckett, Samuel --- Picabia, Francis --- Stockhausen, Karlheinz --- Coltrane, John --- Rauschenberg, Robert --- Vautier, Ben --- Armleder, John M. --- Conner, Bruce --- Depero, Fortunato --- Hendrix, Jimi --- Nauman, Bruce --- Sala, Anri --- Berio, Luciano --- Leitner, Bernhard --- Baldessari, John --- Brecht, George --- Cangiullo, Francesco --- Schwitters, Kurt --- Christiansen, Henning --- Filliou, Robert --- Higgins, Dick --- Hödicke, Karl Horst --- Jones, Joe --- Knizak, Milan --- Maciunas, Georg --- Roehr, Peter --- Vostell, Wolf --- Williams, Emmett --- Feldman, Morton --- Kagel, Mauricio --- Maderna, Bruno --- Schnebel, Dieter --- Eno, Brian --- Schulhoff, Erwin --- Bartók, Béla --- Kjartansson, Ragnar --- Wolpe, Stefan --- Anderson, Laurie --- Einstürzende Neubauten --- Faithless --- anno 1900-1999 --- anno 2000-2099 --- kunst en muziek --- twintigste eeuw --- eenentwintigste eeuw --- Duchamp Marcel --- Satie Erik --- Clair René --- Johns Jasper --- Rilke Rainer Maria --- Klee Paul --- Moholy-Nagy Laszlo --- Cage John --- Morris Robert --- Nicolai Carsten --- Berio Luciano --- Burroughs William S --- Gert Valeska --- Nauman Bruce --- Beuys Joseph --- Beckett Samuel --- Nono Luigi --- Marinetti Filippo Tommaso --- Higgins Dick --- Viola Bill --- Khan Idris --- Schoenberg Arnold --- Xenakis Iannis --- Schwartz Lilian --- Mallarmé Stéphane --- Schwitters Kurt --- Boulez Pierre --- Brown Earle --- Filliou Robert --- Ono Yoko --- Paik Nam June --- Leitner Bernhard --- Anderson laurie --- Flusser Vilém --- Sala Anri --- Mondrian Piet --- Mondriaan Piet --- Knizak Milan --- Baldessari John --- Stockhausen Karlheinz --- Kagel Mauricio --- Sturm Oliver --- Eno Brian --- Novembergruppe --- Roehr Peter --- Williams William Carlos --- Kjartansson Ragnar --- Russolo Luigi --- Depero Fortunato --- Berberian Cathy --- Christiansen Henning --- Rühm gerhard --- Kelley Mike --- Aladag Nevin --- Goebbels Heiner --- 7.036/039 --- 7.049 --- 78.038 --- 78.039 --- Kunst en muziek ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Muziek ; 1950 - 2000 --- Muziek ; 2000 - 2050 --- Miller, George Bures --- Rühm Gerhard --- 78.02 --- Muziek ; techniek en methode --- art [discipline] --- music [performing arts genre] --- Knížák, Milan --- Keersmaeker, De, Anne Teresa