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Gesamtkunstwerk : de ontwikkeling van een idee : Duitse muziekesthetica tussen Verlichting en Romantiek (1750-1850)
Authors: ---
ISBN: 9789042935198 9042935197 Year: 2017 Volume: 31 Publisher: Leuven Paris Bristol, CT Peeters

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Het begrip Gesamtkunstwerk wordt doorgaans met grote vanzelfsprekendheid gekoppeld aan de figuur van Richard Wagner. Hierbij wordt de specifieke inhoud van de term vaak verengd tot ?het samenbrengen van de verschillende kunstvormen in een multimediaal totaalspektakel?. Dit boek schetst een tijdlijn die loopt van de Verlichting tot de Hoogromantiek in Duitsland, en wil door prominente denkers als Alexander Baumgarten, Immanuel Kant en E.T.A. Hoffmann in het verhaal te betrekken, peilen naar de diepste wortels van het Gesamtkunstwerk. Een brede culturele analyse van het tijdsgewricht waarin de notie tot stand kwam, verklaart waarom de muziek in de negentiende eeuw haar amusementsfunctie oversteeg en de voertaal werd om de dunne grens tussen rationaliteit en irrationaliteit, en tussen individu en samenleving, te thematiseren.


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Invention musicale et idéologies. 2 : Mutations historiques et lectures critiques de la modernité
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ISBN: 2267004488 9782870099605 9782267004489 2870099606 Year: 2007 Volume: *3 Publisher: Wavre : Mardaga,

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Dans ses travaux d’histoire et d’esthétique, Célestin Deliège a toujours cherché à mettre en relation l’invention musicale avec son concept et ses représentations mentales. Les mutations de l’écriture ont parcouru tout le XXe siècle, de Debussy à Ferneyhough et Lachenmann. Cette période est ici réévaluée par l’auteur, en partant du pivot des années postweberniennes et de la recherche postérieure. La seconde partie du livre envisage la modernité sous l’aspect stylistique et celui du goût, en les opposant à la postmodernité, qui n’apparaît aux yeux de l’auteur que comme un accident probable de la modernité. En 1986, l’auteur publiait sous le titre Invention musicale et idéologies un premier recueil de textes d’esthétique écrits depuis 1959, assorti de quelques inédits. Les essais réunis ici sous le même titre sont la prolongation de séminaires tenus à l’IRCAM entre 1989 et 1994, en association avec l’EHESS, l’ENS et l’IRCAM.


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The Beethoven syndrome : hearing music as autobiography
Authors: ---
ISBN: 9780190068479 0190068477 Year: 2020 Publisher: New York Oxford University Press

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"The 'Beethoven syndrome' is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven syndrome: hearing music as autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of 'new objectivity' marked a return not only to certain stylistic features of eighteenth-century music but also to the earlier concept of expression itself. Objectivity would become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening"--


Book
Situation.
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ISBN: 9780262513050 9780854881734 0854881735 0262513056 Year: 2009 Volume: Situation Publisher: Cambridge London MIT Whitechapel Gallery

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Situation—a unique set of conditions produced in both space and time and ranging across material, social, political, and economic relations—has become a key concept in twenty-first-century art. Rooted in artistic practices of the 1960s and 1970s, the idea of situation has evolved and transcended these in the current context of globalization. This anthology offers key writings on areas of art practice and theory related to situation, including notions of the site specific, the artist as ethnographer or fieldworker, the relation between action and public space, the meaning of place and locality, and the crucial role of the curator in recent situation specific art.

Keywords

public spaces --- art theory --- museology --- happenings --- hedendaagse kunst --- Nature --- Museology --- Art --- museumkunde --- earthworks [sculpture] --- Contemporary [style of art] --- site-specific works --- landscapes [representations] --- Tiravanija, Rirkrit --- Rooney, Paul --- Orozco, Gabriel --- Sundaram, Vivan --- Koller, Július --- Langlands & Bell --- Wodiczko, Krysztof --- Asher, Michael --- Allora and Calzadilla --- Qiu Zhijie --- Buren, Daniel --- Smithson, Robert --- Alÿs, Francis --- Bik Van der Pol --- Gillick, Liam --- Green, Renée --- Monk, Jonathan --- Morris, Robert --- Irwin, Robert --- Matta-Clark, Gordon --- Raad, Walid --- Rosler, Martha --- Fraser, Andrea --- Dean, Tacita --- Chodzko, Adam --- Lu Jie --- Jacir, Emily --- Group Material [New York, N.Y.] --- Artist Placement Group --- Center for Land Use Interpretation --- LIGNA --- anno 1970-1979 --- anno 1960-1969 --- anno 1950-1959 --- Arts, Modern --- Avant-garde (Aesthetics) --- History --- 82:7 --- 7.039 --- 7.01 --- Beeldende kunst ; 20ste en 21ste eeuw ; situationisme ; situation --- Kunsttheorie ; over Situationisme --- Literatuur en kunst --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- 82:7 Literatuur en kunst --- public art --- Aesthetics --- Modernism (Art) --- Museologie --- Kunst --- land art [omgevingskunst] --- museologie --- openbare kunst --- kunsttheorie --- natuur --- plaatsspecifieke werken --- openbare ruimten --- landschappen [voorstellingen] --- land art --- kunst en politiek --- conceptuele kunst --- concept art --- performances --- site-specific art --- activisme --- situationisme --- kunst --- 130.2 --- kunst en ecologie --- 7.038/039 --- 7.038 --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- Philosophie de l'art --- Arts, Modern - 20th century --- Avant-garde (Aesthetics) - History - 20th century

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