Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In 2015 startte Sam Dillemans een reeks werken rond de Groote Oorlog. In overwegend witte en zwarte olieverf zet hij aangrijpende oorlogstaferelen neer. Het resultaat is een nieuw, indrukwekkend en woest universum waarin (on)menselijk leed trefzeker wordt gevat in beelden van ongetemde schoonheid. Eén werk uit de reeks, 'Ypres', werd aan de stad Ieper geschonken n.a.v. de 100ste verjaardag van de Derde Slag bij Ieper. In het voorjaar van 2018 belicht een grote overzichtstentoonstelling in de Tentoonstellingsruimte Sam Dillemans dit nieuwe hoofdstuk uit zijn oeuvre. 'Goodbye to all that' is de catalogus bij deze tentoonstelling. Exhibition: Tentoonstellingsruimte Sam Dillemans, Borgerhout, Belgium (opening 9.3.2018).

painters [artists] --- Eerste Wereldoorlog --- world wars --- Dillemans, Sam --- World War, 1914-1918 --- 75.07 --- Schilderkunst; België; Sam Dillemans (° 1965) --- Eerste Wereldoorlog ; 1914-1918 --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- Schilderkunst ; schilders --- Dillemans, Sam, --- Exhibitions --- Schilderkunst --- schilderijen --- wereldoorlogen --- kunstschilders --- Painting --- easel paintings [paintings by form] --- History, Modern --- anno 1910-1919

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book is a consequence of the international meeting organized in Marseilles in November 2018 devoted to the aftermath of the Great War for mathematical communities. It features selected original research presented at the meeting offering a new perspective on a period, the 1920s, not extensively considered by historiography. After 1918, new countries were created, and borders of several others were modified. Territories were annexed while some countries lost entire regions. These territorial changes bear witness to the massive and varied upheavals with which European societies were confronted in the aftermath of the Great War. The reconfiguration of political Europe was accompanied by new alliances and a redistribution of trade -- commercial, intellectual, artistic, military, and so on -- which largely shaped international life during the interwar period. These changes also had an enormous impact on scientific life, not only in practice, but also in its organization and communication strategies. The mathematical sciences, which from the late 19th century to the 1920s experienced a deep disciplinary evolution, were thus facing a double movement, internal and external, which led to a sustainable restructuring of research and teaching. Concomitantly, various areas such as topology, functional analysis, abstract algebra, logic or probability, among others, experienced exceptional development. This was accompanied by an explosion of new international or national associations of mathematicians with for instance the founding, in 1918, of the International Mathematical Union and the controversial creation of the International Research Council. Therefore, the central idea for the articulation of the various chapters of the book is to present case studies illustrating how in the aftermath of the war, many mathematicians had to organize their personal trajectories taking into account the evolution of the political, social and scientific environment which had taken place at the end of the conflict.

Pure sciences. Natural sciences (general) --- wetenschapsgeschiedenis --- Mathematics --- Mathematicians --- Reconstruction (1914-1939) --- Mathématiques --- Mathématiciens --- Reconstruction, 1914-1939 --- History --- Professional relationships --- Histoire --- Relations professionnelles --- 1900-1999 --- History. --- Europa --- Reconstrucció, 1914-1939 --- Història de la matemàtica

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

927.5 --- Wereldoorlog I(Eerste Wereldoorlog) --- 1914-1918 1e wereldoorlog --- History of Europe --- Eerste Wereldoorlog --- anno 1910-1919 --- 1914-1918; 1e wereldoorlog --- 476.13 --- informatieve jeugdliteratuur

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art --- anno 1900-1999 --- Germany --- Expressionism (Art) --- Art, German --- Expressionnisme (Art) --- Art allemand --- Exhibitions. --- Expositions --- expressionisme --- 1905 - 1914 --- 20ste eeuw --- Duitsland --- Dresden --- München --- Berlijn --- CDL --- 75.036 --- 20th century --- Expressionist [style] --- 1905 - 1914. --- 20ste eeuw. --- Duitsland. --- Dresden. --- München. --- Berlijn.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Lina Bo Bardi is regarded as one of the most important architects in Brazil's history. Beginning her career as a Modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of WWII. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed "Casa de Vidro" ("Glass House"), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de Sao Paulo (Sao Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date. This book presents a comprehensive record of Bo Bardi's overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardi's life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creator's projects.

Bardi, Lina Bo --- Architecture, Modern --- Art, Modern --- Women architects --- Architects --- Bardi, Lina Bo, --- Architecture --- Bo Bardi, Lina, --- Femmes architectes --- Exhibitions --- Architecture, Modern - 20th century - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Women architects - Brazil - Exhibitions --- Architects - Brazil - Exhibitions --- Bardi, Lina Bo, - 1914-1992 --- Bardi, Lina Bo, - 1914-1992 - Exhibitions --- Bardi, Lina Bo, 1914-1992