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This intriguing and compact book investigates whether or not philosophy can have a use in the face of ‘capitalist realism’ today. Can philosophy study everyday objects like computers and mobile phones? Can it think of advertising, the population, electricity, buildings and even dreams as ‘objects’ in their own right, which convey particular and novel qualities when analysed? Johns’ book starts from an immanent phenomenological study of objects, arguing that such objects disclose larger systems of anthropological meaning and control. The author moves away from the Husserlian ‘essence’ of the object and embeds his objects in a series of ‘uses’ (or ‘equipment’ as Heidegger called it). However, Johns makes a speculative move by positing the very existence of such ‘uses’ distinct from the human and first person phenomenological consciousness. This is when the annals of phenomenology meet contemporary strands of realism such as Speculative and Object Oriented models. For Johns, the world is in a constant state of being utilised, not merely through humans but through objects and their relations, and not only on a macro scale but on a micro scale (described by the theories of quantum physics). The object then becomes a locus of use, yet, importantly, one that can never be reduced to relations alone. This is because the author believes that certain aspects of a relation withholds itself in its act of relating. The mutual dynamics of relation and property are thus rearticulated in a new light. This novel description of relation places Johns squarely between relational ontologies (such as Deleuze, Latour and Garcia) and non-relational ontologies (Harman). This work is invaluable to researchers and any reader of contemporary philosophy in the age of advanced technology and capitalism.

Philosophy --- Sociological theory building --- Sociological theories --- sociale analyse --- filosofie --- existentialisme

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"Our time shows the ways white supremacy continues to hold fast to its growing weapons of destruction, including in the theological realm. Unless the theological work does the work of breaking whiteness as a project of death, we will continue to see theology as a neutral project at worst, and a mild process of transformation at best. In this book, Christopher M. Baker invites us to go deeper than that, tackling the almost innate relation of whiteness and race and breaking it down." -Cláudio Carvalhaes, Associate Professor of Worship, Union Theological Seminary, USA "This interdisciplinary study of theology, race, cinema, and superheroes is a timely intervention that richly interprets the cultural formations of race while advancing social justice efforts. Baker exemplifies compelling, critical scholarship that is ethically aligned." -Sylvester A. Johnson, Founding Director, Virginia Tech Center for the Humanities, USA "This book gives language for the greatest challenge of our time, breaking the bondage of Christian theology and practice to white supremacy. By tracing the discrete pathways by which this bondage transmits itself surreptitiously through enactments of continental philosophy, it offers a significant opportunity." -Stephen G. Ray Jr., Chicago Theological Seminary President 2018 - 2021, USA This book argues that "race" and "whiteness" are central to the construction of the modern world. Constructive Theology needs to take them seriously as primary theological problems. In doing so, Constructive Theology must fundamentally change its approach, and draw from the emerging field of Philosophy of Race. Christopher M. Baker develops a genealogy of race that understands "whiteness" as a kind secular soteriology, and develops a counternarrative theological method informed by resources from Philosophy of Race. He then deploys that method to read science fiction cinema and superhero stories as cultural, racial, and theological documents that can be critically engaged and redeployed as counternarratives to dominant racial narratives. Christopher M. Baker holds a PhD in Theology from Garrett-Evangelical Theological Seminary, USA and teaches Philosophy and Religious Studies at College of DuPage, USA.

Religious studies --- Sociological theory building --- Sociological theories --- sociale analyse --- godsdienst

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This book presents a critical and systematic study of the possibility to consider and practice Freud’s psychoanalysis as a form of depth hermeneutics. It contributes to a screening of the possibility of a hermeneutical interpretation of psychoanalysis, particularly with respect to the therapeutic practice. The book is an investigation into the philosophical implications of the hermeneutical re-reading of psychoanalysis and clarifies the real speculative and theoretical potential behind the dialectic of hermeneutics and psychoanalysis. It examines two themes which, so far, have remained unclarified and unexplored in their potentiality: firstly, at the level of a construction of a procedural model for the human and social sciences, as well as for philosophy, and, secondly, at the level of a philosophy of the human being able to subsume and express the biological and natural dimension of human identity as well as its historical narrative and social identity.

Philosophy --- Theory of knowledge --- Sociological theory building --- Sociological theories --- Psychiatry --- dieptepsychologie --- psychiatrie --- sociale analyse --- filosofie --- kennisleer

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In this book, Alison Stone argues that popular music since rock-‘n’-roll is a unified form of music which has positive value. That value is that popular music affirms the importance of materiality and the body, challenging the long-standing Western elevation of the intellect above all things corporeal. Stone also argues that popular music’s stress on materiality gives it aesthetic value, drawing on ideas from the post-Kantian tradition in aesthetics by Hegel, Adorno, and others. She shows that popular music gives importance to materiality in its typical structure: in how music of this type handles the relations between matter and form, the relations between sounds and words, and in how it deals with rhythm, meaning, and emotional expression. Extensive use is made of musical examples from a wide range of popular music genres. This book is distinctive in that it defends popular music on philosophical grounds, particularly informed by the continental tradition in philosophy.

Philosophy --- Aesthetics --- Sociological theory building --- Sociological theories --- Music --- sociale analyse --- esthetica --- filosofie --- muziek

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This book provides an in-depth, multidisciplinary framework and case-study analysis for understanding the root causes of violence in schooling. Drawing on critical theory, psychology, neuroscience and learning theory, the author provides a holistic analysis of how ‘violent epistemology’ and the ‘non-conducive circumstances’ that it produces can be seen to be at the roots of violence in societies and social institutions such as schools. Chapter 1 outlines how current and historical theories of violence, and interventions based on them, have failed due to their inability to properly conceptualise the root causes of violence. Chapters 2 addresses this by providing a new epistemic and methodological framework for studying violence. Chapters 3 and 4 then demonstrate how violence can be best conceptualised as a problem of specifically ‘violent’ epistemology and the ‘non-conducive social circumstances’ that it fosters. Chapters 5-7 demonstrate in practice how violent epistemology results in multiple manifestations of violence at the global, national, local, and ultimately classroom level. Chapter 8 concludes the book by presenting an early conceptualisation of ‘non-violent’ epistemology, and what fostering this might look like in practice.

Sociological theory building --- Sociological theories --- Politics --- Educational sciences --- onderwijspolitiek --- sociale analyse --- politiek