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Gain skills in illustration and logo manipulation that will enhance your designs and make them more appealing--either in your portfolio or for your client's next graphic project. As Adobe's Photoshop and Illustrator have evolved, new and unique features have been added to these programs that offer different options for warping and distorting graphics and shapes. For the beginner and intermediate student or graphic artist, choosing or knowing which distort or warp tool to use among so many available can become overwhelming and confusing. This book primarily focuses on teaching how to work with various warping tools and effect filters in Illustrator, though you will also be using or comparing graphics from Adobe Photoshop. Knowing how to work between these two applications is a crucial part of understanding how to successfully manipulate your designs. In Illustrator, you'll see how to alter vector graphics, and learn how to do this with your Layers panel in various non-destructive ways. Some of the tools mentioned in this book will be familiar to you, as you may have used them frequently. However, others are well hidden, are new, or perhaps you have never considered that you could use that tool, dialog box, or filter effect to warp or distort. What You Will Learn Become proficient in using the warping and distorting tools and effects in Illustrator Discover how to add perspective to your design or make them look three dimensional Work with the Appearance panel, Graphic Styles, and Symbols Combine older tools and newer, enhanced ones Who This Book Is For Beginner- and Intermediate-level readers interested in pursuing careers as graphic artists, photographers, or video artists/animators.
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Gain skills in image and logo manipulation that will enhance your designs and make them more appealing--either in your portfolio or for your clients next graphic project. As Adobe's Photoshop and Illustrator have evolved, new and unique features have been added to these programs that offer different options for warping and distorting graphics and shapes. For the beginner and intermediate student or graphic artist, choosing or knowing which distort or warp tool to use among so many available can become overwhelming and confusing. This book primarily focuses on teaching how to work with various warping tools and filters in Photoshop, though you will also be using graphics acquired from Adobe Illustrator. Knowing how to work between these two Applications is a crucial part of understanding how to successfully manipulate your designs. In Photoshop, you'll see how to alter both raster images and vector graphics, and learn how to do this with layers in various non-destructive ways. Some of the filters mentioned in this book will be familiar to you, as you may have used them frequently. However, others are well hidden, are new, or perhaps you have never considered that you could use that tool, dialog box, or filter to warp or distort. You will: Become proficient in using the warping and distorting tools and filters in Photoshop, as well as how to correct basic distortions in photos and add perspective Grasp transferring illustrations from Illustrator for use in Photoshop Discover how to warp and distort type Generate unique patterns Work with Smart Object Layers and Smart Filters Work in combination with older tools and newer, enhanced ones .
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This book is intended to be a little different from other books in its coverage. There are a great many digital signal processing (DSP) books and signals and systems books on the market. Since most undergraduate courses begin with signals and systems and then move on in later years to DSP, I felt a need to combine the two into one book that was concise yet not too overburdening. This means that students need only purchase one book instead of two and at the same time see the flow of knowledge from one subject into the next. Like the rudiments of music, it starts at the very beginning with some elementary knowledge and builds on it chapter by chapter to advanced work by chapter 15. I have been teaching now for 38 years and always think it necessary to credit the pioneers of the subjects we teach and ask the question "How did we get to this present stage in technological achievement"? Therefore, in Chapter 1 I have given a concise history trying to not sway too much away from the subject area. This is followed by the rudimentary theory in increasing complexity. It has already been taught successfully to a class at Auckland University of Technology New Zealand.
Discrete mathematics --- Electronics --- Computer. Automation --- grafentheorie --- signal processing --- systeemtheorie --- signaalprocessoren --- signaalverwerking --- Signal processing --- Digital techniques.
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Nowadays, most digital modulation schemes are based on conventional signal constellations that have no algebraic group, ring, or field properties, e.g. square quadrature-amplitude modulation constellations. Signal constellations with algebraic structure can enhance the system performance. For instance, multidimensional signal constellations based on dense lattices can achieve performance gains due to the dense packing. The algebraic structure enables low-complexity decoding and detection schemes. In this work, signal constellations with algebraic properties and their application in spatial modulation transmission schemes are investigated. Several design approaches of two- and four-dimensional signal constellations based on Gaussian, Eisenstein, and Hurwitz integers are shown. Detection algorithms with reduced complexity are proposed. It is shown, that the proposed Eisenstein and Hurwitz constellations combined with the proposed suboptimal detection can outperform conventional two-dimensional constellations with ML detection. About the author Daniel Rohweder received the B.Eng. degree in electrical engineering and information technology and the M.Eng. degree in electrical systems engineering from HTWG Konstanz, University of Applied Sciences, Germany, in 2015 and 2017, respectively. In 2016, he joined the Institute of System Dynamics (ISD), HTWG Konstanz, working on signal constellations with algebraic properties and their application in spatial modulation transmission schemes.
Electronics --- Computer. Automation --- signal processing --- automatisering --- signaalprocessoren --- signaalverwerking --- Signal processing --- Digital techniques --- Mathematics.
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"After photography" examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photographs of news events taken by ordinary people on mobile phones to the widespread use of image surveillance. In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to explore the possibilities created by digital innovations and to use them to understand our rapidly changing world. Ritchin investigates the future of visual media as the digital revolution transforms images into a hypertextual medium, fundamentally changing the way we conceptualise the world. Simultaneously, the increased manipulation of photographs makes photography suspect as reliable documentation. In the tradition of John Berger and Susan Sontag, Ritchin analyses photography's failings and reveals untapped potentials for the medium
Photography --- Digital electronics --- Digital techniques --- Social aspects. --- Social aspects --- Digital techniques. --- fotografie --- digitale fotografie --- nieuwe media --- digitale cultuur --- media --- eenentwintigste eeuw --- fotografiegeschiedenis --- beeldmanipulatie --- propaganda --- internet --- virtual reality --- virtuele realiteit --- cybercultuur --- reportagefotografie --- fotojournalistiek --- persfotografie --- amateurfotografie --- 77.01 --- 681.3*J5 --- 778 --- Fotografie--Semiotiek van de fotografie. Theorie --- Arts and humanities (Computer applications) --- Fotografie--Bijzondere toepassingen --- 778 Fotografie--Bijzondere toepassingen --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- digital media --- digital photography [digital camera] --- beeldcultuur --- Mass communications --- Digital photography --- Digital circuits --- Digital techniques (Electronics) --- Electronic systems --- Electronics --- Photography - Digital techniques --- Photography - Social aspects. --- Digital electronics - Social aspects
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This two volume set (CCIS 1776-1777) constitutes the refereed proceedings of the 7th International Conference on Computer Vision and Image Processing, CVIP 2022, held in Nagpur, India, November 4–6, 2022. The 110 full papers and 11 short papers were carefully reviewed and selected from 307 submissions. Out of 121 papers, 109 papers are included in this book. The topical scope of the two-volume set focuses on Medical Image Analysis, Image/ Video Processing for Autonomous Vehicles, Activity Detection/ Recognition, Human Computer Interaction, Segmentation and Shape Representation, Motion and Tracking, Image/ Video Scene Understanding, Image/Video Retrieval, Remote Sensing, Hyperspectral Image Processing, Face, Iris, Emotion, Sign Language and Gesture Recognition, etc.
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This two volume set (CCIS 1776-1777) constitutes the refereed proceedings of the 7th International Conference on Computer Vision and Image Processing, CVIP 2022, held in Nagpur, India, November 4–6, 2022. The 110 full papers and 11 short papers were carefully reviewed and selected from 307 submissions. Out of 121 papers, 109 papers are included in this book. The topical scope of the two-volume set focuses on Medical Image Analysis, Image/ Video Processing for Autonomous Vehicles, Activity Detection/ Recognition, Human Computer Interaction, Segmentation and Shape Representation, Motion and Tracking, Image/ Video Scene Understanding, Image/Video Retrieval, Remote Sensing, Hyperspectral Image Processing, Face, Iris, Emotion, Sign Language and Gesture Recognition, etc.
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Computer. Automation --- Image processing --- Computer vision --- Traitement d'images --- Vision par ordinateur --- Digital techniques --- Periodicals. --- Techniques numériques --- Périodiques --- Computer vision. --- Techniques numériques --- Périodiques. --- Digital techniques. --- #TS:WBIB --- Engineering --- Ergonomics --- Artificial Intelligence --- Embedded Systems --- Robotics --- Image Processing & Television Technology --- Information Technology --- Telecommunications Technology --- Civil Engineering --- Engineering. --- Image Processing & Television Technology. --- Information Technology. --- Telecommunications Technology.
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Sound --- Computer sound processing --- Son --- Recording and reproducing --- Digital techniques --- Periodicals. --- Enregistrement et reproduction --- Techniques numériques --- Périodiques --- Traitement par ordinateur --- Computer sound processing. --- Digital techniques. --- Engineering --- Electrical Engineering --- audio signals --- Sound processing, Computer --- Electronic digital computers --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Digital audio --- Digital sound recording --- Digital electronics --- speech communication --- audio processes --- Vibrations --- Computer. Automation
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Emoji have gone from being virtually unknown to being a central topic in internet communication. What is behind the rise and rise of these winky faces, clinking glasses and smiling poos? Given the sheer variety of verbal communication on the internet and English's still-controversial role as lingua mundi for the web, these icons have emerged as a compensatory universal language. The Semiotics of Emoji looks at what is officially the world's fastest-growing form of communication. Emoji, the colourful symbols and glyphs that represent everything from frowning disapproval to red-faced shame, are fast becoming embedded into digital communication. Controlled by a centralized body and regulated across the web, emoji seems to be a language: but is it? The rapid adoption of emoji in such a short span of time makes it a rich study in exploring the functions of language. Professor Marcel Danesi, an internationally-known expert in semiotics, branding and communication, answers the pertinent questions. Are emoji making us dumber? Can they ultimately replace language? Will people grow up emoji literate as well as digitally native? Can there be such a thing as a Universal Visual Language? Read this book for the answers.--
beeldtaal --- Mass communications --- semiotiek --- typografie --- Semiotics --- Smileys. --- Médias sociaux --- Sémiotique et médias --- Communication visuelle --- Multimédias interactifs --- Langage et Internet --- Art d'écrire --- Emoticons --- Social media --- Visual communication --- Writing --- Language and the Internet --- Digital techniques --- Linguistics --- Emoticons. --- Sociale media --- Emoji --- Internet --- Language and the Internet. --- Semiotics. --- Semiotiek. --- Semotiek. --- Taalgebruik. --- Digital techniques. --- Signs and symbols. --- Visual communication. --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Representation, Symbolic --- Semeiotics --- Signs --- Symbolic representation --- Symbols --- Abbreviations --- Omens --- Sign language --- Symbolism --- Smiley faces (Emoticons) --- Smileys (Emoticons) --- Smilies (Emoticons) --- Signs and symbols --- Social aspects. --- linguistics --- Internet and language --- Chirography --- Handwriting --- Language and languages --- Ciphers --- Penmanship --- Digital communications --- Social media - Semiotics --- Visual communication - Digital techniques --- Writing - Interactive multimedia
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