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Les auteurs nous invitent à découvrir l'extrême variété des retables, appelés aussi polyptyques, en passant en revue les plus célèbres des XVème et XVième siècles, ce à travers toute l'Europe. De nombreuses photographies, des détails en pleine page permettent de restituer une partie de l'émotion ressentie devant ces oeuvres étonnantes.

gotiek --- renaissance --- religieuze kunst --- religieuze iconografie --- altaarstukken --- 15de eeuw --- 16de eeuw --- renaissancekunst --- gotische kunst --- Altaarstukken [Gotische ] --- Altaarstukken [Renaissance- ] --- Altarpieces [Gothic ] --- Altarpieces [Renaissance ] --- Gothic altarpieces --- Gotiek-altaarstukken --- Gotiek-retabels --- Gotische altaarstukken --- Gotische retabels --- Renaissance altarpieces --- Renaissance-altaarstukken --- Renaissanceretabels --- Retabels [Gotische ] --- Retabels [Renaissance- ] --- Retables de la Renaissance --- Retables gothiques --- Altarpieces, Renaissance --- Altarpieces, Gothic --- Polyptychs --- Panel painting, Gothic --- Polyptiques --- Peinture sur panneau gothique --- Art chretien --- Peinture gothique --- Polyptyques --- Art sacré --- Mobilier liturgique --- retabels --- Religious architecture --- Painting --- Gothic [Medieval] --- retables [altar appendage] --- Renaissance --- anno 1200-1499 --- anno 1500-1599 --- Peinture de la Renaissance --- Art chrétien --- Art gothique --- Histoire de la peinture --- Histoire de la sculpture --- Panel painting, Renaissance --- Christian art and symbolism --- Art, Gothic --- Peinture sur panneau de la Renaissance --- Art et symbolisme chrétiens --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- 730 --- art gothique --- retables --- schilder- en tekenkunst --- peinture et dessin --- Art chretien - 1450-1600 (Renaissance) --- Polyptyques - Europe --- 15de eeuw. --- 16de eeuw. --- Retables de la renaissance --- Themes, motifs --- Dürer, Albrecht.

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Christian religion --- Conservation. Restoration --- Sculpture --- Painting --- panel paintings [paintings by form] --- sculpture [visual works] --- restoration [process] --- altarpieces --- religious art --- Medieval [European] --- Rode, Hermen

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'The Best Sculptor' is how Jan II Borman is described in a document dating from 1513. Ever since, Borman the man and his oeuvre are shrouded in mist. This late-medieval sculptor managed a busy workshop in Brussels, with commissions pouring in from religious institutions as well as from the bourgeoisie and princely rulers. He trained his sons Jan III and Passchier to become master sculptors after his own example and to have at least as shrewd a head for business as he himself. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. His iconic works are kept in the world?s greatest museums and churches. The book gathers essays by leading academics and presents a summary catalogue of all works attributed to the Borman family.

Sculpture --- altarpieces --- saints --- woodcarvers [woodworkers] --- Borman [Family] --- Belgium --- Borman (Family : --- Exhibitions --- Sculpture de la Renaissance --- Catalogues d'exposition. --- Borman (famille) --- Catalogues raisonnés. --- Sculpture, Flemish --- Flemish sculpture --- Borreman, Jan, --- Borman (Family : active 15th-16th century) --- Borman, Jan, --- Altarpieces, Renaissance --- Altarpieces, Flemish --- Sculptors --- Boarman family --- Wood sculpture, Flemish --- Wood sculpture, Late Gothic --- Altarpieces --- Exhibitions. --- 7 <09> --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- gotiek --- renaissance --- techniek --- Borman (familie) --- 15de eeuw --- 16de eeuw --- Antwerpen --- Brussel --- Leuven --- 726.3 --- Beeldsnijkunst--Brabant (hertogdom) --- Borman, Jan --- Borman --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Sculpture [Renaissance ] --- Borman (Family : - active 15th-16th century) - Exhibitions --- Borman (Family : - active 15th-16th century) --- techniek. --- gotiek. --- Borman (familie). --- 15de eeuw. --- 16de eeuw. --- Leuven. --- Brussel. --- Antwerpen. --- Christelijke kunst --- Borreman (Family : active 15th-16th century)

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The Thornham Parva Retable is Britain's largest and best preserved medieval altarpiece. It was found in a loft above a stable at Thornham Hall in Suffolk in 1927. Soon afterwards it was installed in the small thatched church of St Mary, Thornham Parva. Despite being extensively repainted some time before the end of the eighteenth century, its importance was immediately recognised. In 1987 a detailed study of the Retable in-situ and the Cluny Frontal, now in the Musée National du Moyen Age, Paris, established that both were parts of the altar which was probably made for the Dominican Priory at Thetford. It was saved from destruction after the dissolution of the monasteries in the early 16th century by a local family who adapted it for use as a private altar. The authors hoped that in time further examination and analysis of the Retable would be possible, and suggested a date of 1335-40 on stylistic grounds. After a sustained period of fund raising, the Parochial Church Council entrusted the examination and conservation of the Retable to theHamilton Kerr Institute, University of Cambridge. It was moved from the church in 1994.This book documents that project. The results of the technical examination are complemented by a series of articles placing the Retable in a technical and art historical context. It was decided to remove the later repaint as the only means to preserve the original paint lying beneath. Far more original paint was found, confirming the results of the initial examination and proposal. Dating of the wooden support suggested that the earliest date of production was probably 1336-40. The altarpiece can now be seen to be of the highest quality and has provided new insights into the sophisticated practice of oil painting in England before the fifteenth century.

Panel painting, English --- Panel painting --- Altarpieces, Medieval --- Conservation and restoration --- Technique. --- Suffolk --- Peinture sur panneau anglaise --- Peinture sur panneau --- Retables médiévaux --- Church of St. Mary (Thornham Parva, England) --- retabel van Thornham Parva --- Conservation. Restoration --- Painting --- anno 500-1499 --- conservatie --- middeleeuwen --- Engeland --- Retables médiévaux --- Exhibitions --- Conservation et restauration --- Expositions --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Panel painting, English - Conservation and restoration - England - Thornham Parva --- Panel painting - Conservation and restoration - Technique. --- Altarpieces, Medieval - England - Thornham Parva --- conservatie. --- retabel van Thornham Parva. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- Engeland. --- Suffolk [England]

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Dit cahier presenteert (in het tweede gedeelte) zo'n vijftig retabels, bewaard in Belgische kerken, kastelen en andere gebouwen. Na een korte beschrijving van het monument waar het retabel zich thans bevindt, komen de iconografie, de stijl en daaraan gekoppeld het productiecentrum, de bewaringstoestand en de eventuele behandelingen aan bod. Een bibliografie sluit elke bespreking af. Het eerste gedeelte daarentegen gaat in op een aantal algemene aspecten van de retabelproductie : historiek, functie, iconografie, productiewijze en -centra, arbeidsorganisatie, ambachtslui (beeldsnijders en schilders), materialen, technieken, onderzoek, conservering en restauratie.

Arts religieux --- Belgique --- België --- Monumenten --- Monuments --- Religieuze kunst --- Altarpieces, Flemish --- Sculpture, Medieval --- Retables flamands --- Sculpture médiévale --- Retabels --- Sculpture médiévale --- religieuze iconografie --- 75:726.593 --- 247.2 --- 625.3 Beeldhouwkunst --- 73 --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Altaar. Tabernakel. Retabel. Ambon --- beeldhouwkunst, numismatiek, kunstsmeedwerk en kunstdrijfwerk --- kerkelijk meubilair --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- #A0010A --- 581 Monumentenbescherming, cultureel erfgoed --- beeldhouwkunst --- retabels --- History --- Sculpture --- retables [altar appendage] --- Applied arts. Arts and crafts --- Belgium --- Flanders --- restauratie --- 15de eeuw --- 16de eeuw --- Vlaanderen --- Brabant --- Altarpieces --- Flanders (County) --- Criticism and interpretation --- 729 --- Beeldsnijkunst--Brabant (hertogdom) --- Vlaamse school --- Brabantse school --- sculpture [visual works] --- religieuze kunst --- sculptuur. --- religieuze iconografie. --- restauratie. --- 15de eeuw. --- 16de eeuw. --- Vlaanderen. --- Brabant. --- België. --- sculptuur --- Simon, Lucien.