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"The first major monograph on Simone Leigh's multimedia explorations of community, Black feminism and the traditions and material cultures of the African diaspora. Over the past two decades, Simone Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary art discourse. Her sculpture, video, installation and social practice explore ideas of race, beauty and community in visual and material culture. Leigh's art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture. This publication includes substantial new scholarship addressing Leigh's work across mediums and topics. The volume, timed with a major exhibition and national tour of the artist's work, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh's voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh's research methodologies and encourages readers to fully engage with all aspects of Leigh's work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist."
Leigh, Simone --- Criticism and interpretation. --- African American sculptors --- African American sculpture --- African American women artists --- African American artists --- Art, American --- Art, Modern --- Artists --- Sculpture, American --- Sculpture, Modern --- Sculpteurs noirs américains --- Sculpture noire américaine --- Femmes artistes noires américaines --- Artistes noirs américains --- Art américain --- Art --- Artistes --- Sculpture américaine --- Sculpture --- ART / General. --- 2000-2099 --- United States --- African American
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Excavations (Archaeology) --- Indians of South America --- Fouilles (Archéologie) --- Indiens d'Amérique --- Periodicals. --- Antiquities --- Périodiques --- Antiquités --- South America --- Peru --- Amérique du Sud --- Pérou
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Le catalogue met lʹaccent sur le lien de lʹartiste avec la spiritualité et la religion, qui a amené une esthétique oscillant entre vie, mort et beauté.
Warhol, Andy --- Painting, American --- Peinture américaine --- Warhol, Andy, --- Peinture américaine --- Pop [fine arts styles]
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American literature --- Arts and Humanities --- Literature --- African American arts --- Littérature américaine --- Arts noirs américains --- African American authors --- History and criticism --- Periodicals --- Auteurs noirs américains --- Histoire et critique --- Périodiques --- EBSCOASP-E EJART EJARTSD EJHISTO EJLITTE EPUB-ALPHA-B EPUB-PER-FT JSTOR-E
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"Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965-85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color--distinct from the primarily white, middle-class mainstream feminist movement--in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. Presenting a diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking."--Brooklyn Museum website, viewed April 11, 2017.
Art --- mezzotint [process] --- racial discrimination --- feminism --- #breakthecanon --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- United States --- United States of America --- Femmes artistes noires américaines --- Noires américaines --- Femmes écrivains noires américaines --- Womanisme --- African American feminists --- African American women authors --- African American radicals --- African American women --- Feminist literature --- Feminism --- Expositions. --- Activité politique --- History --- Exhibitions. --- Political activity --- Sources --- Femmes artistes noires américaines --- Noires américaines --- Femmes écrivains noires américaines --- Feminist art --- Racism --- Social movements --- Women --- Blackness --- Black feminism
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Crítica, Revista Hispanoamericana de Filosofía, is published by the Instituto de Investigaciones Filosóficas of the National Autonomous University of Mexico (Universidad Nacional Autónoma de México). It appears quarterly in the months of April, August and December. Its first volume was published in 1967 with Peter Strawson's "Is Existence Never a Predicate?" as its opening article. Since then it has been the leading philosophy journal in the Spanish and Portuguese speaking world, publishing original work primarily in the analytical tradition.
Philosophy --- Philosophy, Latin American --- Philosophie --- Philosophie latino-américaine --- Philosophy. --- Philosophy, Latin American. --- Latin American philosophy --- Mental philosophy --- Humanities --- Periodicals --- Logic --- Arts and Humanities
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Sociology of environment --- Social geography --- Economic geography --- City planning --- Housing --- Regional planning --- Urbanisme --- Logement --- Aménagement du territoire --- Periodicals --- Périodiques --- Aménagement du territoire --- Périodiques
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Louis, Morris --- Expressionnisme abstrait --- Peinture américaine --- Louis, Morris, --- Color-field --- painters [artists] --- Peinture américaine --- Abstract expressionism --- Painting, American --- Exhibitions. --- Exhibitions --- Expositions --- Criticism and interpretation --- Criticism and interpretation.
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Social Sciences --- Anthropology --- Mexico --- Indians of Mexico --- Anthropologie --- Indiens d'Amérique --- Periodicals. --- Périodiques --- Mexique --- History --- Social life and customs --- Histoire --- Moeurs et coutumes
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juweelkunst --- Chibcha --- goldsmithing --- Quimbaya --- jewelry --- goudsmeedkunst --- Tolima --- Calima --- Tairona --- Applied arts. Arts and crafts --- Colombia --- Indian goldwork --- Indian art --- Indians --- Orfèvrerie indienne --- Art indien d'Amérique --- Indiens d'Amérique --- Exhibitions. --- Exhibitions --- Social life and customs --- Expositions --- Moeurs et coutumes --- sculpture [visual works] --- urns --- Pre-Columbian [American] --- Orfèvrerie indienne --- Art indien d'Amérique --- Indiens d'Amérique
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