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This volume investigates the relationships between music and propaganda in the twentieth-century. Music can be utilised to attribute and ascribe multivalent meanings. Due to its great evocative power it has often been directly exploited by regimes and governments. In what ways does music convey the messages of propaganda? Which are the political and economical implications behind musical propaganda? Much has been written about the relationship between music and propaganda during the two world wars, but the post-war dimensions of the topic also require investigation. The authors featured in this volume are: M. I. Cabrera García, P. Christiansen, P. F. de Castro, L. Durakovi?, F. J. Fernández Vicedo, M. Fornaro Bordolli, D. Gangale, G. Gan Quesada, L. J. Hansen, E. Levi, S. Majer-Bobetko, H. Marinho, L. Martin-Chevalier, M. B. Martínez del Fresno, V. Miki?, P. Ordóñez Eslava, J. J. Pastor Comín, B. Pérez Castillo, G. Pérez Zalduondo, V. Radoman, C. Schutte, L. R. Semmes, H. Š iš ková, A. Stimie, W. Studdert, A. Tuchowski, H. Vandervlist, B. Vega Pichaco, L. Velasco Pufleau.
Music in propaganda --- Music --- Musique dans la propagande --- Musique --- Political aspects --- Aspect politique --- politieke muziek --- muziekgeschiedenis --- anno 1900-1999 --- Music and propaganda --- History --- 20th century
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In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco's Spain, Salazar's Portugal, or in Revolutionary Cuba).
Music --- Totalitarianism and music --- Fascism and music --- National socialism and music --- Communism and music --- Musique --- Totalitarisme et musique --- Fascisme et musique --- Nazisme et musique --- Communisme et musique --- Political aspects --- Aspect politique --- muziekgeschiedenis --- anno 1900-1999 --- Latin America --- Europe --- Music and fascism --- Music and totalitarianism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Dictatorship
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The volume focuses on the role of music publishing between 18th and 19th century. The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation of publications substantially altered the conception of the musical work and the nature and extent of intellectual property. Increasingly this allowed composers to support themselves financially through the sale of their own works, or even to establish, or collaborate in, publishing houses. The needs of contemporary consumers of music and new approaches to the production and dissemination of the musical work conditioned, and were conditioned by, the ever-evolving spheres of public and domestic performance that, in turn, stimulated the emergence of new musical forms and genres. This book focuses on the role of music publishing within the daily life and activities of composers at the turn of the nineteenth century, and its impact on subsequent patterns of development that influenced the course of nineteenth-century music.
Music publishing --- Music publishers --- History --- Music publishing - History - 18th century - Congresses --- Music publishing - History - 19th century - Congresses --- Music --- muziekuitgeverijen --- muziekgeschiedenis --- componisten --- anno 1700-1799 --- anno 1800-1899
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This book constitutes the refereed proceedings of two workshops held at the 23rd International Conference on Financial Cryptography and Data Security, FC 2019, in St. Kitts, St. Kitts and Nevis, in February 2019. The 20 full papers and 4 short papers presented in this book were carefully reviewed and selected from 34 submissions. The papers feature the outcome of the 4th Workshop on Advances in Secure Electronic Voting, VOTING 2019 and the Third Workshop on Trusted Smart Contracts, WTSC 2019. VOTING covered topics like election auditing, voting system efficiency, voting system usability, and new technical designs for cryptographic protocols for voting systems. WTSC focuses on smart contracts, i.e., self-enforcing agreements in the form of executable programs, and other decentralized applications that are deployed to and run on top of (specialized) blockchains. .
Programming --- Computer architecture. Operating systems --- Information systems --- Computer. Automation --- applicatiebeheer --- apps --- informatica --- database management --- computernetwerken --- architectuur (informatica)
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This book constitutes the refereed proceedings of two workshops held at the 24th International Conference on Financial Cryptography and Data Security, FC 2020, in Kota Kinabalu, Malaysia, in February 2020. The 39 full papers and 3 short papers presented in this book were carefully reviewed and selected from 73 submissions. The papers feature four Workshops: The 1st Asian Workshop on Usable Security, AsiaUSEC 2020, the 1st Workshop on Coordination of Decentralized Finance, CoDeFi 2020, the 5th Workshop on Advances in Secure Electronic Voting, VOTING 2020, and the 4th Workshop on Trusted Smart Contracts, WTSC 2020. The AsiaUSEC Workshop contributes an increase of the scientific quality of research in human factors in security and privacy. In terms of improving efficacy of secure systems, the research included an extension of graphical password authentication. Further a comparative study of SpotBugs, SonarQube, Cryptoguard and CogniCrypt identified strengths in each and refined the need for improvements in security testing tools. The CoDeFi Workshop discuss multi-disciplinary issues regarding technologies and operations of decentralized finance based on permissionless blockchain. The workshop consists of two parts; presentations by all stakeholders, and unconference style discussions. The VOTING Workshop cover topics like new methods for risk-limited audits, new ethods to increase the efficiency of mixnets, verification of security of voting schemes election auditing, voting system efficiency, voting system usability, and new technical designs for cryptographic protocols for voting systems, and new way of preventing voteselling by de-incentivising this via smart contracts. The WTSC Workshop focuses on smart contracts, i.e., self-enforcing agreements in the form of executable programs, and other decentralized applications that are deployed to and run on top of specialized blockchains.
Computer architecture. Operating systems --- Computer. Automation --- computers --- informatica --- computerbeveiliging
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This book constitutes the refereed proceedings of four workshops held at the 25th International Conference on Financial Cryptography and Data Security, FC 2021, held virtually, in March 2021. The workshops are as follows: CoDecFin: The Second Workshop on Coordination of Decentralized Finance DeFi 2021 : First Workshop on Decentralized Finance VOTING 2021: Sixth Workshop on Advances in Secure Electronic Voting WTSC 2021: Fifth Workshop on Trusted Smart Contracts.
Ergodic theory. Information theory --- Mathematical control systems --- Programming --- Computer architecture. Operating systems --- Computer. Automation --- coderen --- cryptografie --- applicatiebeheer --- apps --- informatica --- computerbeveiliging --- computernetwerken --- architectuur (informatica) --- informatietheorie
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Piano music --- Piano --- Music publishing --- Pianists --- Piano, Musique de --- Musique --- Pianistes --- History and criticism --- Performance --- Analysis, appreciation --- Exécution --- Analyse et appréciation --- Edition --- pianospel --- pianomuziek --- piano's --- Music --- anno 1800-1899 --- Paris --- Music publishers --- France --- Paris (France) --- 19th century --- Congresses --- Virtuosity in musical performance --- Europe --- Study and teaching --- History
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Programming --- Computer. Automation --- cryptografie --- informatica
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