Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

romans --- China --- S16/0430 --- China: Literature and theatrical art--Modern novels: texts and translations --- China.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

En 1947, trois jeunes artistes belges, Louis Deltour (1927-1998), Edmond Dubrunfaut (1920-2007) et Roger Somville (1923), rassemblent leurs énergies et leurs enthousiasmes pour créer le groupe Forces murales. L'expérience de la guerre les porte vers un art engagé, un art en faveur du peuple qui y retrouve ses luttes, ses joies et ses souffrances. Le muralisme semble la voie idéale que les artistes décident d'explorer dans toutes ses techniques. Dans une Belgique qui doit se reconstruire, ils transforment l'art de la tapisserie, ils s'intéressent à la fresque et plus tard à la céramique. L'élan de solidarité les conduit à soutenir les congrès des Partisans de la Paix et les diverses manifestations du Parti communiste avec de grandes toiles peintes qui racontent les luttes ouvrières et crient " Plus jamais ça "! En 2003, Edmond Dubrunfaut et Roger Somville confient à l'Institut d'histoire ouvrière, économique et sociale (IHOES) à Seraing plusieurs de ces grandes toiles, de nombreux dessins, des cartons de tapisseries et la majeure partie des archives de Forces murales. Edmond Dubrunfaut complète largement ce fonds en 2006. Pour la première fois, un ouvrage abondamment documenté retrace l'aventure de Forces murales entre 1947 et 1959 et relie cette expérience avec le parcours ultérieur des artistes.

Dubrunfaut, Edmond --- Somville, Roger --- Deltour, Louis --- muurschilderingen --- monumentale kunst --- Exhibitions --- Socialist realism in art --- Belgium --- Art [Modern ] --- 20th century --- Deltour, louis (1927-1998) --- Dubrunfaut, edmond (1920-2007) --- Somville, roger (1923-....) --- Art et politique --- Peinture et décoration murales --- Belgique --- 1945-1970 --- Dubrunfaut, Edmond. --- Somville, Roger. --- Deltour, Louis.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In dit boek wordt een beeld geschetst van de ontwikkeling van de beroepspraktijk van Nederlandse kunstenaressen in de afgelopen honderd jaar. Er wordt onder meer nagegaan welke positie deze kunstenaressen innamen in kunstenaarsverenigingen, welke strategieën ze hanteerden om posities te bereiken in de kunstwereld, welke steun ze van de overheid kregen, en of ze op gelijke voet behandeld werden als hun mannelijke collega's. Voor de keuze van de thema's in deze bundel werd het verschijnsel 'netwerk' als leidraad genomen. Contacten zijn immers onontbeerlijk om in de kunstwereld enige bekendheid te verwerven. De manier waarop en de mate waarin kunstenaressen toegang krijgen tot de verschillende kunstinstituties (kunstacademies, kunstenaarsverenigingen, etc.) blijkt een cruciale rol te spelen in de ontwikkeling van hun kunstenaarsloopbaan.

20e eeuw --- vrouwengeschiedenis --- beeldende kunst --- Kunst ; van vrouwen ; Nederland ; 1898-1998 --- 7.071 --- Kunst ; kunstenaars en beroep --- Art, Dutch --- Women artists --- History --- anno 1900-1999 --- Netherlands --- Artists, Women --- Women as artists --- Artists --- Art, Modern --- beeldende kunsten --- Art education --- Career --- Book --- 20e eeuw.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

arbeiderscultuur --- arbeidersopvoeding --- Amsterdam --- Art, Dutch --- Art --- Socialism and art --- Art, Modern --- Art and socialism --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects&delete& --- History&delete& --- 20th century --- History --- Kunst aan het Volk (Association) --- Vereeniging Kunst aan het Volk --- Political aspects --- Art, Primitive --- Amsterdam.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Late nineteenth- and early twentieth-century France is generally thought of as the embodiment of artistic modernism. However, in this original and perceptive study, Romy Golan argues that, after the First World War, traumatized by the experience of the trenches and then by the stranglehold of the Depression, France suffered a crisis of confidence so profound that it initiated a period of cultural, political, and economic retrenchment that lasted into the Vichy years. Golan argues that reactionary issues such as anti-urbanism, the return to the soil, regionalism, corporatism, xenophobia, and doubts about the new technology became central to cultural and art-historical discourse. Focusing on the overlap of avant-garde and middle-of-the-road production, she investigates the import of these issues not only in, painting, sculpture, and architecture (concentrating on the work of Leger, Picasso, Le Corbusier, Ozenfant, Derain, the Surrealists, and the so-called naifs), but also in the decorative arts, in the spectacle of world and colonial fairs, and in literature. Throughout she finds evidence that artists turned from the aesthetics of the machine age toward a more organic, naturalistic art. This leads her to ask whether the famous and momentous shift of the avant-garde from Paris to New York in 1939 did not, in fact, begin two decades earlier, in 1918. According to Golan, it was in democratic France of this period, rather than in Fascist Italy or Nazi Germany, that one finds the most compelling demonstration of the hidden interaction of art and ideology.

kunst --- politieke geschiedenis --- 1918-1939 --- Frankrijk --- Art, French --- Art and society --- History --- France --- Politics and government --- -Art, French --- -Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Art --- Art and sociology --- Society and art --- Sociology and art --- -Social aspects --- -Politics and government --- -Art and society --- -History --- -France --- -Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- Art, Modern --- Faisant (Group of artists) --- Figuration libre (Group of artists) --- Untel (Group of artists) --- Social aspects --- Art français --- Art et société --- Histoire --- Politique et gouvernement --- interbellum --- Art, French - 20th century --- Art and society - France - History - 20th century --- France - Politics and government - 1914-1940 --- interbellum. --- Frankrijk.