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Popular music --- History and criticism --- Popular music. --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions
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cultural studies --- popular music studies --- interdisciplinarity --- romance languages --- text-and-music relations --- Vocal music --- Romance-language literature --- Music and literature --- Popular music --- Music and literature. --- Popular music. --- Vocal music. --- Musical settings --- Music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Literature and music --- Literature --- Romance literature
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Composers --- Music --- Vocal music --- Compositeurs --- Musique --- Musique vocale --- Poulenc, Francis, --- Poulenc, Francis --- Congresses --- Zang --- Melodieën --- 20e eeuw --- Frankrijk
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Choral music --- Choral music. --- Choruses --- Choruses, Sacred --- Choruses, Secular --- Music, Choral --- Sacred choral music --- Secular choral music --- Church music --- Music --- Vocal music --- History and criticism
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History of civilization --- Music --- anno 500-1499 --- anno 1500-1799 --- anno 1800-1999 --- Musicologie --- Musicology --- Music publishing --- Music publishers --- Vocal music --- Musique --- Editeurs de musique --- Musique vocale --- History and criticism --- Sources --- History --- Histoire et critique --- Edition --- Histoire --- Vanhulst, Henri --- 78.15 Vanhulst --- Music - 16th century - History and criticism --- Vocal music - History and criticism --- Mélanges --- Muziekwetenschappen --- Andrez, Jeanne
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Volume! is the only peer-reviewed academic journal dedicated to the study of contemporary popular music. It is published biannually (May & November) by the Éditions Mélanie Seteun, a publishing association specialized in popular music. The journal is in French with some non-translated articles in English. Volume! was established in 2002 under the title Copyright Volume! by Gérôme Guibert, Marie-Pierre Bonniol and Samuel Étienne, and obtained its current name in 2008. Étienne (Université de la Polynésie Française) was its first editor-in-chief (2002-2008), before Guibert (University of Paris III: Sorbonne Nouvelle) took over in 2008.
Popular music --- Books --- 24.65 popular and light music --- History and criticism. --- Book reviews --- Reviews --- Books and reading --- Criticism --- Book reviewing --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions
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Popular music --- Musique populaire --- History and criticism --- Histoire --- Popular music. --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Arts and Humanities --- Performing Arts, Travel and Leisure --- Society and Culture --- History --- Histoire et critique
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anthropology of music --- methodologies for the study of popular music --- urban music and identities --- audiovisual media and popular music --- pedagogy of popular music --- music conservation --- Popular music --- Study and teaching --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Instruction and study.
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Popular Music is an international multi-disciplinary journal covering all aspects of the subject from the formation of social group identities through popular music, to the workings of the global music industry, or how particular pieces of music are put together. Relating to any kind of popular music, from the global commercial sphere to local folk or traditional music from any historical era or geographical location, the journal carries articles by scholars from a large variety of perspectives. Each issue contains substantial, authoritative and influential articles, shorter topical pieces, and reviews of a wide range of books. Recent thematic issues are on gender, sexuality and popular music, and music and television.
Music --- Popular music --- Musique populaire --- Periodicals. --- Périodiques --- Popular music. --- History and criticism --- Periodicals --- Arts and Humanities --- General and Others --- Performing Arts, Travel and Leisure --- Society and Culture --- Arts and Humanities. --- Society and Culture. --- Unterhaltungsmusik --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Populärmusik --- U-Musik --- Leichte Musik --- Populäre Musik --- Popularmusik --- Culture and media --- Cover versions --- Musik --- Trivialmusik --- 78.39 --- Populärmusik --- Populäre Musik --- Unterhaltungsmusik. --- Música pop. --- Música folklòrica.
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Choral music --- Music theory --- Music theory. --- Choral music. --- Choral music --- Choruses --- Choruses, Sacred --- Choruses, Secular --- Music, Choral --- Sacred choral music --- Secular choral music --- Church music --- Music --- Vocal music --- Musical theory --- Theory of music --- Music --- Musical theory --- Theory of music --- Choral music --- Choruses --- Choruses, Sacred --- Choruses, Secular --- Music, Choral --- Sacred choral music --- Secular choral music --- Church music --- Music --- Vocal music --- History --- History and criticism --- History and criticism --- History and criticism --- History and criticism --- Theory --- History and criticism --- History and criticism --- History and criticism --- History and criticism --- History and criticism
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