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Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene’s character in art and, in essence, the reinvention of her iconography from one generation to the next.

Iconography --- Mary Magdalene --- Christian art and symbolism --- Christian women saints in art --- Art et symbolisme chrétiens --- Saintes chrétiennes dans l'art --- Mary Magdalene, --- Art --- 225-055.2 --- 246 "04/14" --- 246 "15/17" --- Vrouwen in het Nieuwe Testament --- Christelijke kunst en symbolisme--Middeleeuwen --- Christelijke kunst en symbolisme--Nieuwe Tijd --- Maddalena, --- Madeleine, --- Magdaghinē, --- Magdalene, --- Maria Maddalena, --- Maria Magdalena, --- Mariam Magdaghenatsʻi, --- Marie Madeleine, --- Mary Magdalen, --- 225-055.2 Vrouwen in het Nieuwe Testament --- Maryam al-Majdalīyah, --- Art et symbolisme chrétiens --- Saintes chrétiennes dans l'art --- Art. --- Christian art and symbolism. --- ART / Subjects & Themes / Religious --- Saints. --- Persons --- Maria Magdalena --- Iconographie --- Mary Magdalene, - Saint - Art --- Mary Magdalene, - Saint