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"Essays in film and the humanities."

Motion picture plays --- Motion pictures --- Motion pictures and literature --- Motion pictures and literature. --- Motion pictures. --- Motion picture plays. --- History and criticism

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Film adaptations --- Motion pictures and literature --- Film adaptations. --- Motion pictures and literature. --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Motion picture adaptations --- Motion pictures --- History and criticism --- Adaptations --- Film

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Motion pictures --- Motion pictures and literature --- Television and literature --- Television programs --- Mass media and literature --- Mass media and literature. --- Motion pictures. --- Motion pictures and literature. --- Television and literature. --- Plots, themes, etc.

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Au départ de ce livre, un constat. Face à la scène ou dans la salle obscure, le spectateur se trouve confronté à une curieuse hésitation : le manteau d'Arlequin, l'écran invitent à la fois à la rencontre et à la séparation. Sans doute, images scénique et filmique n'offrent-elles pas le même dilemme. A en croire le (mauvais) genre ou le (grand méchant) texte, l'interrogation ne serait pas de même nature. Pourtant, il arrive que les démarches spectaculaires dialoguent, se croisent, se précipitent ou se simulent en des gestes qui ont pour noms la captation, la notation, la transposition, le transfert, la métamorphose. Peut-on définir un concept générique d'adaptation, désignant ces processus de relation ? Quels seraient les mécanismes, le fonctionnement, les contraintes, les outils et les objets de l'adaptation ? Le recours à des méthodes d'inspiration sémiologique permet une reformulation des problèmes. Il est illustré dans le présent ouvrage par des pratiques de lecture (Hamlet dans les versions de Laurence Olivier et de Patrice Chéreau, En attendant Godot filmé sous l'autorité de Beckett) et par de nombreux exemples.

Film adaptations --- Theater --- Motion pictures and theater --- Semiotics and the arts --- Film and video adaptations --- Motion pictures and literature --- Adaptations cinématographiques --- Cinéma et littérature --- Film adaptations. --- Theater - Film and video adaptations

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Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews, including both book to screen adaptation, screen to book adaptation, popular and `classic' adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues and genres in literature on screen. Adaptation provides an international forum to theorise and interrogate the phenomenon of literature on screen from both a literary and film studies perspective.

Film adaptations --- Literature --- Prints --- Adaptations --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Motion picture adaptations --- Fine prints --- Belles-lettres --- Western literature (Western countries) --- World literature --- Motion pictures --- Graphic arts --- Philology --- Authors --- Authorship --- Adaptations cinématographiques --- Cinéma et littérature --- Film adaptations. --- Adaptations. --- Adaptations, Print --- Adaptations, Literary --- Literary adaptations --- Film --- Motion pictures and literature --- Littérature --- Estampe --- Adaptation --- Literature and motion pictures --- Moving-pictures and literature --- Motion pictures and literature. --- English literature --- Performing Arts. --- History and criticism