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KU Leuven (2)

LUCA School of Arts (2)


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film (4)


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English (3)

Persian (1)


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2021 (1)

2019 (1)

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2008 (1)

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Film
Santūrī = : Santouri the music man

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Abstract

A musician who plays an ancient instrument finds his life taking a tragic turn when his addiction to heroin causes him to lose his job and his wife.


Film
Researching jazz improvisers' shared understanding using interviews.
Author:
ISBN: 9781473999862 Year: 2017 Publisher: United Kingdom : SAGE Publications Ltd,

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Abstract

Professor Michael Schober discusses his case study on interaction and communication between jazz musicians while performing. He details how the study selected performers, conducted interviews, and designed questionnaires--with insights into challenges and study findings.


Film
Hedwig and the angry inch

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Abstract

"With this trailblazing musical, writer-director-star John Cameron Mitchell and composer-lyricist Stephen Trask brought their signature creation from stage to screen for a movie as unclassifiable as its protagonist. Raised a boy in East Berlin, Hedwig (Mitchell) undergoes a traumatic personal transformation in order to emigrate to the U.S., where she reinvents herself as an “internationally ignored” but divinely talented rock diva, characterized by Mitchell as inhabiting a “beautiful gender of one.” The film tells Hedwig’s story through her music, an eclectic assortment of original punk anthems and power ballads by Trask, matching them with a freewheeling cinematic mosaic of music-video fantasies, animated interludes, and moments of bracing emotional realism. A hard-charging song cycle and a tender character study, Hedwig and the Angry Inch is a tribute to the transcendent power of rock and roll."--


Film
Babymother

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Abstract

"Babymother follows young black woman Anita, who dreams of becoming a successful dancehall deejay, whilst juggling the difficulties of raising her two children on a Harlesden housing estate. Her ambitious babyfather Byron forges his own music career, unashamedly stealing lyrics from Anita in the process. Supported by her rude girl friends Anita is determined to make her mark, culminating in a dancehall battle against Byron. Widely considered to be the first truly black British musical, director Julian Henriques uses music to uncover the energetic culture beating at the heart of Harlesden's streets and estates."--

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