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Jeune musicien rêvant d'être une rock star, Jon croise le chemin d'un groupe de pop avant-gardiste à la recherche d'un nouveau clavier. Il devient vite le protégé de Frank, leur leader, aussi fascinant que mystérieux : ce génie musical vit dissimulé en permanence sous une grande tête en papier mâché. Entre phases de doute et éclats de créativité, rapports fusionnels et crises de confiance, l'enregistrement du premier album du groupe et les concerts les conduiront dans une véritable aventure humaine de l'Irlande jusqu'au Texas!"Frank" évoque le trouble identitaire pouvant se cacher derrière la création et propose une narration déroutante qui fait mine de convoquer les codes du feel-good movie (...) pour mieux virer à la balade irlandaise désenchantée.

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Feinstein, Leonard

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Steve Leonard takes a 4 billion year journey from the first spark of life to the conquering of a planet.

On this dvd :

The recipe for life
What makes a handful of chemicals spring into life? Discover the essential ingredients that populated a planet.

Sea Life
Explore the myriad life forms of our oceans and take the Blue Planet Challenge.

Human evolution
Take a journey through time, from the last ancestor of chimps and humans to the emergence of modern people.

The aquatic ape theory Explore the theory on how upright walking, and other characteristics that separate humans from their closest relatives, came about.
(Bron: http://www.bbc.co.uk/)

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The film focuses on the careers and work of a collective group of artists who since the 1990s began a movement in the art world using D.I.Y. aesthetics from skateboarding, graffiti and underground music such as punk rock and hip-hop.[4] The artists discussed and interviewed in the film include Thomas Campbell, Cheryl Dunn, Shepard Fairey, Harmony Korine, Geoff McFetridge, Clare Rojas, Barry McGee, Margaret Kilgallen, Mike Mills, Steve "Espo" Powers, Aaron Rose, Ed Templeton, Deanna Templeton, and Mark Gonzales.A series of interviews with these artists explains their reasoning behind their "do-it-yourself" style of street art. As some of these artists discuss their growth in popular artistic culture they explain how becoming renowned and admired in the art world was something that never occurred to them from their various roots in street culture, or simply creating art for themselves. As many of the artists began to be recognizable and sought after they discuss their series of commercial success: creating advertisements for popular products, designing products themselves, working in film and being hired to paint and create artwork in well known locations. The personal feelings and convictions of some of the artists and how creating work for corporations compares to their beginnings in street culture is also discussed. The film portrays the artists as outside the realm of contemporary art.

Punk --- Graffiti

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Los Angeles, 1999. Le ministère américain de la justice a mis au point le prototype du systeme d'entrainement le plus sophistiqué du monde pour ses services de police: un criminel virtuel, Sid 6.7, que les stagiaires traquent sur simulateur. Les choses se dégradent quand Sid 6.7 brise les limites de la réalite virtuelle et devient réel...