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Latin drama (Comedy) --- Comédie latine --- History and criticism --- Histoire et critique --- Plautus, Titus Maccius. --- Plautus, Titus Maccius --- Comédie latine --- Plautus, Titus Maccius - Asinaria
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Drama --- Drama --- Esclavage dans la littérature. --- Latin drama --- Latin drama. --- Slavery in literature. --- Slavery in literature. --- Théâtre (Genre littéraire) --- Théâtre latin --- Technique. --- Technique. --- History and criticism. --- Technique. --- Histoire et critique. --- Terence --- Terence. --- Plautus, Titus Maccius --- Plautus, Titus Maccius. --- Characters --- Slaves. --- Characters --- Slaves.
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Latin drama (Tragedy) --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History and criticism --- History --- -Ennius, Quintus --- -Ennio, Quinto --- Tragedies --- Theses --- Theater --- History and criticism. --- Ennius, Quintus --- Tragedies. --- -History and criticism --- -Tragedies --- Ennio, Quinto
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This book presents a comprehensive account of features of Latin that emerge from dialogue: commands and requests, command softeners and strengtheners, statement hedges, interruptions, attention-getters, greetings and closings. In analyzing these features, Peter Barrios-Lech employs a quantitative method and draws on all the data from Roman comedy and the fragments of Latin drama. In the first three parts, on commands and requests, particles, attention-getters and interruptions, the driving questions are firstly - what leads the speaker to choose one form over another? And secondly - how do the playwrights use these features to characterize on the linguistic level? Part IV analyzes dialogues among equals and slave speech, and employs data-driven analyses to show how speakers enact roles and construct relationships with each other through conversation. The book will be important to all scholars of Latin, and especially to scholars of Roman drama.
Grammar --- Classical Latin language --- Historical linguistics --- Drama --- Classical Latin literature --- Literary rhetorics --- Latin drama (Comedy) --- Latin language --- Rhetoric, Ancient --- Latein --- Dialog --- Sprachstatistik --- Komödie --- History and criticism --- Grammar, Historical --- Latein. --- Komödie. --- Komödie. --- Dialog. --- Sprachstatistik. --- Latin drama (Comedy) - History and criticism --- Latin language - Grammar, Historical --- Rhetoric, Ancient - History and criticism --- History and criticism. --- Grammar, Historical. --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin rhetoric --- Rhetoric
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Neo-Latin literature --- Thematology --- Drama --- Latin drama, Medieval and modern --- College and school drama, Latin (Medieval and modern) --- Jesuit drama, Latin (Medieval and modern) --- Benedictine drama --- Drama in Christian education --- Theater --- Théâtre latin médiéval et moderne --- Théâtre scolaire et universitaire latin médiéval et moderne --- Théâtre jésuite latin médiéval et moderne --- Théâtre bénédictin --- Théâtre dans la catéchèse --- Théâtre --- History and criticism. --- History. --- History --- Histoire et critique --- Histoire --- Benediktineruniversität Salzburg --- Théâtre latin médiéval et moderne --- Théâtre scolaire et universitaire latin médiéval et moderne --- Théâtre jésuite latin médiéval et moderne --- Théâtre bénédictin --- Théâtre dans la catéchèse --- Théâtre --- Benediktineruniversität Salzburg --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Christian education --- Christian drama --- Latin Jesuit drama, Medieval and modern --- Latin college and school drama, Medieval and modern --- Latin literature, Medieval and modern --- History and criticism --- Benediktineruniversität Salzburg.
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