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A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think—rather than just perform or perceive—movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems.
Movement (Philosophy). --- Human body (Philosophy). --- Choreography --- Digital art --- Philosophy. --- Philosophy.
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Leszek Koczanowicz's book explores the emancipatory power of the human body in everyday life, examining its potential for liberation within societal structures. The work delves into the philosophical and cultural implications of artificial intelligence, questioning the reduction of human experience to language models and advocating for a more holistic understanding of human existence that incorporates both thought and action. Through a critique of dualistic theories, the text situates the body as central to human identity and societal change. Intended for an audience interested in philosophy, cultural studies, and the impact of technology on society, the book challenges the dominance of disembodied perspectives and emphasizes the active, corporeal nature of human beings.
Philosophy --- Political philosophy. Social philosophy --- Social sciences (general) --- Sociology --- sociologie --- politieke filosofie --- sociale filosofie --- sociale wetenschappen --- Human body. --- Social change. --- Human body --- Social change
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Art --- Human body and technology in art. --- Human body and technology in literature. --- Humanism in art. --- Humanism in literature. --- Russian literature --- History and criticism
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This book covers the changes in musculoskeletal, neurological and cardiopulmonary systems, which are the three pillars of human movement. It examines the causes, processes, consequences, and contexts of physical activity from different perspectives and in different life stages including early childhood to elderly. It goes on to further explain how purposeful movement of the human body is affected by pathological conditions related to any of these major systems. Coverage also includes external and internal factors (such as forces and other stresses) that affect the human growth pattern and development, and throughout lifespan (embryo, child, adult, and geriatrics). The perfect reference for researchers of kinesiology as well as clinicians and students involved in rehabilitation practice. --
Kinesiology. --- Kinesiology, Applied. --- Movement Disorders --- physiopathology. --- Kinesiology, Applied --- physiopathology --- Kinesiology --- Human body
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This book explores the impact of the body on the mediation of character in adaptations. Specifically, it thinks about how identity is shaped by the body and how this alters meanings of adaptations. With an increasingly digital world, the importance of the body may be seen as diminishing. However, the book highlights the different political and social meanings the body signifies, which in turn renders character. Through a discussion of adaptations of sexuality, race, and mental difference, the mediation of character is shown to be tied to the physical. The book challenges the hierarchies in place both for the understanding of character, which privileges the actor, and in adaptations, which privileges the original. The discussion of the body, character, and adaptation asserts that the meanings the physical has in its shaping of, and by, character in adaptations reflect the way in which we position our own bodies in the world. Christina Wilkins, University of Birmingham, UK. Christina Wilkins has written on adaptations, identity, nostalgia, and popular culture. She currently lectures at the University of Birmingham.
Film --- Theatre management --- Recreation. Games. Sports. Corp. expression --- Film adaptations. --- Human body in motion pictures.
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In 1929, a small group of men and women threw off their clothes and began to exercise in a New York City gymnasium, marking the start of the American nudist movement. While countless Americans had long enjoyed the pleasures of skinny dipping or nude sunbathing, nudists were the first to organize a movement around the idea that exposing the body corrected the ills of modern society and produced profound benefits for the body as well as the mind. Despite hostility and skepticism, American nudists enlisted the support of health enthusiasts, homemakers, sex radicals, and even ministers, and in the process, redefined what could be seen, experienced, and consumed in twentieth-century America. Naked gives a vibrant, detailed account of the American nudist movement and the larger cultural phenomenon of public nudity in the United States. Brian S. Hoffman reflects on the idea of nakedness itself in the context of a culture that wrestles with an inherent sense of shame and conflicting moral attitudes about the body. In exploring the social and legal history of nudism, Hoffman reveals how anxieties about gender, race, sexuality, and age inform our conceptions of nakedness. The book traces the debates about distinguishing deviant sexualities from morally acceptable display, the legal processes that helped bring about the dramatic changes in sexuality in the 1960s and 1970s, as well as the explosion in eroticism that has increasingly defined the modern American consumer economy. Drawing on a colorful collection of nudist materials, films, and magazines, Naked exposes the social, cultural, and moral assumptions about nakedness and the body normally hidden from view and behind closed doors.--Book jacket.
Social sciences (general) --- Human Body --- Nudism --- history. --- Social aspects --- History. --- USA. --- United States.
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Becoming Biosubjects examines the ways in which the Canadian government, media, courts, and everyday Canadians are making sense of the challenges being posed by biotechnologies. The authors argue that the human body is now being understood as something that is fluid and without fixed meaning. This has significant implications both for how we understand ourselves and how we see our relationships with other forms of life. Focusing on four major issues, the authors examine the ways in which genetic technologies are shaping criminal justice practices, how policies on reproductive technologies have shifted in response to biotechnologies, the debates surrounding the patenting of higher life forms, and the Canadian (and global) response to bioterrorism. Regulatory strategies in government and the courts are continually evolving and are affected by changing public perceptions of scientific knowledge. The legal and cultural shifts outlined in Becoming Biosubjects call into question what it means to be a Canadian, a citizen, and a human being.
Law --- Biotechnology --- Genetic engineering --- Human body --- Forensic genetics --- Criminal justice, Administration of --- Reproductive technology --- Bioterrorism
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The Developing Microbiome: Lessons from Early Life focuses on the establishment of the microbiome in early life, exposing it as a key mediator of diseases and health throughout the lifecycle. The content presents a comprehensive view of the status of the field and draws real-world correlations to health and disease states. It collates the significant research being done in the pediatric microbiome research space and bridges the knowledge gap showing the factors that impact health and disease states throughout the lifecycle. Finally, it offers knowledge on how the microbiome is and can be manipulated to promote change. This is a perfect reference for both researchers and clinical scientists who are interested in the role of the infant microbiome in health and disease, as well as gastroenterologists and pediatricians looking to affect change in their patients.
Bacteria --- Pathogenic microorganisms. --- Microorganisms. --- Human body --- Molecular microbiology. --- Infants. --- Pediatrics. --- Mothers. --- Medical microbiology. --- Microbiology. --- Bacteria. --- Infant. --- Health aspects. --- pathogenicity --- pathogenicity.
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Burning Bodies interrogates the ideas that the authors of historical and theological texts in the medieval West associated with the burning alive of Christian heretics. Michael Barbezat traces these instances from the eleventh century until the advent of the internal crusades of the thirteenth century, depicting the exclusionary fires of hell and judicial execution, the purifying fire of post-mortem purgation, and the unifying fire of God's love that medieval authors used to describe processes of social inclusion and exclusion.Burning Bodies analyses how the accounts of burning heretics alive referenced, affirmed, and elaborated upon wider discourses of community and eschatology. Descriptions of burning supposed heretics alive were profoundly related to ideas of a redemptive Christian community based upon a divine, unifying love, and medieval understandings of what these burnings could have meant to contemporaries cannot be fully appreciated outside of this discourse of communal love. For them, human communities were bodies on fire. Medieval theologians and academics often described the corporate identity of the Christian world as a body joined together by the love of God. This love was like a fire, melting individuals together into one whole. Those who did not spiritually burn with God's love were destined to burn literally in the fires of Hell or Purgatory, and the fires of execution were often described as an earthly extension of these fires. Through this analysis, Barbezat demonstrates how presentations of heresy, and to some extent actual responses to perceived heretics, were shaped by long-standing images of biblical commentary and exegesis. He finds that this imagery is more than a literary curiosity; it is, in fact, a formative historical agent.
History --- Christian heretics --- Fire --- Flesh (Theology) --- Human body --- History. --- Religious aspects --- Christianity. --- History of doctrines --- Christianity --- Europe --- Church history
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This interdisciplinary collection of essays, containing chapters from specialists in history, art history, medical history, and literature, examines how the intimately familiar language of the body served as a convenient medium through which to imagine and describe transformations of the larger world, both for the better and also for the worse. Its individual contributors demonstrate the myriad ways in which rethinking the human body was one way to approach rethinking the social, political, and religious realities of the world from the Middle Ages until the early modern period.
Christian theology --- Human physiology --- Iconography --- Thematology --- tear [secretion] --- blood [animal material] --- crying [weeping] --- anno 500-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Human body --- Human body in literature --- Human figure in art --- Human body in literature. --- Symbolic aspects. --- History --- Religious aspects --- Body, Human, in literature --- Human figure in literature --- Body, Human --- Human beings --- Body image --- Human anatomy --- Mind and body --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Symbolic aspects of the human body --- Symbolism --- Blood. --- bodily humours. --- corporeality. --- devotion. --- emotions. --- tears. --- crying --- lichaam (van de mens)
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