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Culture, Technology and the Image explores the technologies deployed when images are archived, accessed and distributed. The chapters discuss the ways in which habits and techniques used in learning and communicating knowledge about images are affected by technological developments. The volume discusses a wide range of issues, including access and participation; research, pedagogy and teaching; curation and documentation; circulation and re-use; and conservation and preservation. The book illustrates how knowledge about images is intertwined with the methods that are used to store, retrieve and analyse those images and the information associated with them. Focusing on the implications of technology for processes and practices brings into view the permeable nature of boundaries between such disciplines as art history, media studies, museum studies and archiving. As such, this text will appeal to a broad academic audience, including art historians interested in the digital; media studies scholars; digital humanities scholars interested in expanding beyond textual scholarship; as well as new students in any of these fields.
Information retrieval --- visual culture --- Visual communication
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"Structure your visuals as carefully as a writer structures a story or a composer structures music with this updated edition of a best-selling classic. Just as music can be used to communicate fear, tension, horror, sadness, or happiness, so too can visual components such as space, line and shape, tone, color, movement, and rhythm. The Visual Story teaches you how to manipulate these components to effectively convey moods and emotions, give your production unity and style, and find the critical relationship between story and visuals. Author Bruce Block provides you with a clear view of the relationship between the story/script structure and the visual structure of film, video, animation, video games, and photography. Understanding how this visual relationship allows you to communicate moods and emotions, can guide you in the selection of locations, character design, lighting design, and most importantly reveals the critical relationship between story and visual structure. With over 700 full color images the third edition is fully updated to include new visual examples, a companion website with video, exercises, and more, expanded coverage of visual structure considerations for video games, animation, and still photography. With an ideal blend of theory and practice, the concepts in this new edition will benefit students studying film, as well as writers, directors, photographers, animators, game designers, cinematographers, art directors and virtually anyone working in visual media who want to better understand and apply visual structure"--
Mass communications --- Film --- film --- massamedia --- media --- multimedia --- digitale video --- Cinematography. --- Video recording. --- Visual communication --- Motion pictures --- Technique. --- Production and direction
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Makes available the essential information and critical assessment of major topics in Image Studies all in one place for the first time. Presents key concerns, histories, and methodologies central to contemporary Image Studies in a clear order and through distinguishable thematic units. Serves as an essential reference for every student in visual communication, media theory, visual culture, visual semiotics, art theory, film studies, and philosophy of the image.
Semiotics --- Philosophy and psychology of culture --- Aesthetics --- Sociology of culture --- Mass communications --- Art --- communicatie --- cultuur --- esthetica --- kunst --- semiotiek --- culturele antropologie --- Visual communication. --- Image (Philosophy) --- Communication visuelle --- Image (Philosophie)
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As war and mass emigration across oceans increased the distances between ordinary people in the late nineteenth and early twentieth centuries, many of them, previously barely literate and unaccustomed to writing, began to communicate on paper. This fascinating account explores this surge of ordinary writing, how people met the new challenges of literacy and the importance of scribal culture to the history of individual experience in modern Europe. Focusing on correspondence and other writing genres produced by French and Italian soldiers in the trenches in the First World War, as well as Spanish emigrants to the Americas, the book reveals how these writings were influenced by dialect and oral speech and were oblivious to the rules of grammar, spelling and punctuation. Through their sometimes moving stories, we gain an insight into the importance to ordinary peasants of family, village and nation at a time of rapid social and cultural change.
History of Europe --- Mass communications --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Written communication --- History --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Arts and Humanities --- Communication écrite --- Europe --- 19e siècle --- 20e siècle
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How does writing relate to speech? What impact does it have on social organisation and development? How do unwritten languages differ from those that have a written form and tradition? This book is a general account of the place of writing in society. Drawing on contemporary and historical examples, from clay tablets to touchscreen displays, the book explores the functions of writing and written language, analysing its consequences for language, society, economy and politics. It examines the social causes of illiteracy, demonstrating that institutions of central importance to modern society are built upon writing and written texts, and are characterised by specific forms of communication. It explores the social dimensions of spelling and writing reform, as well as of digital literacy, a new mode of expression and communication posing novel challenges to the student of language in society.
Sociolinguistics --- Writing --- Written communication --- Literacy --- Language arts & disciplines --- Social aspects. --- Linguistics --- General. --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Chirography --- Handwriting --- Ciphers --- Penmanship --- Arts and Humanities --- Language & Linguistics
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Leon Battista Alberti was one of the most important humanist scholars of the Italian Renaissance. Active in mid-fifteenth-century Florence, he was an architect, theorist, and author of texts on perspective and painting. Leon Battista Alberti: On Painting is a cardinal work that revolutionized Western art. In this volume Rocco Sinisgalli presents a new English translation and critical examination of Alberti's seminal text. Dr Sinisgalli reverses the received understanding of the relationship between the Italian and Latin versions of Alberti's treatise by demonstrating that Alberti wrote it first in Italian and then translated it into a polished Latin over the course of several decades. This volume is richly illustrated to help demonstrate how Alberti understood optics and art.
Painting --- Peinture --- Early works to 1800. --- Ouvrages avant 1800 --- Alberti, Leon Battista --- Graphic arts --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Arts and Humanities --- General and Others
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This collection is an essential contribution to the growing field of visual political communication, encouraging scholarly dialogue and recognition for a variety of ‘global-south approaches’ to visual politics. The editors bring together a diverse set of essays on both official political campaigning and grassroots protest politics, with each study examining a specific kind of visuality or visibility across varied cultural contexts. Katy Parry, Associate Professor in Media and Communication, University of Leeds, UK Visuals take centre stage in this thorough, timely and telling volume that captures all we need to know about how images are shaping the development of politics in the Global South. Long overdue, the editors ought to be congratulated for their outstanding vision in choosing non-Western societies as a focus of their study on political phenomena in the era of visual imagery. Bruce Mutsvairo, Professor and Chair, Media, Politics and the Global South, Utrecht University, the Netherlands. This is an urgently needed book that pushes for the de-Westernisation and decolonisation of the study of visual politics. What makes the collection especially compelling is how it, well, makes visible the rich diversity of visual politics research in the global South. Jason Vincent A. Cabañes, Professor of Communication, De La Salle University, Philippines It is widely acknowledged that the production, dissemination and consumption of visual products in the Global South is powerfully shaped by geo-politics and a power dynamics in which the Global North dominates the South. However, little is known about the ways in which scholarship in the Global South might challenge and resist western approaches to the study of the visual. Against this background, this book examines visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns) and everyday politics (e.g grassroots politics, civil society initiatives). It will be of interest to both researchers and students interested in the study of visual politics from various disciplinary lens (media and communication, anthropology, politics, and sociology). Anastasia Veneti is Principal Academic at the Faculty of Media and Communication, Bournemouth University, UK. Maria Rovisco is Associate Professor in Sociology at the School at the School of Sociology and Social Policy at the University of Leeds, UK.
Political systems --- Politics --- Economic order --- Economic policy and planning (general) --- Economic conditions. Economic development --- Development aid. Development cooperation --- Mass communications --- ontwikkelingsbeleid --- communicatie --- politiek --- ontwikkelingssamenwerking --- economische ontwikkelingen --- ontwikkelingspolitiek --- Visual communication --- Political aspects.
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When we try to make sense of pictures, what do we gain when we use a particular method - and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery - a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century CE Roman sarcophagus - enables Katharina Lorenz to demonstrate how theoretical approaches to images (specifically, iconology, semiotics, and image studies) impact the meanings we elicit from Greek and Roman art. A guide to Classical images of myth, and also a critical history of Classical archaeology's attempts to give meaning to pictures, this book establishes a dialogue with the wider field of art history and proposes a new framework for the study of ancient visual culture. It will be essential reading not just for students of classical art history and archaeology, but for anyone interested in the possibilities - and the history - of studying visual culture.
Mythology, Greek, in art. --- Mythology, Roman, in art. --- Visual communication --- Image (Philosophy) --- Semiotics and art. --- Mythologie grecque dans l'art --- Mythologie romaine dans l'art --- Communication visuelle --- Image (Philosophie) --- Sémiotique et art --- Philosophy. --- History. --- Philosophie --- Histoire --- History --- Iconography --- Sémiotique et art --- Art, Classical --- Classical antiquities. --- Antiquities, Classical --- Antiquities, Grecian --- Antiquities, Roman --- Archaeology, Classical --- Classical archaeology --- Roman antiquities --- Antiquities --- Archaeological museums and collections --- Art, Ancient --- Classical philology --- Art and semiotics --- Art --- Philosophy --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Classical art --- Classical antiquities --- Mythology, Greek, in art --- Mythology, Roman, in art --- Semiotics and art --- Mythologie --- --Iconographie --- --Art --- --Philosophie --- --Histoire --- --Sémiotique --- --Philosophy --- Art, Classical - Philosophy --- Art, Classical - History --- Visual communication - Philosophy --- Visual communication - History --- Iconographie --- Sémiotique
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Letter Writing and Language Change outlines the historical sociolinguistic value of letter analysis, both in theory and practice. The chapters in this volume make use of insights from all three 'Waves of Variation Studies', and many of them, either implicitly or explicitly, look at specific aspects of the language of the letter writers in an effort to discover how those writers position themselves and how they attempt, consciously or unconsciously, to construct social identities. The letters are largely from people in the lower strata of social structure, either to addressees of the same social status or of a higher status. In this sense the question of the use of 'standard' and/or 'nonstandard' varieties of English is in the forefront of the contributors' interest. Ultimately, the studies challenge the assumption that there is only one 'legitimate' and homogenous form of English or of any other language.
English letters. --- Brief. --- Schriftsprache. --- English-speaking countries. --- Social aspects --- English-speaking countries --- Englisch. --- English language --- English letters --- Language arts & disciplines --- Letter writing --- Soziolinguistik. --- Sprachvariante. --- Written communication --- Variation. --- History and criticism. --- Linguistics --- Historical & comparative. --- Social aspects. --- Sociolinguistics --- Germanic languages --- Written discourse --- Written language --- Communication --- Discourse analysis --- Language and languages --- Visual communication --- Correspondence --- English letter writing --- Letter writing, English --- Writing of letters --- Authorship --- Letters
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The burgeoning field of 'visual social science' is rooted in the idea that valid scientific insight into culture and society can be acquired by observing, analyzing and theorizing its visual manifestations: visible behavior of people and material products of culture. Reframing Visual Social Science provides a well-balanced, critical-constructive and systematic overview of existing and emerging modes of visual social and cultural research. The book includes integrated models and conceptual frameworks, analytical approaches to scrutinizing existing imagery and multimodal phenomena, a systematic presentation of more active ways and formats of visual scholarly production and communication, and a number of case studies which exemplify the broad fields of application. Finally, visual social research is situated within a wider perspective by addressing the issue of ethics; by presenting a generic approach to producing, selecting and using visual representations; and through discussing the specific challenges and opportunities of a 'more visual' social science.
Visual sociology --- Visual anthropology --- #SBIB:303H30 --- #SBIB:39A2 --- Kwalitatieve methoden: algemeen --- Antropologie: methoden en technieken --- Sociologie visuelle --- Anthropologie visuelle --- Ethnology --- Sociology --- Visual communication --- Methods in social research (general) --- Sociologie visuelle. --- Anthropologie visuelle. --- Sociology of culture --- sociology --- visual culture --- Visual sociology. --- Visual anthropology.
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