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This book explores adaptation in its various forms in contemporary television drama. It considers the mechanics of adaptation as an ever-more prevalent form of production, most notably in the reworking of literary sources for television. It also explores the broader process through which the television industry as a whole is currently making necessary adaptations in how it tells stories, especially in relation to important concerns of equality, diversity and inclusion. Offering and analysing 16 original interviews with leading British television producers, writers, directors, production designers, casting directors and actors, and with a particular focus on female and/or minority-ethnic industry perspectives, the book examines some of the key professional and creative approaches behind television adaptations today. The book connects these industry insights to the existing conceptual and critical frameworks of television studies and adaptation studies, illuminating the unique characteristics of television adaptation as a material mode of production, and revealing television itself as an inherently adaptive artform.
Television play --- televisiedistributie --- mediaregies --- lyrisch drama --- literaire adaptatie --- commerciële televisie --- televisiegenres --- Television adaptations --- Television plays --- Television broadcasting --- History and criticism. --- Adaptation (Literary, artistic, etc.) --- Television broadcasting. --- Dramatiques (émissions télévisées) --- Histoire et critique. --- Dramatiques (émissions télévisées)
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Civic Christianity in Renaissance Italy explores the often subtle and sometimes harsh realities of life on the Venetian mainland. Focusing on the confraternity of Santa Maria dei Battuti and its Ospedale, the book addresses a number of well-established and newly articulated historiographical questions: the governance of territorial states, the civic and religious role of confraternities, the status of women and marginalized groups, and popular religious devotion. Adapting the objectives and methods of microhistory, D'Andrea has written neither a traditional history of political subjugation nor a straightforward survey of poor relief. Instead, thematic chapters survey the activities of a powerful religious brotherhood [Santa Maria dei Battuti] and document the interconnected local, regional, and international factors that fashioned the social world of Venetian subjects.
Grounded in previously unexplored archival material, the book is an innovative study of the nexus between local religion and Venetian territorial power, providing scholars with this first scholarly monograph of the city that served as the keystone of Venice's mainland empire. This original approach to the critical relationship between provincial powers and the central government also contributes to other important areas of historical inquiry, including the history of popular religion, poor relief, medicine, and education.
David D'Andrea is Associate Professor of History at Oklahoma State University.
History of Italy --- Christian church history --- anno 1400-1499 --- anno 1500-1599 --- Treviso --- Santa Maria dei battuti (Confraternity : Treviso, Italy) --- Ospedale di Santa Maria dei Battuti (Treviso, Italy) --- Treviso (Italy) --- Trévise (Italie) --- Church history --- Histoire religieuse --- History. --- Church history. --- Trévise (Italie) --- Hospital of Santa Maria dei Battuti (Treviso, Italy) --- S. Maria dei Battuti di Treviso (Hospital) --- Ospedale civile di Treviso --- HISTORY / Europe / General.
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An engaging and original study of current research on television audiences and the concept of emotion, this book offers a unique approach to key issues within television studies. Topics discussed include: television branding; emotional qualities in television texts; audience reception models; fan cultures; 'quality' television; television aesthetics; reality television; individualism and its links to television consumption. The book is divided into two sections: the first covers theoretical work on the audience, fan cultures, global television, theorising emotion and affect in feminist theory and film and television studies. The second half offers a series of case studies on television programmes such as Wife Swap, The Sopranos and Six Feet Under in order to explore how emotion is fashioned, constructed and valued in televisual texts. The final chapter features original material from interviews with industry professionals in the UK and Irish Soap industries along with advice for students on how to conduct their own small-scale ethnographic projects. Key Features: *An accessible guide to theoretical work on emotion and affect, this book is key reading for advanced undergraduates and postgraduates doing media studies, communication and cultural studies and television studies. *Case studies on emotion and television in British and US media contexts demonstrate new research and provide a starting point for readers undertaking their own research. *Each chapter includes exercises, points for discussion and lists for further reading.
Mass communications --- Mass media --- Television viewers --- Emotions --- Audiences. --- Psychology. --- Sociological aspects. --- Audiences --- Psychology --- Sociological aspects --- Emotions -- Sociological aspects. --- Mass media -- Audiences. --- Mass media -- Audiences -- Case studies. --- Television viewers -- Psychology. --- Journalism & Communications --- Electrical & Computer Engineering --- Electrical Engineering --- Communication & Mass Media --- Radio & TV Broadcasting --- Engineering & Applied Sciences --- Television. --- Television --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Optical communication systems --- Feelings --- Human emotions --- Passions --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Audiences, Television --- Television audiences --- Television fans --- Television watchers --- Viewers, Television --- Mass communication --- Media, Mass --- Media, The --- Communication --- Sociology of emotions --- Sociology --- Audiences, Mass media --- Social aspects --- Télévision --- Téléspectateurs --- Émotions --- Séries télévisées --- Audience --- Psychologie --- Sociologie --- Grande-Bretagne --- Cas, Études de --- États-Unis --- Télévision --- Téléspectateurs --- Émotions --- Séries télévisées --- États-Unis --- Cas, Études de
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