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Pain and touch
Author:
ISBN: 9780124269101 0124269109 9780080538334 0080538339 1280927143 9781280927140 9786610927142 Year: 1996 Publisher: San Diego : Academic Press,

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Abstract

An explosion of advances in the area of tactile perception and pain led to the development of this comprehensive, state-of-the-art text on basic research and clinical practice. Equal parts psychology and neuroscience, Pain and Touch covers peripheral cutaneous tactile information processing, sensory mapping, tactile exploratory behavior, neurophysiology of nociception and nociceptors in pain research, clinical scaling methods for psychophysics of pain, and paincontrol, pathology, and therapeutics.


Digital
By the King A proclamation for the better ordering of those who repair to the court for their cure of the disease called the kings-evil
Authors: --- ---
Year: 1662 Publisher: London Printed by John Bill and Christopher Barker ...

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Digital
A revindication of the anoynting and priviledges of faithfull subjects, or, A briefe reply to an idle pamphlet intituled An answer and confutation of that groundlesse vindication of Psal 10515 (Touch not mine anoynted, and do my prophets no harme) : wherein the insufficiency and ridiculousnesse this answerers no-answer is briefly demonstrated ...
Authors: ---
Year: 1643 Publisher: [London s.n.]


Multi
Sense knowledge and the challenge of Italian Renaissance art : El Greco, Velázquez, Rembrandt
Author:
ISBN: 9789463725712 9789048544585 9463725717 9048544580 Year: 2019 Publisher: Amsterdam : Amsterdam University Press,

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Abstract

Giles Knox examines how El Greco, Velaìzquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velaìzquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.

Keywords

Aesthetics of art --- Painting --- painting [image-making] --- Velázquez, da Silva y, Diego --- Greco, el --- Rembrandt --- Italy --- Toucher --- Touch --- Sens et sensations --- Senses and sensation in art. --- Peinture --- Dans l'art. --- In art. --- Influence. --- Greco, Le --- Greco, --- Velázquez, Diego --- Velázquez, Diego, --- Rembrandt Harmenszoon van Rijn, --- Thèmes, motifs. --- Themes, motives. --- Painting, Renaissance --- Italian influences. --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Theotocopuli, Dominico, --- Theotokopoulos, Domenikos, --- Theocopuli, Domenico, --- Theotocopuli, Domenico, --- Zeotokopoulos, Doménikos, --- Theotocópuli, Domingo, --- Theotocópoulos, Doménicos, --- Theoscopoli, Domenico, --- Greco, Domenico, --- Griego, --- El Greco, --- Greco, Dominico, --- Ο Γκρεκο, --- Criticism and interpretation. --- El Greco, Velázquez, Rembrandt. --- Theotocopuli, Dominico --- Theotokopoulos, Domenikos --- Theocopuli, Domenico --- Theotocopuli, Domenico --- Zeotokopoulos, Doméniko, --- Theotocópuli, Domingo --- Theotocópoulos, Doménicos --- Theoscopoli, Domenico --- Greco, Domenico --- Griego --- El Greco --- Greco, Dominico --- Ο Γκρεκο --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- invloed van Italiaanse school --- Velázquez, Diego

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