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Hemingway, Ernest --- Correspondence --- Novelists [American ] --- 20th century
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Faulkner, William --- Novelists [American ] --- 20th century --- Biography
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Based on a systematic sampling of nearly 2000 French and English novels from 1601 to 1830, this book's foremost aim is to ask precisely how the novel evolved. Instead of simply 'rising', as scholars have been saying for some sixty years, the novel is in fact a system in constant flux, made up of artifacts - formally distinct novel types - that themselves rise, only to inevitably fall. Nicholas D. Paige argues that these artifacts are technologies, each with traceable origins, each needing time for adoption (at the expense of already developed technologies) and also for abandonment. Like technological waves in more physical domains, the rises and falls of novelistic technologies don't happen automatically: writers invent and adopt literary artifacts for many diverse reasons. However, looking not at individual works but at the novel as a patterned system provides a startlingly persuasive new way of understanding the history and evolution of artforms.
Fiction --- Comparative literature --- English literature --- French literature --- anno 1700-1799 --- anno 1800-1899 --- French fiction --- English fiction --- History and criticism&delete& --- Data processing --- Research&delete& --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- History and criticism --- Data processing. --- Research
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As the author of The Scarlet Letter, Nathaniel Hawthorne has been established as a major writer of the nineteenth century and the most prominent chronicler of New England and its colonial history. This introductory book for students coming to Hawthorne for the first time outlines his life and writings in a clear and accessible style. Leland S. Person also explains some of the significant cultural and social movements that influenced Hawthorne's most important writings: Puritanism, Transcendentalism and Feminism. The major works, including The Scarlet Letter, The House of the Seven Gables and The Blithedale Romance, as well as Hawthorne's important short stories and non-fiction, are analysed in detail. The book also includes a brief history and survey of Hawthorne scholarship, with special emphasis on recent studies. Students of nineteenth-century American literature will find this a rewarding and engaging introduction to this remarkable writer.
Hawthorne, Nathaniel --- Romanförfattare --- Förenta staterna --- Hawthorne, Nathaniel, --- Hawthorne, Nathaniel. --- Criticism and interpretation. --- Novelists, American --- American novelists --- Gotorn, Nataniėlʹ --- Hotorn, Natanijel --- Huo-sang --- Huo-sang, Na-sa-ni-erh --- Hothorna, Netheniyala --- Готорн, Натаниэль --- האטארן, נאטאניעל, --- Huosang --- Huosang, Nasa'nier --- Nasa'nier Huosang --- 霍桑, --- 霍桑, 纳撒尼尔, --- 纳撒尼尔 霍桑, --- Hās̲ūran, Nātānīl --- Hās̲ūrn, Nātānīl --- هاثورن، ناتانيل --- Arts and Humanities --- Literature
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Through the publication of her bestseller Uncle Tom's Cabin, Harriet Beecher Stowe became one of the most internationally famous and important authors in nineteenth-century America. Today, her reputation is more complex, and Uncle Tom's Cabin has been debated and analysed in many different ways. This book provides a summary of Stowe's life and her long career as a professional author, as well as an overview of her writings in several different genres. Synthesizing scholarship from a range of perspectives, the book positions Stowe's work within the larger framework of nineteenth-century culture and attitudes about race, slavery and the role of women in society. Sarah Robbins also offers reading suggestions for further study. This introduction provides students of Stowe with a richly informed and accessible introduction to this fascinating author.
Beecher-Stowe, Harriet --- Women novelists, American --- American women novelists --- Stowe, Harriet Beecher, --- Beecher Stowe, Harriet --- Beecher Stowe, Henriette --- Beecher Stowe, H. --- Stowe, Harriet Beecher --- Stowe, Harriet Elizabeth --- Bicher-Stou, Khenriet --- Stowe, H. B. --- Stou, Khenriet Bicher --- -Stowe, Enriqueta B. --- Stowe, Harriet Elizabeth Beecher --- Beecher, Harriet Elizabeth --- Bicher-Stou, G. --- Bicher-Stou, Garriet --- Stou, Garriet Bicher --- -Bicher-Stou, Ḣarrii̐et --- Bicher-Stou, Ḣ. --- Stou, Ḣarrii̐et Bicher --- -Beecher-Stowe, Harriet --- Ssu-tʻu-huo --- Beecher-Stowe, H. --- Stowe, H. Beecher --- -Bētser-Stoou --- Crowfield, Christopher --- Beecher, H. --- Sṭav, Hēriyaṭ Pīccar --- Sṭo, Haryeṭ Bits'er --- Bits'er Sṭo, Haryeṭ --- ביטשער סאאו --- ביטשער־סטאו --- סטאו, הערריעט ביטשער --- סטאו, הערריעט ביטשער, --- סטו, ביצ׳ר, --- ハリエットビーチャーストウ, --- Criticism and interpretation. --- Arts and Humanities --- Literature
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The virtual suppression of explicit ethical and evaluative discourse by current literary theory can be seen as the momentary triumph of a sceptical post Enlightenment reflective tradition over others vital to a full account of human and literary worth. In Ethics, Theory and the Novel, David Parker brings together recent developments in moral philosophy and literary theory. He questions many currently influential movements in literary criticism, showing that their silences about ethics are as damaging as the political silences of Leavisism and New Criticism in the 1950s and 1960s. He goes on to examine Middlemarch, Anna Karenina, and three novels by D. H. Lawrence, and explores the consequences for major literary works of the suppression of either the Judeo-Christian or the Romantic-expressivist ethical traditions. Where any one tradition becomes a master-narrative, he argues, imaginative literature ceases to have the deepest interest and relevance for us.
Fiction --- Literature --- anno 1800-1999 --- Criticism --- Literary ethics. --- Critique --- Morale littéraire --- Roman --- Moral and ethical aspects. --- History and criticism. --- Aspect moral --- Histoire et critique --- 82:17 --- 82-3 --- -Literary ethics --- -Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Ethics, Literary --- Literary forgeries and mystifications --- Appraisal of books --- Books --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Style, Literary --- Literatuur en ethiek --- Proza. Fictie. Narratologie --- Moral and ethical aspects --- History and criticism --- Philosophy --- Appraisal --- Technique --- Evaluation --- -Literatuur en ethiek --- 82-3 Proza. Fictie. Narratologie --- 82:17 Literatuur en ethiek --- -Ethics, Literary --- Morale littéraire --- Literary ethics --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Arts and Humanities
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Representations of 'the Jew' have long been a topic of interest in Joyce studies. Neil Davison argues that Joyce's lifelong encounter with pseudo-scientific, religious and political discourse about 'the Jew' forms a unifying component of his career. Davison offers new biographical material, and presents a detailed reading of Ulysses showing how Joyce draws on Christian folklore, Dreyfus Affair propaganda, Sinn Fein politics, and theories of Jewish sexual perversion and financial conspiracy. Throughout, Joyce confronts the controversy of 'race', the psychology of internalised stereotype, and the contradictions of fin-de-siècle anti-Semitism.
820 "19" JOYCE, JAMES --- Antisemitism --- -Bloom, Leopold (Fictitious character) --- Jews in literature --- Novelists, Irish --- -Stereotype (Psychology) in literature --- Stereotype (Psychology) in literature --- Leopold Bloom (Fictitious character) --- Irish novelists --- Anti-Jewish attitudes --- Anti-Semitism --- Ethnic relations --- Prejudices --- Philosemitism --- 820 "19" JOYCE, JAMES Engelse literatuur--20e eeuw. Periode 1900-1999--JOYCE, JAMES --- Engelse literatuur--20e eeuw. Periode 1900-1999--JOYCE, JAMES --- History --- -Biography --- Joyce, James --- -Joyce, James --- -ジョイス --- Characters --- -Jews --- Religion --- Bloom, Leopold (Fictitious character) --- Stereotypes (Social psychology) in literature --- Joyce, James, --- Homer. --- Birmingham, Kevin. --- Jews. --- Religion. --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ, --- Džoiss, Džeimss, --- Gʻois, Gʻaims, --- Joyce, Giacomo, --- Jūyis, Jīms, --- Tzoys, Tzaiēms, --- Tzoys, Tzeēms, --- Джойс, Джеймс, --- Джойс, Джеймс Августин Алоїсуїс, --- Zhoĭs, Zheĭms, --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジェームスジョイス, --- Joyce, James Augustine Aloysius --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ジョイス --- Arts and Humanities --- Literature --- Jews in literature. --- Stereotypes (Social psychology) in literature. --- Bloom, Leopold --- Leopold Bloom --- Flower, Henry --- JOYCE (JAMES), 1882-1941 --- JUIFS DANS LA LITTERATURE --- ANTISEMITISME --- ANTISEMITISME DANS LA LITTERATURE --- ULYSSES --- GRANDE-BRETAGNE
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Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre.
Book history --- Graphics industry --- Fiction --- anno 1800-1899 --- English literature --- Authors and publishers --- Authors and readers --- Books and reading --- Books --- English fiction --- Printing --- Publishers and publishing --- 655.11 <089> --- 820-3 "17" --- 820 <41> --- Book publishing --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Appraisal of books --- Choice of books --- Evaluation of literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Readers and authors --- Authorship --- Author and publisher --- Publishers and authors --- Publishing contracts --- Contracts --- Book proposals --- Copyright --- Literary agents --- 820 <41> Engelse literatuur--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Engelse literatuur--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 820-3 "17" Engelse literatuur: proza--18e eeuw. Periode 1700-1799 --- Engelse literatuur: proza--18e eeuw. Periode 1700-1799 --- History --- History and criticism --- Appreciation --- Publishing --- Boekdrukkunst: curiosa --- Philosophy --- Appraisal --- Evaluation --- Law and legislation --- History and criticism. --- Arts and Humanities
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