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Much recent philosophical work proposes to illuminate dilemmas of human existence with reference to the arts and culture, often to the point of submitting particular works to preconceived formulations. In this examination of three texts that respond to loss, Robert Mugerauer responds with close, detailed readings that seek to clarify the particularity of the intense force such works bring forth. Mugerauer shows how, in the face of what is irrevocably taken away as well as of what continues to be given, the unavoidable task of interpretation is ours alone. Mugerauer examines works in three different forms that powerfully call on us to respond to loss: Cormac McCarthy's The Crossing, Daniel Libeskind's Jewish Museum Berlin, and Wim Wenders's film Wings of Desire. Explicating these difficult but rich works with reference to the thought of Martin Heidegger, Jean-Luc Marion, Hannah Arendt, and Emmanuel Levinas, the author helps us to experience the multiple and diverse ways in which all of us are opened to the saturated phenomena of loss, violence, witnessing, and responsibility.
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This work offers readings of five of the most interesting and original voices to have emerged in Britain since the millennium as they tackle the challenges of portraying the new century. Through close readings of the work of Ali Smith, Andrew O'Hagan, Tom McCarthy, Sarah Hall and Jon McGregor, Daniel Lea opens a window onto the formal and thematic concerns that characterise a literary landscape troubled by both familiar and unfamiliar predicaments. These include questions about the meaning of humanness in an age of digital intercourse; about the need for a return to authenticity in the wake of postmodernism; and about the dislocation of self from the other under neoliberal individualism.
English fiction. --- 2000-2099 --- Ali Smith. --- Andrew O'Hagan. --- Authenticity. --- Connectivity. --- Contemporary British Fiction. --- Jon McGregor. --- Materiality. --- Sarah Hall. --- Tom McCarthy. --- Twenty-First Century Literature.
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Why has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalization of crime fiction should not be celebrated uncritically. Instead, it looks at the new forms and techniques writers are using to examine the crimes and policing practices that define a rapidly changing world. In doing so, this collection of essays examines how the relationship between global crime, capitalism, and policing produces new configurations of violence in crime fiction – and asks whether the genre can find ways of analyzing and even opposing such violence as part of its necessarily limited search for justice both within and beyond the state. .
Criminology. Victimology --- Comparative literature --- Literature --- literatuur --- criminologie --- criminaliteit --- kapitalisme --- Kirino, Natsuo --- Peace, David --- Manotti, Dominique --- Winslow, Don --- McCarthy, Cormac --- Carré, le, John --- Taibo II, Paco Ignacio --- anno 1900-1999 --- anno 2000-2099
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This collection of essays analyzes global depictions of the devil from theological, Biblical, and literary perspectives, spanning the late Middle Ages to the 21st century. The chapters explore demonic representations in the literary works of Johann Wolfgang von Goethe, Fyodor Dostoyevsky, Dante Alighieri, Charles Baudelaire, John Milton, H.P. Lovecraft, and Cormac McCarthy, among others. The text examines other media such as the operas Orfeo and Erminia sul Giordano and the television shows Breaking Bad, The Sopranos, and Mad Men. The Hermeneutics of Hell, featuring an international set of established and up-and-coming authors, masterfully examines the evolution of the devil from the Biblical accounts of the Middle Ages to the individualized presence of the modern world. .
Engineering sciences. Technology --- Mass communications --- Comparative literature --- Old English literature --- Literature --- History --- fantasy --- communicatie --- literatuur --- literatuurgeschiedenis --- Renaissance --- Alderighi, Dante --- Goethe, von, Johann Wolfgang --- Lovecraft, H.P. --- Milton, John --- Baudelaire, Charles --- Dostoyevsky, Fyodor M. --- McCarthy, Cormac --- anno 1400-1499 --- anno 1500-1599 --- anno 1900-1999
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