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What was a book in early modern England? By combining book history, bibliography and literary criticism, Material Texts in Early Modern England explores how sixteenth- and seventeenth-century books were stranger, richer things than scholars have imagined. Adam Smyth examines important aspects of bibliographical culture which have been under-examined by critics: the cutting up of books as a form of careful reading; book destruction and its relation to canon formation; the prevalence of printed errors and the literary richness of mistakes; and the recycling of older texts in the bodies of new books, as printed waste. How did authors, including Herbert, Jonson, Milton, Nashe and Cavendish, respond to this sense of the book as patched, transient, flawed, and palimpsestic? Material Texts in Early Modern England recovers these traits and practices, and so crucially revises our sense of what a book was, and what a book might be.
Books --- Authors, English --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- History --- Recycling&delete& --- Book history --- Psychological study of literature --- History of the United Kingdom and Ireland --- literary criticism --- book history --- anno 1500-1599 --- anno 1600-1699 --- Recycling --- History.
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The dynamic fields of the history of the book and the sociology of the text are the areas this volume investigates, bringing together ten specially commissioned essays that between them demonstrate a range of critical and material approaches to medieval, early modern, and digital books and texts. They scrutinize individual medieval manuscripts to illustrate how careful re-reading of evidence permits a more nuanced apprehension of production, and reception across time; analyse metaphor for our understanding of the Byzantine book; examine the materiality of textuality from Beowulf to Pepys and the digital work in the twenty-first century; place manuscripts back into specific historical context; and re-appraise scholarly interpretation of significant periods of manuscript and print production in the later medieval and early modern periods. All of these essays call for a new assessment of the ways in which we read books and texts, making a major contribution to book history, and illustrating how detailed focus on individual cases can yield important new findings. Contributors: Elaine Treharne, Erika Corradini, Julia Crick, Orietta Da Rold, A.S.G. Edwards, Martin K. Foys, Whitney Anne Trettien, David L. Gants, Ralph Hanna, Robert Romanchuk, Margaret M. Smith, Liberty Stanavage.
Book history --- English literature --- Books --- Printing --- Literature --- Livres --- Imprimerie --- Littérature --- History. --- Sociological aspects. --- History and criticism --- Histoire --- Histoire et critique --- 091 --- Handschriftenkunde. Handschriftencatalogi --- 091 Handschriftenkunde. Handschriftencatalogi --- Littérature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- History --- Sociological aspects --- History and criticism. --- Appraisal of books --- Evaluation of literature --- Criticism --- Literary style --- Appraisal --- Evaluation --- Beowulf. --- Byzantine book. --- Cultural Texts. --- Pepys. --- Textual Cultures. --- book history. --- digital books. --- digital work. --- early modern. --- historical context. --- history of the book. --- manuscript production. --- manuscripts. --- materiality of textuality. --- medieval. --- metaphor. --- print production. --- production. --- reception. --- scholarly interpretation. --- texts. --- twenty-first century.
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"Any new technology, just like any new idea, requires some understanding not just of what is new, but also of what it replaces. The current revolution in printing and publishing is no different. It offers new ways of doing things, and new ways of thinking. It offers opportunities for creativity and imagination on a scale and by routes of which we are so far scarcely aware. During the past few years there has emerged a considerable literature about the effect on conventional publishing of what is sometimes called the digital age. "--
Book conservation --- Book history --- anno 1700-1799 --- anno 1800-1899 --- 025.17:094 --- 025.85 --- Bibliotheekbeheer: speciale collecties-:-Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora --- Onderhoud van boeken. Restauratie. Vriesdrogen. Boekbeschadiging --- 025.85 Onderhoud van boeken. Restauratie. Vriesdrogen. Boekbeschadiging --- 025.17:094 Bibliotheekbeheer: speciale collecties-:-Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora --- reproductions --- preserving --- Book industries and trade --- Books --- Publishers and publishing --- Book publishing --- Booksellers and bookselling --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Book trade --- Cultural industries --- Manufacturing industries --- History --- Technological innovations --- Conservation and restoration&delete& --- Publishing --- reproductions [derivative objects] --- Conservation and restoration --- boeken vóór 1800
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The 'long twelfth century' (1075-1225) was an era of seminal importance in the development of the book in medieval Europe and marked a high point in its construction and decoration. This comprehensive study takes the cultural changes that occurred during the 'twelfth-century Renaissance' as its point of departure to provide an overview of manuscript culture encompassing the whole of Western Europe. Written by senior scholars, chapters are divided into three sections: the technical aspects of making books; the processes and practices of reading and keeping books; and the transmission of texts in the disciplines that saw significant change in the period, including medicine, law, philosophy, liturgy, and theology. Richly illustrated, the volume provides the first in-depth account of book production as a European phenomenon.
091 "10/12" --- 091.14 --- 091:028 --- 091:028 Handschriftenkunde. Handschriftencatalogi-:-Lezen. Lectuur --- Handschriftenkunde. Handschriftencatalogi-:-Lezen. Lectuur --- 091.14 Codicologie. Codices. Scriptoria --- Codicologie. Codices. Scriptoria --- Handschriftenkunde. Handschriftencatalogi--11e/13e eeuw. Periode 1000-1299. --- Handschriftenkunde. Handschriftencatalogi--11e/13e eeuw. Periode 1000-1299 --- Book history --- anno 1100-1199 --- anno 1200-1299 --- anno 1000-1099 --- Europe --- Boekgeschiedenis --- boekgeschiedenis --- Europa --- book history --- Manuscripts, European --- Manuscripts, Medieval --- Books --- Books and reading --- Civilization, Medieval --- History --- History. --- Twelfth century --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Medieval manuscripts --- Manuscripts --- European manuscripts
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"Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best new work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England"--
Book history --- anno 1400-1499 --- anno 1300-1399 --- Great Britain --- Books --- Book industries and trade --- Manuscripts, Medieval --- Scriptoria --- Incunabula --- Manuscripts, English (Middle) --- History --- Bibliography --- 091 <41> --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Monastic libraries --- Medieval manuscripts --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- Early printed books --- Cradle books (Early printed books) --- Incunables --- Library materials --- Publications --- Cataloging --- International Standard Book Numbers --- Book trade --- Cultural industries --- Manufacturing industries --- Reproduction --- Books - England - History - 400-1450 --- Book industries and trade - England - History - To 1500 --- Manuscripts, Medieval - England - History - To 1500 --- Scriptoria - England --- Incunabula - England - Bibliography --- Manuscripts, English (Middle) - Bibliography
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The essays collected here offer examinations of bibliographical matters, publishing practices, the illustration of texts in a variety of engraved media, little studied print culture genres, the critical and editorial fortunes of individual works, and the significance of the complex interrelationships that authors entertained with booksellers, publishers, and designers. They investigate how all these relationships affected the production of print commodities and how all the agents involved in the making of books contributed to the cultural literacy of readers and the formation of a canon of literary texts. Specific topics include a bibliographical study of Aphra Behn's 'Oroonoko' and its editions from its first publication to the present day; the illustrations of John Bunyan's 'Pilgrim's Progress' and the ways in which the interpretive matrices of book illustration conditioned the afterlife and reception of Bunyan's work; the almanac and the subscription edition; publishing history, collecting, reading, and textual editing, especially of Robert Burns's poems and James Thomson's 'The Seasons'; the "printing for the author" practice; the illustrated and material existence of Sir Walter Scott's Waverley novels, and the Victorian periodical, 'The Athenaeum'. Sandro Jung is Research Professor of Early Modern British Literature and Director of the Centre for the Study of Text and Print Culture at Ghent University. Contributors: Gerard Carruthers, Nathalie Collé-Bak, Marysa Demoor, Alan Downie, Peter Garside, Sandro Jung, Brian Maidment, Laura L. Runge.
Book history --- English literature --- anno 1500-1799 --- anno 1800-1899 --- 820 --- 76 <41> --- Engelse literatuur --- Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Books --- Books and reading --- Printing --- History. --- Criticism, Textual. --- History --- 76 <41> Grafische kunsten. Grafiek. Prentkunst--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 820 Engelse literatuur --- 820 English literature. Literature in English --- English literature. Literature in English --- Literature publishing --- Literary publishing --- Literature --- Publishers and publishing --- Appraisal of books --- Choice of books --- Evaluation of literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Publishing --- Appraisal --- Evaluation --- Bibliographical matters. --- Critical and editorial fortunes. --- Cultural literacy. --- Engraved media. --- Literary texts. --- Print culture genres. --- Print culture. --- Publishing practices. --- Sandro Jung. --- Seventeenth to nineteenth century.
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The history of the book is now recognized as a field of central importance for understanding the cultural changes that swept through Tudor England. This companion aims to provide a comprehensive guide to the issues relevant to theearly printed book, covering the significant cultural, social and technological developments from 1476 (the introduction of printing to England) to 1558 (the death of Mary Tudor). Divided into thematic sections (the printed booktrade; the book as artefact; patrons, purchasers and producers; and the cultural capital of print), it considers the social, historical, and cultural context of the rise of print, with the problems as well as advantages of the transmission from manuscript to print. the printers of the period; the significant Latin trade and its effect on the English market; paper, types, bindings, and woodcuts and other decorative features which create the packaged book; and the main sponsors and consumers of the printed book: merchants, the lay clientele, secular and religious clergy, and the two Universities, as well as secular colleges and chantries. Further topics addressed include humanism, women translators, and the role of censorship and the continuity of Catholic publishing from that time. The book is completed with a chronology and detailed indices. Vincent Gillespie is J.R.R. Tolkien Professor of English Literature and Language at the University of Oxford; Susan Powell held a Chair in Medieval Texts and Culture at the University of Salford, and is currently affiliated to the Universities of London and York. Contributors: Tamara Atkin, Alan Coates, Thomas Betteridge, Julia Boffey, James Clark, A.S.G. Edwards, Martha W. Driver, Mary Erler, Alexandra Gilespie, Vincent Gillespie, Andrew Hope, Brenda Hosington, Susan Powerll, Pamela Robinson, AnneF. Sutton, Daniel Wakelin, James Willoughby, Lucy Wooding
Book history
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anno 1400-1499
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anno 1500-1599
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Great Britain
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Incunabula
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Early printed books
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Books
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History
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094.1 <41>
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094 "14/15"
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Oude drukken: bibliografie--
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Medieval Europe was characterized by a sophisticated market for the production, exchange and sale of written texts. This volume brings together papers on a range of topics, centred on manuscript studies and textual criticism, which explore these issues from a pan-European perspective. They examine the prolonged and varied processes through which Europe's different parts entered into modern reading, writing and communicative practices, drawing on a range of approaches and perspectives; they consider material culture, multilingualism in texts and books, book history, readers, audience and scribes across the Middle Ages. Dr Aidan Conti teaches in the Department of Linguistic, Literary and Aesthetic Studies, University of Bergen; Dr Orietta Da Rold teaches in the Faculty of English, University of Cambridge; Dr Philip Shaw teaches at the School of English, University of Leicester. Contributors: Rolf H. Bremmer Jr, Stewart Brookes, Aidan Conti, Orietta Da Rold, Helen Fulton, Marilena Maniaci, Debora Matos, Annina Seiler, Peter A. Stokes, Nadia Togni, Svetlana Tsonkova, Matilda Watson, George Younge.
Manuscripts. Epigraphy. Paleography --- Literature --- anno 500-1499 --- Europe --- Books --- Printing --- Manuscripts, Medieval --- Book industries and trade --- Book industries and trade. --- Books. --- Manuscripts, Medieval. --- History --- Origin and antecedents. --- To 1500 --- Europe. --- To 1500. --- Origin and antecedents --- Manuscripts --- Codices --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- 091:003 --- 091:003 Handschriftenkunde. Handschriftencatalogi-:-Semiotiek. Schriften. Tekens en symbolen. Codes. Grafische voorstellingen --- Handschriftenkunde. Handschriftencatalogi-:-Semiotiek. Schriften. Tekens en symbolen. Codes. Grafische voorstellingen --- Printing, Practical --- Typography --- Graphic arts --- Medieval manuscripts --- Book trade --- Cultural industries --- Manufacturing industries --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- European history. --- Middle Ages. --- communication practices. --- historical documents. --- literary culture. --- manuscript analysis. --- manuscript studies. --- medieval Europe. --- medieval texts. --- pan-European perspective. --- textual criticism. --- textual culture. --- writing.
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This book addresses the issue of valuing objects in cultural collections, ranging from high-value to low or no-value and featuring a range of collections including fine art, archives, science and photography. Practical advice is given on how to assign values and best practice examples are drawn from museums, libraries and archives. The subject of valuation has always been challenging for museums and public collections and is becoming more urgent as monetary values of many items continue to break records. There is an increase in lending, with more loans requiring a value for insurance. Cultural collections and exhibitions are expanding to all corners of the world, while, at the same time, lenders are becoming more risk-averse. Valuing Your Collection will address the issues and offer some solutions.
Museums --- Archives --- Collection management (Libraries) --- Antiquities --- Archival materials --- Books --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Materials, Archival --- Manuscripts --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Archaeology --- Collections management (Libraries) --- Libraries --- Library collection management --- Technical services (Libraries) --- Collection management in archives --- Collections management in archives --- Collection management in museums --- Collections management in museums --- Museum collection management --- Museum collections management --- Museum techniques --- Museum storage facilities --- Collection management. --- Valuation. --- Collection management --- Collections management --- Appraisal of archival materials --- Musées --- Gestion des collections (Bibliothèques) --- Antiquités --- Documents d'archives --- Livres --- Valuation --- Gestion des collections --- Evaluation --- 025.17 --- 025.2:368 --- 347.764 --- 025.2:368 Collectievorming. Acquisitie. Aanwinsten in bibliotheken-:-Verzekeringswezen --- Collectievorming. Acquisitie. Aanwinsten in bibliotheken-:-Verzekeringswezen --- 347.764 Verzekeringsrecht. Verzekeringen --- Verzekeringsrecht. Verzekeringen --- 025.17 Bibliotheekbeheer: speciale collecties --- Bibliotheekbeheer: speciale collecties --- 930.25 --- 930.25 Archiefwetenschap. Archivistiek --- Archiefwetenschap. Archivistiek --- Musées --- Gestion des collections (Bibliothèques) --- Antiquités --- Museology --- collections [object groupings] --- museology --- evaluation --- collections management functions
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Essays on book history, manuscripts and reading during a period of considerable change.
09 <082> --- 091 <41> --- 091 "14/15" --- 091 "16" --- 091 "16" Handschriftenkunde. Handschriftencatalogi--17e eeuw. Periode 1600-1699 --- Handschriftenkunde. Handschriftencatalogi--17e eeuw. Periode 1600-1699 --- 091 "14/15" Handschriftenkunde. Handschriftencatalogi--Renaissance --- Handschriftenkunde. Handschriftencatalogi--Renaissance --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 09 <082> Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften --- Handschriften. Oude en merkwaardige drukken. Curiosa--Feestbundels. Festschriften --- Festschrift - Libri Amicorum --- Manuscripts, English --- History --- Early printed books --- Books --- Graphics industry --- manuscripts [documents] --- letterpress printing --- anno 1400-1499 --- anno 1500-1599 --- Book history --- United Kingdom --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- English manuscripts --- Manuscripts, English - History - 15th century --- Manuscripts, English - History - 16th century --- Early printed books - Great Britain --- Books - Great Britain - History - 1450-1600 --- Literature, European and World Literature: General Interest
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