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This book is a contribution to the emerging field of research-based performance, which seeks to gain a wider audience for issues that are crucial to our understanding of history and to informing our future actions. The book examines the role of theater in portraying the Shoah in France, the French Resistance, and the Israeli-Palestinian conflict. Each of the three chapters consists of an original dramatic work by the author and an accompanying critical essay. Inez Hedges is Emerita Professor of Cultures, Societies and Global Studies at Northeastern University, Boston, USA. Her play “Children of Drancy” was performed in 2007 as part of an advanced undergraduate learning community. She wrote “Kafka in Palestine” in 2017–19 while a Resident Scholar at the Women’s Studies Research Center at Brandeis University, Waltham. Her previous books include Framing Faust: 20th Century Cultural Struggles (2005); and World Cinema and Cultural Memory (2015).
Theatrical science --- History --- theater --- geschiedenis --- Tweede Wereldoorlog --- holocaust --- anno 1940-1949 --- Shoah. --- Conflit israélo-arabe. --- Guerre mondiale (1939-1945) --- Au théâtre --- Mouvements de résistance
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"This book examines the shifting attitudes toward Wagner reflected in the Parisian press during the period of the Third Reich. Paradoxically, during one of the darkest periods of French history, as the German threat grew more tangible and then manifested in the Nazi occupation of France, Parisians chose to see in Wagner a universality that transcended his Germanness. As Franco-German diplomatic relations gradually worsened in the 1930s, Wagner became an increasingly integral part of French musical culture. Parisians were unwilling to surrender Wagner to German exclusivist claims. In previous decades the French had used Wagner to symbolize a diverse array of political arguments and positions, from right-wing nationalism to left-wing humanism and egalitarianism, In the 1930s, however, the Parisian press depicted him as a universalist. Although Wagner had stood in for German nationalism and chauvinism in recent periods of Franco-German conflict, in the 1930s Parisians refused this notion and attempted to reclaim his role in their own national history and imagination. Even once war was declared in 1939 and a ban on the performance of Wagner's music was implemented, commentators insisted that it was simply a temporary measure designed to avoid public disturbance. Simultaneously, they maintained that 'music has no borders,' and that 'it is childish to mix art and politics.' The Wagner discourses that emerged from the 1930s Parisian press paved the way for the dominant Wagner discourse in the German-controlled Occupation press: Collaboration through Wagner. By a great irony of history, the concept of Wagner the universalist that had been used to resist the Nazis in the 1930s was transformed into the infamous collaborationist rhetoric promoted by the Vichy government between 1940 and 1944"--
Music --- Theatrical science --- Wagner, Richard --- anno 1940-1949 --- France --- Musical criticism --- Opera --- World War, 1939-1945 --- Critique musicale --- Musique --- Guerre mondiale, 1939-1945 --- Political aspects --- Aspect politique --- Wagner, Richard,
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Clandestine literature was published in all countries under Nazi occupation, but nowhere else did it flourish as it did in the Netherlands. This raises important questions: What was the content of this literature? What were the risks of writing, printing, selling, and buying it? And why the Netherlands? Traditionally, the combative Dutch "spirit of resistance" has been cited, a reaction not only to German oppression but to German propaganda: while the Germans hoped to build bonds with their "Germanic" Dutch "brothers," clandestine literature insisted on their incompatibility. However, when reading clandestine literature, one should not forget that this "spirit of resistance" came rather late and did not prevent the transportation of seventy-three percent of the Netherlands' Jewish population to Nazi death camps -- the largest percentage in Western Europe. The Dutch case is complex: while the country proved to be remarkably resistant to Nazi propaganda, little was done to prevent the actual execution of Nazi policies. The complete story of Dutch clandestine literature therefore combines resistance and complicity, victory and defeat, pride and shame.
History of the Netherlands --- Journalism --- Dutch literature --- anno 1940-1949 --- Anti-fascist movements in literature. --- Underground literature --- World War, 1939-1945 --- History and criticism. --- Literature and the war. --- Underground movements --- Anti-fascist movements in literature --- History and criticism --- Literature and the war --- Littérature et propagande --- Guerre mondiale (1939-1945) --- Littérature néerlandaise --- Mouvements de résistance --- Littérature et guerre --- Littérature clandestine --- Histoire et critique --- Pays-Bas --- 094:839.3 --- 098.1 --- 070.13 --- 839.3 "19" --- 329.18 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Nederlandse literatuur --- Verboden boeken --- Persvrijheid. Perscensuur. Wettelijk kader van de pers--z.o.{351.751} --- Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- Fascisme. Rechtsextremisme. Rechtsradicale partijen --- 329.18 Fascisme. Rechtsextremisme. Rechtsradicale partijen --- 839.3 "19" Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- 070.13 Persvrijheid. Perscensuur. Wettelijk kader van de pers--z.o.{351.751} --- 098.1 Verboden boeken --- 094:839.3 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Nederlandse literatuur --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Clandestine literature --- Illegal literature --- Literature, Underground --- Literature --- Littérature et guerre. --- Histoire et critique. --- Underground literature - Netherlands - History and criticism --- World War, 1939-1945 - Underground literature - Netherlands --- World War, 1939-1945 - Netherlands - Literature and the war --- World War, 1939-1945 - Underground movements - Netherlands --- Littérature et propagande --- Littérature néerlandaise --- Mouvements de résistance --- Littérature et guerre. --- Littérature clandestine --- Complicity. --- Defeat. --- Dutch "spirit of resistance". --- Dutch Clandestine Literature. --- Jeroen Dewulf. --- Jewish population. --- Nazi death camps. --- Nazi occupation. --- Pride. --- Resistance. --- Shame. --- Victory.
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