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Architecture --- garden pavilions --- temporary structures --- public spaces --- pavilions [building subdivisions]
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Environmental planning --- Private houses --- comprehensive plans [reports] --- houses --- garden cities --- Antwerp
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Covent Garden Market (Westminster, London, England) --- Trials (Octroi) -- England -- London --- Octroi --- Prince --- Hierons
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Gardens, Roman. --- Gardens --- Garden archaeology --- Roman gardens --- Gardens, Roman --- Landscape archaeology --- Gardening --- Styles --- Environmental planning --- History of civilization --- Roman history --- Architecture --- comprehensive plans [reports] --- landscape architecture [discipline] --- gardens [open spaces] --- landscape archaeology --- Rome --- Archaeology --- architectuur, klassieke oudheid
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The Fonte Gaia from Renaissance to Modern Times examines the history of Siena's famous public fountain, from its fifteenth-century origins to its eventual replacement by a copy in the nineteenth century (and the modern fate of both). The book explores how both the Risorgimento and the Symbolist movements have shaped our perceptions of the Italian Renaissance, as the Quattrocento was filtered through the lens of contemporary art and politics.
Public buildings --- History of civilization --- anno 1500-1799 --- anno 1800-1999 --- Siena --- Fonte Gaia (Siena, Italy) --- Fountains --- Gaia Fountain (Siena, Italy) --- Fountains, Renaissance --- Sculpture, Renaissance --- Renaissance sculpture --- Renaissance fountains --- Garden fountains --- Hydraulic structures --- Water in landscape architecture --- Nymphaea (Architecture) --- History. --- Conservation and restoration --- Civic fountains Jacopo dell Quercia Tito Sarrocchi Renaissance sculpture Nineteenth-century sculpture Siena.
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"During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities.This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity.The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners": the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna."
Christian spirituality --- Christian church history --- Old English literature --- anno 1200-1499 --- anno 1100-1199 --- Christianity --- literature [writings] --- walled gardens --- Medieval [European] --- literature [documents] --- Enclosed garden (Allegory) --- Christian art and symbolism --- Gardens --- Literature, Medieval --- Women in literature. --- Christianity in literature. --- Literature, Medieval. --- Religious aspects --- Christianity. --- History and criticism. --- Women authors --- Women authors.
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