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digital (10)

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Digital
Archieven van de Nationale Plantentuin gevormd tot 31 december 2013 : archiefselectielijst 2013
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Year: 2014 Publisher: Brussel Algemeen Rijksarchief en Rijksarchief in de Provinciën

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Covent Garden Market : rules, orders and bye-laws.
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Year: 1831 Publisher: [London] B. M'Millan

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Digital
Pavilions, pop-ups and parasols : the impact of real and virtual meeting on physical space
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ISBN: 9781118829011 Year: 2015 Publisher: London John Wiley & Sons

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Digital
Report of the proceedings in Parliament upon the late opposition to the bill for the regulation of Covent Garden Market
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Year: 1813 Publisher: [England s.n.

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Digital
Seventeenth-century plant lists and herbarium collections : a case study from the Oxford Physic Garden
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Year: 2018

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Digital
Le nouvel Anvers : cité-jardin
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Year: 1907 Publisher: Anvers De Nederlandsche Boekhandel

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Report of the late important trial, in the Court of Common Pleas in which John Lowden and Robert Prince were plaintiffs, and John Hierons, the defendant respecting tolls claimed in Covent Garden Market : tried ... December 6, 1817.
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Year: 1817 Publisher: [England s.n.

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Gardens of the Roman Empire
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ISBN: 9780521821612 9781139033022 Year: 2018 Publisher: Cambridge Cambridge University Press


Multi
The Fonte Gaia from Renaissance to modern times : a history of construction, preservation, and reconstruction in Siena
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ISBN: 9789462984592 9789048535279 9048535271 946298459X Year: 2017 Publisher: Amsterdam Amsterdam University Press

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The Fonte Gaia from Renaissance to Modern Times examines the history of Siena's famous public fountain, from its fifteenth-century origins to its eventual replacement by a copy in the nineteenth century (and the modern fate of both). The book explores how both the Risorgimento and the Symbolist movements have shaped our perceptions of the Italian Renaissance, as the Quattrocento was filtered through the lens of contemporary art and politics.


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The enclosed garden and the medieval religious imaginary
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ISBN: 9781843845980 9781800103078 1843845989 Year: 2021 Publisher: Cambridge D.S. Brewer

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"During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities.This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity.The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners": the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna."

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