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This book explores the challenges facing women from their mid-forties as they attempt to build/maintain careers in the screen industries. Essays are concerned with the intersection of gender and age on screen and behind the camera and how that can create a ‘double jeopardy’. Existing research in this area has been primarily directed to onscreen representation. Female actors, with notable exceptions, struggle to get screen time and expansive roles as they age. Behind the camera, women 45+ also face challenges and roadblocks; to date, less attention has been directed to this group. The cross-cultural research in this collection offers an analysis of representation, on and off screen, touching on film, television, streaming services and film festivals. It includes an exploration of gendered ageism, age bias and stereotyping. It also highlights the achievements of mature female practitioners who, in their work and working lives, embody a resistance to restrictive cultural discourses about ageing women. Dr Susan Liddy lectures in MIC, University of Limerick, Ireland. She is editor of Women in the Irish Film Industry: Stories and Storytellers; Women in the International Film Industry: Policy, Practice and Power and co-editor of Media Work, Mothers and Motherhood. She has co-authored Auditing Gender and Diversity Change in Irish Media sectors for the Broadcasting Authority of Ireland and The Pursuit of Change for Raising Films Ireland. She is Chair of Women in Film and Television Ireland and sits on a number of national and international industry boards. .

Film --- TV (televisie) --- Motion picture industry. --- Television broadcasting. --- Gender identity in mass media. --- Film and Television Industry. --- Media and Gender.

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This book is about television in Latin America. Its national and regional industries create most television programming there within genres developed over time in the region. However, part of the programming has always come from the U.S., Europe and elsewhere. With cable, satellite and now streaming TV, that inflow of foreign programming has increased substantially. While many in the audience still prefer national or regional programs for their cultural proximity, an increasing number among the upper-middle and middle classes, particularly the young, are turning to the new foreign services, like Netflix, Amazon and Disney for class distinction, cosmopolitanism or other motives. Among the television industries global regional and national actors are creating a variety of programs and channels (broadcast, pay-TV and streaming) to segment and appeal to different parts of the audience. Joseph Straubhaar is the Amon G. Carter, Sr. Centennial Professor of Communication in the Moody College of Communication at the University of Texas at Austin. He was previously Director of the Brazil Center in the Lozano Long Institute of Latin American Studies. He was co-author of Latin American Television Industries. His research focuses on global media, television in Latin America, and the digital divide in Texas and Latin America. Melissa Santillana is a doctoral candidate in the Department of Radio-Television-Film at the University of Texas at Austin. Her research focuses on international media flows, border studies, activist movements, feminist activism, digital media, and digital inequality. Vanessa de Macedo Higgins Joyce is an Associate Professor in the School of Journalism and Mass Communication at Texas State University and a Research Fellow at the Knight Center for Journalism in the Americas. Her research lies in the intersection of transnational media, digital journalism, consensus building, and Latin America. Luiz Guilherme Duarte is an international media research executive with awards for the developments of pioneer television measurement services. He is also adjunct professor at University of Central Florida.

Philosophy and psychology of culture --- Sociology of culture --- Ethnology. Cultural anthropology --- Telecommunication services --- Film --- etnologie --- populaire cultuur --- TV (televisie) --- cultuur --- film --- America --- Latin America --- Television --- Television broadcasting --- Social aspects --- History. --- Motion pictures, American. --- Ethnology—Latin America. --- Culture. --- Motion picture industry. --- Television broadcasting. --- Popular culture. --- Latin American Film and TV. --- Latin American Culture. --- Film and Television Industry. --- Popular Culture.