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Faulkner's cartographies of consciousness
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ISBN: 9781009377867 9781009377850 9781009377843 Year: 2024 Publisher: Cambridge Cambridge University Press

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William Faulkner in context
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ISBN: 9781107279438 Year: 2015 Publisher: Cambridge Cambridge University Press

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Following Faulkner : the critical response to Yoknapatawpha's architect
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ISBN: 9781782049340 Year: 2017 Publisher: Rochester, NY Camden House

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The new William Faulkner studies
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ISBN: 9781108881654 9781108840897 9781108744324 Year: 2022 Publisher: Cambridge Cambridge University Press

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William Faulkner and the materials of writing
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ISBN: 9781009222365 Year: 2023 Publisher: Cambridge Cambridge University Press

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Faulkner : a biography
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ISBN: 9781282960886 Year: 2005 Publisher: Jackson University Press of Mississippi

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A history of American Civil War literature
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ISBN: 9781316271964 9781107109728 Year: 2016 Publisher: New York Cambridge University Press

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The Cambridge introduction to William Faulkner
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ISBN: 9780521671552 9780521855464 9780511817045 9780511389559 0511389558 9780511391583 0511391587 9780511649790 0511649797 0511817045 9780511392320 0521855462 0521671558 1107176786 051139232X 051156855X 0511393636 Year: 2008 Publisher: Cambridge, UK ; New York : Cambridge University Press,

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Nobel laureate William Faulkner is one of the most distinctive voices in American literature. Known for his opaque prose style and his evocative depictions of life in the American South, he is recognised as one of the most important authors of the twentieth century. This introductory book provides students and readers of Faulkner with a clear overview of the life and work of one of America's most prolific writers of fiction. His nineteen novels, including The Sound and the Fury, As I Lay Dying, Go Down, Moses and Absalom, Absalom! are discussed in detail, as are his major short stories and nonfiction. Focused on the works themselves, but also providing useful information about their critical reception, this introduction is an accessible guide to Faulkner's challenging and complex oeuvre.


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Faulkner and the Native Keystone : Reading (Beyond) the American South
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ISBN: 9783662437032 Year: 2014 Publisher: Berlin, Heidelberg Springer

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The last fifty years have witnessed a never-ending flow of criticism on William Faulkner and his fiction. While this book touches on the prevailing critical theory, it also concentrates on a number of fresh observations on themes and motifs that place William Faulkner’s fiction in general, regional, global, and universal contexts of American and Western literature. Paying special attention to themes and motifs of racism, sexism, women’s education, myths and stereotypes — to mention just a few — the book analyzes Faulkner’s ability to write and to be read within and beyond his “native keystone” — his South. Coming from a non US-Americanist perspective, this contribution to the scholarly literature on William Faulkner discusses his best-known novels, contends that regionalism, internationalism, and universalism are the context of his fiction, and argues for feminist, post-colonial, and psychoanalytical approaches to it. The book is intended for scholars in the field of American literature, American Studies, and Southern Studies as it covers the South’s complex history, its peculiar cultural institutions, and the daunting body of international critical studies that has flourished around the novels during the last five decades. Graduate students will also find this book useful as it analyzes and interprets the novels and short stories of one of the greatest American novelists of the 20th century in an easily understandable way, offering new and fresh readings on (1) race and gender stereotypes present in American and European culture and literature, (2) conventions of family/genealogical fiction/drama, and (3) universal life situations and feelings.


Digital
American Crime Fiction : A Cultural History of Nobrow Literature as Art
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ISBN: 9783319301082 Year: 2016 Publisher: Cham Springer International Publishing :Imprint: Palgrave Macmillan

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This book looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and readers. As such it documents the manifold ways in which such authorship and readership are a matter of informed literary choice and not of cultural brainwashing or declining literary standards. Asking, in effect, a series of questions about the nature of genre fiction as art, successive chapters look at American crime writers whose careers throw light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics: Dashiell Hammett, John Grisham, William Faulkner, Ernest Hemingway, Raymond Chandler, Ed McBain, Nelson DeMille, and F. Scott Fitzgerald.

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