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Faulkner, William --- Novelists [American ] --- 20th century --- Biography
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Polemology --- Thematology --- American literature --- Literature --- United States of America --- Lincoln, Abraham --- Faulkner, William
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Nobel laureate William Faulkner is one of the most distinctive voices in American literature. Known for his opaque prose style and his evocative depictions of life in the American South, he is recognised as one of the most important authors of the twentieth century. This introductory book provides students and readers of Faulkner with a clear overview of the life and work of one of America's most prolific writers of fiction. His nineteen novels, including The Sound and the Fury, As I Lay Dying, Go Down, Moses and Absalom, Absalom! are discussed in detail, as are his major short stories and nonfiction. Focused on the works themselves, but also providing useful information about their critical reception, this introduction is an accessible guide to Faulkner's challenging and complex oeuvre.
Faulkner, William --- 820 "19" FAULKNER, WILLIAM --- 820 "19" FAULKNER, WILLIAM Engelse literatuur--20e eeuw. Periode 1900-1999--FAULKNER, WILLIAM --- Engelse literatuur--20e eeuw. Periode 1900-1999--FAULKNER, WILLIAM --- American literature. --- English literature --- Agrarians (Group of writers) --- Faulkner, William, --- Falkner, William, --- Fōkunā, Wiriamu, --- Фолкнер, Уильям, --- Folkner, Uilʹi︠a︡m, --- Fo-kʻo-na, --- Phōkner, Ouilliam, --- Fo-kʻo-na, Wei-lien, --- Fu-kʻo-na, --- Fu-kʻo-na, Wei-lien, --- Falkner, William Cuthbert, --- Pʻookʻŭnŏ, William, --- Foḳner, Ṿilyam, --- Pʻolkneri, Uiliam, --- K̲apākn̲ar, Villiyam, --- Fāknir, Vīlīyām, --- פוקנר --- פוקנר, וויליאם --- פוקנר, ויליאם, --- פוקנר, ןיליאם --- 福克纳威廉, --- Trueblood, Ernest V., --- Criticism and interpretation. --- Arts and Humanities --- Literature
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The last fifty years have witnessed a never-ending flow of criticism on William Faulkner and his fiction. While this book touches on the prevailing critical theory, it also concentrates on a number of fresh observations on themes and motifs that place William Faulkner’s fiction in general, regional, global, and universal contexts of American and Western literature. Paying special attention to themes and motifs of racism, sexism, women’s education, myths and stereotypes — to mention just a few — the book analyzes Faulkner’s ability to write and to be read within and beyond his “native keystone” — his South. Coming from a non US-Americanist perspective, this contribution to the scholarly literature on William Faulkner discusses his best-known novels, contends that regionalism, internationalism, and universalism are the context of his fiction, and argues for feminist, post-colonial, and psychoanalytical approaches to it. The book is intended for scholars in the field of American literature, American Studies, and Southern Studies as it covers the South’s complex history, its peculiar cultural institutions, and the daunting body of international critical studies that has flourished around the novels during the last five decades. Graduate students will also find this book useful as it analyzes and interprets the novels and short stories of one of the greatest American novelists of the 20th century in an easily understandable way, offering new and fresh readings on (1) race and gender stereotypes present in American and European culture and literature, (2) conventions of family/genealogical fiction/drama, and (3) universal life situations and feelings.
Human sciences (algemeen) --- Multidisciplinary collective works --- Developmental psychology --- Sociology of the family. Sociology of sexuality --- Linguistics --- Literature --- interdisciplinair onderzoek --- literatuur --- ontwikkelingspsychologie --- racisme --- linguïstiek --- cultuurwetenschap --- gender --- Faulkner, William
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This book looks at American crime fiction as an artform that expresses and reflects the social and aesthetic values of its authors and readers. As such it documents the manifold ways in which such authorship and readership are a matter of informed literary choice and not of cultural brainwashing or declining literary standards. Asking, in effect, a series of questions about the nature of genre fiction as art, successive chapters look at American crime writers whose careers throw light on the hazards and rewards of nobrow traffic between popular forms and highbrow aesthetics: Dashiell Hammett, John Grisham, William Faulkner, Ernest Hemingway, Raymond Chandler, Ed McBain, Nelson DeMille, and F. Scott Fitzgerald.
American literature --- Literature --- Amerindian literature --- detectiveromans --- literatuur --- Amerikaanse cultuur --- Hammett, Dashiell --- Chandler, Raymond Thornton --- DeMille, Nelson --- Faulkner, William --- Hemingway, Ernest --- Fitzgerald, F. Scott --- McBain, Ed --- anno 1900-1999 --- anno 2000-2099 --- United States of America
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