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A series of astute critical reflections on our enduring fascination with all things Victorian. In this book Cora Kaplan looks at the politics of 'Victoriana' from the 1970s to the present, a politics that emerges from the alternation between nostalgia and critique in fiction, film, biography and literary studies. She asks how Jane Eyre can still evoke tears and rage, as well as inspiring imitation and high art, and why Henry James has become fiction's favourite late Victorian character in the new millennium? 'Victoriana', the book argues, has developed a modern history of its own in which we can trace the shifting social and cultural concerns of the last few decades. Through the constant interrogation of 'history' in such innovative works as John Fowles's The French Lieutenant's Woman, A.S. Byatt's Possession, David Lodge's Nice Work, Peter Ackroyd's Dickens, Jane Campion's The Piano, Colm Toibin's The Master, Sarah Waters's Fingersmith, Alan Hollinghurst's The Line of Beauty and Julian Barnes's Arthur and George, 'Victoriana' maps out a very particular postmodern temporality.
Thematology --- English literature --- Literature --- Brontë, Charlotte --- Great Britain --- History in literature --- Literature and history --- Nostalgia in literature --- History and criticism --- History --- Brontë, Charlotte, --- Criticism and interpretation --- Piano (Motion picture) --- Civilization --- Historiography. --- Brontë, Charlotte, - 1816-1855 --- Brontë, Charlotte, - 1816-1855 - Jane Eyre
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This Pivot examines a body of contemporary neo-Victorian novels whose uneasy relationship with the past can be theorised in terms of aggressive eating, including cannibalism. Not only is the imagery of eating repeatedly used by critics to comprehend neo-Victorian literature, the theme of cannibalism itself also appears overtly or implicitly in a number of the novels and their Victorian prototypes, thereby mirroring the cannibalistic relationship between the contemporary and the Victorian. Tammy Lai-Ming Ho argues that aggressive eating or cannibalism can be seen as a pathological and defining characteristic of neo-Victorian fiction, demonstrating how cannibalism provides a framework for understanding the genre’s origin, its conflicted, ambivalent and violent relationship with its Victorian predecessors and the grotesque and gothic effects that it generates in its fiction.
Fiction --- Thematology --- Comparative literature --- Literature --- kannibalen --- Gothic --- literatuur --- Stoker, Bram --- Tennant, Emma --- Thomas, D.M. --- Haire-Sargeant, Lin --- Rhys, Jean --- Dickens, Charles --- Brontë, Charlotte --- anno 1800-1899 --- anno 1900-1999
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This five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume’s 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s.
Poetry --- Fiction --- English literature --- Literature --- fantasy --- literatuur --- vrouwen --- poëzie --- Engelse literatuur --- Craik, Dinah Maria --- Gaskell, Elizabeth --- Wedgwood, Frances Julia --- Howitt, Anna Mary --- Crowe, Catherine --- Johnstone, Christian --- Clive, Caroline --- Yonge, Charlotte Mary --- Brontë, Anne --- Martineau, Harriet --- Austen, Jane --- Brontë, Charlotte --- Brontë, Emily --- anno 1800-1899 --- anno 1900-1999 --- Great Britain --- Ireland
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This book is an investigation of the biases, contradictions, errors, ambiguities, gaps, and historical contexts in biographies of controversial British women who published during the long nineteenth century, many of them left unchecked and perpetuated from publication to publication. Fourteen scholars analyze the agenda, problems, and strengths of biographical material, highlighting the flaws, deficiencies, and influences that have distorted the portraits of women such as Lady Mary Wortley Montagu, Mary Wollstonecraft, Mary Hays, Sydney Owenson, Letitia Elizabeth Landon, Felicia Hemans, Elizabeth Barrett Browning, Caroline Norton, Elizabeth Gaskell, Charlotte Brontë, Lady Florence Dixie, George Eliot, and Edith Simcox. Through exposing distortions, this fascinating study demonstrates that biographies are often more about the biographer than they are about the biographee and that they are products of the time in which they are written.
Philosophy and psychology of culture --- Sociology of the family. Sociology of sexuality --- English literature --- Literature --- History --- cultuur --- emancipatie --- literatuur --- vrouwen --- gender --- literatuurgeschiedenis --- Engelse literatuur --- Wollstonecraft, Mary --- Simcox, E. --- Hays, Mary --- Landon, Letitia --- Norton, Caroline --- Gaskell, Elizabeth --- Dixie, Florence --- Browning, Elizabeth Barrett --- Morgan, Sydney Owenson --- Montagu, Mary Wortley --- Martineau, Harriet --- Brontë, Charlotte --- Hemans, Felicia --- Eliot, George --- anno 1800-1899 --- anno 1900-1999 --- Great Britain --- Ireland
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