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Art, Modern --- -Avant-garde (Aesthetics) --- -Aesthetics --- Modernism (Art) --- Modern art --- Nieuwe Ploeg (Group of artists) --- History --- -Aesthetics of art --- anno 1900-1999 --- -Art, Modern --- Aesthetics of art --- -History

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Leading figures in the Deleuzean philosophy of art criticism field contribute chapters that explore the extensive writings on art art history and aesthetics in the realm of contemporary art of Deleuze and Guattari.

Art, Modern --- Philosophy --- Deleuze, Gilles, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Philosophy. --- Deleuze, Gilles --- Delezi, Jier,

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This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region. In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society. Caroline Ha Thuc is a part-time Lecturer at Lingnan University, Hong Kong, as well as an independent art writer, researcher and curator. She holds a Ph.D. from the School of Creative Media at City University,Hong Kong, and is currently also a part-time researcher at the Guangzhou Academy of Fine Arts, China. Specializing in Asian contemporary art, Ha Thuc contributes regularly to different academic journals and magazines, focusing on the artistic production of knowledge. She has published books about the Hong Kong art scene as well as Japanese and Chinese contemporary art. .

Philosophy and psychology of culture --- Ethnology. Cultural anthropology --- History of civilization --- niet-westerse cultuur --- etnologie --- cultuur --- Asia --- Culture --- Art, Modern --- Ethnology --- Culture. --- Art --- Visual Culture. --- Contemporary Art. --- Asian Culture. --- Theory of Arts. --- Study and teaching. --- 21st century. --- Asia. --- Philosophy.

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This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a non-profit arts organisation as well as his expertise in the arts, humanities and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics and cultural policy.

Political sociology --- Art --- Sociology of culture --- Arts and society. --- Democracy and the arts. --- Government aid to the arts. --- Arts --- Government patronage of the arts --- Arts and democracy --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Government aid --- Finance --- Social aspects --- Relational art. --- Relational aesthetics --- Relationism in art --- Art, Modern --- Arts and Humanities --- Philosophy

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The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered "decent" and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse. The heterogeneous media, genres, and historical contexts north and south of the Alps studied by the authors demonstrate how the alleged indecency clashed with artistic intentions and challenges traditional paradigms of the historiography of Early Modern visual culture.

Human beings in art --- Obscenity (Aesthetics) --- Art, European --- Aesthetics of art --- Iconography --- History of civilization --- obscenity --- nudes [representations] --- visual culture --- lichaam (van de mens) --- anno 1500-1799 --- Europe --- Aesthetics --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Humans in art