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"This study aims to provide new interpretations of three major German plays about war in the twentieth century by looking at them through the lens of the medieval English Everyman play, moving them away from their historical contexts and highlighting their broader philosophical importance. The plays are Ernst Toller's Hinkemann, Wolfgang Borchert's Draussen vor der Tür (The Man Outside); and Max Frisch's Biedermann und die Brandstifter (The Arsonists); Hugo von Hofmannsthal's adaptation of the medieval Everyman play is also touched on "--

Drama --- Thematology --- German literature --- anno 1900-1999

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German literature

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In Germany, Weimar Classicism (roughly the period from Goethe's return to Germany from Italy in 1788 to the death of his friend and collaborator Schiller in 1805) is widely regarded as an apogee of literary art. But outside of Germany, Goethe is considered a Romantic, and the notion of Weimar Classicism as a distinct period is viewed with skepticism. This volume of new essays regards the question of literary period as a red herring: Weimar Classicism is best understood as a project that involved the ambitious attempt not only to imagine but also to achieve a new quality of wholeness in human life and culture at a time when fragmentation, division, and alienation appeared to be the norm. By not succumbing to the myth of Weimar and its literary giants, but being willing to explore the phenomenon as a complex cultural system with a unique signature, this book provides an account of its shaping beliefs, preoccupations, motifs, and values. Contributions from leading German, British, and North American scholars open up multiple interdisciplinary perspectives on the period. Essays on the novel, poetry, drama, and theater are joined by accounts of politics, philosophy, visual culture, women writers, and science. The reader is introduced to the full panoply of cultural life in Weimar, its accomplishments as well as its excesses and follies. Emancipatory and doctrinaire by turns, the project of Weimar Classicism is best approached as a complex whole. Contributors: Dieter Borchmeyer, Charles Grair, Gail Hart, Thomas Saine, Jane Brown, Cyrus Hamlin, Roger Stephenson, Elisabeth Krimmer, Helmut Pfotenhauer, Benjamin Bennett, Astrida Orle Tantillo, W. Daniel Wilson. Simon J. Richter is associate professor of German at the University of Pennsylvania.

German literature --- History --- 830 <09> --- 830 <09> Duitse literatuur--Geschiedenis van ... --- Duitse literatuur--Geschiedenis van ... --- History and criticism --- Duitse literatuur--Geschiedenis van .. --- Enlightenment --- Influence --- Classicism --- Pseudo-classicism --- Aesthetics --- Literature --- Civilization, Classical --- Civilization, Germanic --- Germanic literature --- Germanic peoples --- Literature, Medieval --- Germanic tribes --- Ethnology --- Indo-Europeans --- Teutonic race --- Germanic civilization --- Teutonic civilization --- Civilization --- Young Germany --- Sturm und Drang movement --- Storm and stress --- History and criticism. --- Influence. --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Duitse literatuur--Geschiedenis van . --- Duitse literatuur--Geschiedenis van --- German literature - Middle High German, 1050-1500 - History and criticism. --- German literature - Early modern, 1500-1700 - History and criticism. --- Sturm und Drang movement. --- British literature. --- German literature. --- Goethe. --- North American literature. --- Romantic. --- Weimar Classicism. --- accomplishments. --- alienation. --- complex cultural system. --- cultural life. --- culture. --- division. --- drama. --- excesses. --- follies. --- fragmentation. --- human life. --- literary period. --- motifs. --- novel. --- philosophy. --- poetry. --- politics. --- preoccupations. --- science. --- shaping beliefs. --- theater. --- values. --- visual culture. --- women writers. --- Charms. --- Chronicles. --- Early Middle Ages. --- German Literature. --- Heroic Material. --- Hildebrandlied. --- Latin Influence. --- Literary Language. --- Ludwigslied. --- Manuscript Culture. --- Old High German Literature. --- Otfrid's Gospel-Poem. --- Prayers. --- Translations. --- Clayton Koelb. --- Drama. --- Eric Downing. --- Impressionism. --- Lyric Poetry. --- Music-Drama. --- Naturalism. --- Nineteenth-Century German Literature. --- Poetic Realism. --- Prose Fiction. --- Romanticism. --- Social and Political Context. --- Symbolism.

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This edition, the first since 1878, offers Middle English texts accompanied by detailed notes contextualizing the poems within an apocryphal tradition and full glossary. The Introduction reviews the development of the Adam and Eve legend in medieval European vernacular. Last edited in 1878, the two poems edited in this volume are medieval English versions of the legendary lives of Adam and Eve, telling of their attempts to regain the Paradise they had just lost and their life after the Fall, and merging with the related legends of the history of the Cross before Christ. The poems are important as part of a very large European tradition of vernacular adaptations of the Adambook, known in its Latin form (the immediate source) as the Vita Adae et Evae, with analogues in many other languages. Once very well known, these stories largely disappeared after the Reformation. The works are of equal interest not only in the general area of medieval English literature, but also in the study of Old Testament apocrypha itself. This edition offers readable texts of the two poems, accompanied by a detailed set of notes which contextualise the poems within their apocryphal traditions; traditions which have echoes in a wide variety of other medieval works, ranging from continental world-chronicles to the Cornish Ordinalia and to the English mystery-cycles. The Introduction includes a substantial review of the development of the Adam and Eve legend in medieval European vernacular and is a contribution to scholarship in its own right. B.O. Murdoch is Professor of German at the University of Stirling. He has published widely on medieval and modern literature in German and Celtic, including Adam's Grace (Brewer, 2000) and The Germanic Hero (Hambledon, 1996). His main research interests include medieval literature in general (Germanic and also Celtic), especially religious literature; the Baroque; and the literature of the world wars, especially the writings of Erich Maria Remarque. J.A. Tasioulas is a Fellow in English at Newnham College, Cambridge and has written on Chaucer and medieval drama and edited The Makars (Canongate, 1999), a collection of the poems of Henryson, Dunbar and Douglas. This welcome volume offers accessible texts and comprehensive notes on two medieval English versions of the legendary Lives of Adam and Eve. An admirable, authoritative contribution to scholarship on the apocryphal tradition.