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The Last Outlaws : The Lives and Legends of Butch Cassidy and the Sundance Kid.
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ISBN: 1101598786 Year: 2013 Publisher: East Rutherford : Penguin Publishing Group,

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Etta Place : Riding into History with Butch Cassidy and the Sundance Kid.
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ISBN: 1493047396 Year: 2021 Publisher: Blue Ridge Summit : TwoDot,

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A consort of Butch Cassidy, the Sundance Kid, and The Wild Bunch, Etta remains shrouded in controversy. In the hands of storyteller DJ Herda, the story of her life-and her legacy of mystery-gets a fresh telling.


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Bailey, V. O., Montana, Nevada, South Dakota, Wyoming, May 1894 - September 1894
Year: 1894

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The Sun Dance religion: power for the powerless
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ISBN: 0226410862 0226410854 Year: 1974 Publisher: Chicago (Ill.) University of Chicago Press

Sundance to Sarajevo : film festivals and the world they made
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ISBN: 1597349259 1282357409 0520930827 9786612357404 9780520930827 0585466254 9780585466255 9781282357402 0520218671 9780520218673 6612357401 9780520240728 0520240723 9781597349253 Year: 2003 Publisher: Berkeley : University of California Press,

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Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema makes him uniquely suited to his role. Kenneth Turan, film critic for the Los Angeles Times, writes about the most unusual as well as the most important film festivals, and the cities in which they occur, with an eye toward the larger picture. His lively narrative emphasizes the cultural, political, and sociological aspects of each event as well as the human stories that influence the various and telling ways the film world and the real world intersect. Of the festivals profiled in detail, Cannes and Sundance are obvious choices as the biggest, brashest, and most influential of the bunch. The others were selected for their ability to open a window onto a wider, more diverse world and cinema's place in it. Sometimes, as with Sarajevo and Havana, film is a vehicle for understanding the international political community's most vexing dilemmas. Sometimes, as with Burkina Faso's FESPACO and Pordenone's Giornate del Cinema Muto, it's a chance to examine the very nature of the cinematic experience. But always the stories in this book show us that film means more and touches deeper chords than anyone might have expected. No other book explores so many different festivals in such detail or provides a context beyond the merely cinematic.

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