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"For more than half a century now, scholars have debated over what comprises a 'genuinely' religious film one that evinces an 'authentic' manifestation of the sacred. Often these scholars do so by pitting the 'successful' films against those which propagate an inauthentic spiritual experience with the biblical spectacular serving as their most notorious candidate. This book argues that what makes a filmic manifestation of the sacred true or authentic may say more about a spectator or critic's particular way of knowing, as influenced by alphabetic literacy, than it does about the aesthetic or philosophical and sometimes even faith-based dimensions of the sacred onscreen. Engaging with everything from Hollywood religious spectaculars, Hindu mythologicals, and an international array of films revered for their 'transcendental style,' The Sacred and the Cinema unveils the epistemic pressures at the heart of engaging with the sacred onscreen. The book also provides a valuable summation of the history of the sacred as a field of study, particularly as that field intersects with film."--Bloomsbury Publishing.
Motion pictures --- Religion in motion pictures. --- Religious films --- Religion and motion pictures --- Religious aspects.
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Motion pictures --- Religious films --- Religious aspects --- Congresses --- History and criticism --- Congresses
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Motion pictures --- Religious films --- Religious aspects --- Catholic Church --- History and criticism
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Motion pictures --- Religion in motion pictures --- Religious films --- Religious aspects --- History and criticism
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Motion pictures --- Religion in motion pictures --- Religious films --- Religious aspects --- History and criticism
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Religious films --- Motion pictures --- -Religion in motion pictures --- History and criticism --- Religious aspects
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Sociology of religion --- Film --- Films religieux --- Motion pictures --- Religious films --- Religious aspects. --- History and criticism. --- Cinéma --- Aspect religieux --- Histoire et critique --- Motion pictures - Religious aspects. --- Religious films - History and criticism.
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For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a "postsecular turn." Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malick's The Tree of Life and Lars von Trier's Melancholia were released within days of each other. While these two audacious and controversial films present seemingly opposite perspectives—the former a thoughtful meditation on faith, the latter a portrayal of nontriumphalist atheism—together they raise critical questions about transcendence and immanence in modern life. These films are, however, only the most conspicuous of a growing body of works that call forth similar and related questions—what this collection aptly calls "postsecular cinema."Taking the nearly simultaneous release of The Tree of Life and Melancholia as its starting point and framing device, this pioneering collection sets out to establish the idea of postsecular cinema as a distinct body of films and a viable critical category. Adopting a film-philosophy approach, one group of essays examines Malick's and von Trier's films, while another looks at works by Chantal Akerman, Denys Arcand, the Dardenne brothers, and John Michael McDonagh, among others. The volume closes with two important interviews with Luc Dardenne and Jean-Luc Nancy that invite us to reflect more deeply on some of the central concerns of postsecular cinema.
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Biblical scholars and students are finding the role of the Bible in film an increasingly absorbing and rewarding topic. There are films that retell biblical narratives and there are films that allude to the Bible or otherwise build on or appropriate biblical themes and images. The eleven lively and provocative articles in this volume explore both types of film, showcasing the cinema's impact on the perception of the Bible in modern culture. Originally published as issue 1-2 of Volume 14 (2006) of Brill's journal Biblical Interpretation. For more details on this journal, please click here.
Bible films --- Biblical films --- Religious films --- History and criticism. --- Bible --- In motion pictures. --- In motion pictures --- Bible films - History and criticism.
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