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Strygerskole I : sammenspil
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Year: 1970 Publisher: København : Wilhelm Hansen,

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Zipangu : for String Orchestra : Full Score
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ISBN: 9790051246328 9781476822525 1476822522 Year: 2009 Publisher: New York, NY Milwaukee, WI Hendon Music Distributed by Hal Leonard Corporation

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Serge Prokofieff and His Orchestral Music
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Year: 2015 Publisher: Project Gutenberg

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Tschaikowsky and His Orchestral Music
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Year: 2015 Publisher: Project Gutenberg

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The world of big bands : the sweet and swinging years
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ISBN: 0715373595 Year: 1977 Publisher: Newton Abbot David and Charles

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Serge Prokofieff and His Orchestral Music
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Year: 2015 Publisher: Project Gutenberg

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Tschaikowsky and His Orchestral Music
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Year: 2015 Publisher: Project Gutenberg

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La musica italiana per orchestra nell'Ottocento
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ISBN: 8822252446 Year: 2003 Volume: 98 Publisher: Firenze Leo S. Olschki

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Berlioz orchestral music
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ISBN: 0563084553 Year: 1974 Publisher: London BBC

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The other worlds of Hector Berlioz
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ISBN: 9781139030090 9780521896467 1139030094 9781316247198 1316247198 9781316249093 1316249093 1316252876 9781316252871 1316250989 9781316250983 1316233960 9781316233962 0521896460 1316235858 1316254771 1108814018 Year: 2015 Publisher: Cambridge, United Kingdom

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Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control - the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself.

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