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"Selon la thèse généralement admise, le fascisme italien aurait favorisé le pluralisme esthétique pour afficher son libéralisme et légitimer parallèlement la mise en œuvre d'une dictature implacable. Il se crée ainsi une aporie fondamentale puisque si la politique culturelle fasciste encourage la diversité et l'autonomie artistique, comment la distinguer de celle d'une démocratie libérale ? De surcroît, une telle hypothèse affranchit l'image de son rapport à l'histoire et désengage les artistes, les critiques et les historiens de l'art de toute contingence politique. Le but de notre étude est de dépasser cette conception réductrice en s'appuyant non seulement sur les acquis de l'historiographie, mais aussi sur un vaste matériel textuel et visuel. Grâce à un minutieux travail de reconstruction de la réception esthétique des plus importants mouvements artistiques de la période fasciste (Novecento, Strapaese, le futurisme, l'École de Rome, etc.), cet ouvrage redessine le rôle matriciel des images dans la radicalisation progressive du projet de révolution anthropologique au fondement de la funeste utopie fasciste."

Fascisme et art --- Esthétique fasciste --- Caractère national italien --- Novecento (mouvement artistique) --- Strapaese. --- Scuola romana (peinture). --- Aeropittura --- Dans l'art. --- Italie --- Esthétique fasciste --- Caractère national italien --- Scuola romana (peinture) --- Fascism and art --- Fascist aesthetics --- Painting, Italian --- Novecento italiano (Group of artists) --- Scuola romana --- Art et fascisme --- Conflit --- Scuola romana (Art movement)

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Vasari, Giorgio --- Architects --- -Art historians --- -Art, Italian --- Art, Renaissance --- -Painters --- -929 VASARI, GIORGIO --- Artists --- Renaissance art --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Historians --- Professional employees --- Biography --- -Relations with Medici family --- Art historians --- Art, Italian. --- Painters --- Vasari, Giorgio, --- Medici, House of. --- Art, Italian --- 929 VASARI, GIORGIO --- Vazari, Dzhordzho, --- Vasari, Georges, --- Вазари, Джорджо, --- ヴァザリ, ジョルジョ --- 960 --- Italie Renaissance --- levensbeschrijvingen --- biographies et mémoires

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Riche d’un ensemble remarquable des tableaux de Mantegna, de loin le plus important hors d’Italie, que viendront compléter des prêts exceptionnels, le musée du Louvre consacre, pour la première fois en France, une rétrospective majeure à cette figure éminente de la Renaissance en Italie du Nord. Formé dans le milieu humaniste de Padoue et de Ferrare, Mantegna va se distinguer par son goût « antiquaire », obsédé par la restitution imaginaire et documentée à la fois d’une Antiquité rêvée et par son talent d’invention allégorique et savante. A la cour de Mantoue, auprès d’Isabelle d’Este et de son mari le duc de Gonzague, il va développer, par la fresque, les peintures sur bois mais aussi par la gravure, une œuvre qui influencera au-delà des artistes de la péninsule jusqu’à Dürer. L’exposition et son catalogue s’attacheront à montrer, à travers des œuvres de techniques très diverses, les étapes majeures de la carrière de cet artiste, menée entre Padoue, Vérone et Mantoue durant la seconde moitié du XVe siècle, son influence sur ses contemporains et la diffusion précoce de son art dans toute l’Europe.

Mantegna, Andrea --- Art --- Bellini, Giovanni --- 15de eeuw --- Padua --- Italië --- Mantegna, Andrea, --- Exhibitions --- Art, Italian --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Painting, Renaissance --- Drawing, Renaissance --- Painting, Italian --- Drawing, Italian --- Exhibitions. --- Mantegna, Andrea, - 1431-1506 --- Mantegna, Andrea, - 1431-1506 - Exhibitions --- Mantegna, Andrea. --- Bellini, Giovanni. --- 15de eeuw. --- Padua. --- Italië.

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art history --- Art --- anno 1700-1799 --- anno 1600-1699 --- Italy --- 7.01 <45> --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Italië --- Art, Italian --- Historiography. --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Historiography --- historiografie van de kunstgeschiedenis

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Mannerist [Renaissance-Baroque style] --- Art --- Parmigianino --- anno 1500-1599 --- Mannerism (Art) --- Art, Italian --- Maniérisme (Art) --- Art italien --- Exhibitions. --- Expositions --- Parmigianino, --- maniërisme --- Parmigianino (pseud.) --- 16de eeuw --- Europa --- Maniérisme (Art) --- CDL --- 75.071 PARMIGIANINO --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Mazzuoli, Francesco, --- Mazzola, Francesco, --- Mazzolino, Francesco, --- Mazzoli, Francesco, --- Parmegianino, --- Mazzuola, Francesco, --- Parmesan, --- Il Parmigianino, --- Parmegiani, --- Exhibitions --- Parmigianino (pseud.). --- 16de eeuw. --- Europa.