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Motion pictures and music.

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Extremely lusty, busty and energetic dishwater blonde Lili Marlene was born on March 18, 1954, in Ohio. She began her career in the adult-film industry doing 8mm loops in the late 1970s and made her adult feature debut in 1982 at age 28 in Doing It! (1982). Best known for her ferocious and insatiable penchant for wild, raunchy and uninhibited anal intercourse, Lili also specialized in oral sex, group sex and interracial couplings. Blessed with full breasts, a lovely face with high cheekbones, a shapely figure and a remarkably dynamic and voracious persona, she worked prolifically throughout the 1980s in well over 100 films. Her on-screen partners include such hardcore legends as John Holmes, Ron Jeremy and African-American stud King Paul. Lili retired from the adult industry in the early 1990s.

Motion pictures and music.

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Motion pictures and music

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Taking its cue from Deleuze's definition of minor cinema as one which engages in a creative act of becoming, this collection explores the multifarious ways that music has been used in the cinemas of various countries in Australasia, Africa, Latin America and even in Europe that have hitherto received little attention. The authors consider such film music with a focus on the role it has played creating, problematizing, and sometimes contesting, the nation. Film Music in 'Minor' National Cinemas addresses the relationships between film music and the national cinemas beyond Hollywood and the European countries that comprise most of the literature in the field. Broad in scope, it includes chapters that analyze the contribution of specific composers and songwriters to their national cinemas, and the way music works in films dealing with national narratives or issues; the role of music in the shaping of national stars and specific use of genres; audience reception of films on national music traditions; and the use of music in emerging digital video industries

Motion pictures and music.

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Using cine-ethnomusicology as a focus, Cineworlding introduces readers to ways of thinking eco-cinematically. Screens are omnipresent, we carry digital cinema production equipment in our pockets, but this screen-based technological revolution has barely impacted social science scholarship. Mixing existential phenomenological fiction about social science digital cinema research practice followed by theoretical reflection and discussion of methods, this book has emerged from a decade-long inquiry into cineworlding and a desire to help others produce digital media to engage creatively with the digital networks that surround us.

Motion pictures --- Motion pictures and music. --- Philosophy.