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Since the release of 'Do the Right Thing' in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. He is arguably the most accomplished African American filmmaker in cinematic history, and his breakthrough paved the way for the success of many other African Americans in film. In this scholarly examination of Spike Lee's oeuvre, Todd McGowan shows how Lee's films, from 'She's Gotta Have It' through 'Red Hook Summer', address crucial social issues such as racism, paranoia, and economic exploitation in a formally inventive manner.
Lee, Spike --- Lee, Shelton Jackson --- Criticism and interpretation.
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In this groundbreaking book, Delphine Letort sheds light on a neglected part of Spike Lee's filmmaking by offering a rare look at his creative engagement with the genre of documentary filmmaking. Ranging from history to sports and music, Lee has tackled a diversity of topics in such nonfiction films as 4 Little Girls, A Huey P. Newton Story, Jim Brown: All-American, and When the Levees Broke: A Requiem in Four Acts. Letort analyzes the narrative and aesthetic discourses that structure these films and calls attention to Lee's technical skills and narrative-framing devices. Drawing on film and media studies, African American studies, and cultural theories, she examines the sociological value of Lee's investigations into contemporary culture and also explores the ethics of his commitment to a genre characterized by its claim to truth.
Documentary films. --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Lee, Spike --- Lee, Shelton Jackson --- Criticism and interpretation.
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New York has appeared in more movies than Michael Caine, and as a result of overfamiliarity, the City poses a problem for critics and casual moviegoers alike. Audiences mistake the New York image of skyscrapers and glitter for the real thing, but in fact the City is a network of small villages, each with its unique personality. Street Smart offers a novel approach to understanding the cultural influences of New York's neighborhoods on the work of four quintessentially New York filmmakers: Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee. The city's diverse economic and ethnic enclaves
Lee, Spike --- Scorsese, Martin --- Allen, Woody, --- Lumet, Sidney, --- Lee, Shelton Jackson --- Skorseze, Martin --- Criticism and interpretation. --- New York (N.Y.) --- In motion pictures. --- Allen, Woody --- Konigsberg, Allen Stewart, --- Konigsberg, Allan Stewart, --- Allen, Heywood, --- Allen, Vudi, --- Ален, Вудзі, --- Alen, Vudzi, --- Алън, Уди, --- Alŭn, Udi, --- Кьонигсберг, Алън Стюарт, --- Konigsberg, Alŭn Sti︠u︡art, --- Αλεν, Γούντι, --- Alen, Gounti, --- Κένιγκσμπεργκ, Αλεν Στιούαρτ, --- Keninksmpernk, Alen Stiouart, --- Аллен, Вуди, --- Aellŏn, Udi, --- 앨런, 우디, --- Alen, Ṿudi, --- Allens, Vudijs, --- Konigsbergs, Elens Stjuarts, --- Ален, Вуди, --- Кенигсберг, Ален Стјуарт, --- Kenigsberg, Alen Stjuart, --- ウディ・アレン, --- Aren, Udi, --- Конигсберг, Аллен Стюарт, --- Konigsberg, Allen Sti︠u︡art, --- Аллен, Вуді, --- Коніґсберґ, Аллен Стюарт, --- עלען, וואדי, --- 伍迪·艾伦, --- Ailun, Wudi,
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