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Comparative literature --- English poetry. --- English and Latin. --- Latin and English.
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In these five essays Niall Rudd presents an eclectic set of comparisons between certain ancient authors and later English writers ranging from Chaucer to Pound. He shows how five English writers consciously used and adapted classical works, and in so doing he illuminates both the classical authors and their English imitators and admirers. Readable translations and summaries of the Latin sources make these stimulating studies accessible even to scholars and students with little or no Latin.The first essay compares Chaucer's treatment of Dido in The House of Fame and The Legend of Good Women with Virgil's presentation of Dido in the Aeneid, and Ovid's in Heroides 7. The second essay, comparing Shakespeare's The Comedy of Errors with Plautus' Menaechmi, demonstrates how Shakespeare, weaving Roman farce into the framework of Hellenistic romance, developed both genres into something richer and more complex. The third essay on Pope's Epistle to Augustus shows his conversion of Horace's praise of Augustus into an anti-royalist attack on George II. In the fourth essay, Rudd discusses how much of Tennyson's Lucretius is invented and imported by Tennyson as a way of externalizing the inner conflicts he experienced in the age of doubt. The final essay, on Pound and Propertius, looks at Pound's representation of the Latin poet in Homage to Sextus Propertius, specifically in the areas of imperial politics, love, and language.In his preface Rudd writes: 'Everyone knows of the Classical Tradition - comprehending it is another matter.' This book brings it closer to our understanding.
English literature --- Comparative literature --- Classicism --- Roman influences. --- History and criticism. --- English and Latin. --- Latin and English. --- Rome --- In literature. --- English poetry --- History and criticism --- Roman influences --- Literature [Comparative ] --- English and Latin --- Latin and English
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Literature, Comparative --- English drama --- Latin and English. --- English and Latin. --- History and criticism. --- Seneca, Lucius Annaeus, --- Influence.
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Comparative literature --- English poetry --- English and Latin. --- Latin and English. --- Roman influences. --- Chaucer, Geoffrey, --- Ovid, --- Knowledge --- Literature. --- Influence.
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Comparative literature --- English poetry --- English and Latin. --- Latin and English. --- Roman influences. --- Milton, John, --- Ovid, --- Knowledge --- Literature. --- Influence.
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Comparative literature --- Epic poetry, English (Old) --- Epic poetry, Latin --- English and Latin. --- Latin and English. --- History and criticism. --- Virgil. --- Aeneas, --- In literature. --- Beowulf.
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Katharine Maus explores the biographical reasons for Jonson's preference for particular Latin authors; the effects of Roman moral and psychological paradigms on his methods of characterization and generic choices; the connection between his critical theory and artistic practice; and the impact of Roman social theory on his portrayal of communities and on his peculiar relationship with his audiences.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Comparative literature --- Latin literature --- Neoclassicism (Literature) --- English literature --- Classicism --- Literary movements --- Revival movements (Art) --- Latin and English. --- English and Latin. --- Appreciation --- Roman influences. --- History --- Jonson, Ben, --- Knowledge --- Literature. --- Rome.
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English poetry --- Comparative literature --- Poésie anglaise --- Littérature comparée --- History and criticism --- Latin and English --- English and Latin --- Histoire et critique --- Latine et anglaise --- Anglaise et latine --- Horace
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Classical Latin literature --- English literature --- Theatrical science --- Drama --- anno 1500-1599 --- Comedy --- English drama --- English drama (Comedy) --- Latin drama (Comedy) --- Comparative literature --- Theater --- History and criticism --- English and Latin --- Latin and English --- Production and direction --- History --- Technique --- Comedy - History and criticism --- English drama - Early modern and Elizabethan, 1500-1600 - History and criticism --- English drama (Comedy) - History and criticism --- Latin drama (Comedy) - History and criticism --- Comparative literature - English and Latin --- Comparative literature - Latin and English --- Theater - Production and direction --- Theater - England - History - Medieval, 500-1500 --- Theater - England - History - 16th century --- Theater - History - To 500 --- Theater - Rome --- Drama - Technique
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Italy in literature --- English literature --- Comparative literature --- Littérature anglaise --- Littérature comparée --- History and criticism --- English and Latin --- Latin and English --- English and Italian --- Italian and English --- Histoire et critique --- Anglaise et latine --- Latine et anglaise --- Anglaise et italienne --- Italienne et anglaise --- Rome --- Rome dans la littérature --- In literature
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