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“This pioneering study offers rich insights into the visual and theatre arts landscape of Northern Ireland. Keating’s disciplined and purposeful focus on Duffy, McClean, McFetridge and Burke illuminates the variousness of their art activism and political engagement, while also claiming space for the individual aesthetic and public responsibility that characterises this ground-breaking group.” - Eve Patten, Director, Trinity Long Room Hub Arts and Humanities Research Institute, Trinity College Dublin, Ireland “This book provides great insight into practices of four women, whose work has impacted the Irish cultural scene on both sides of the border. It offers alternative perspectives to traditional art history texts by taking cross cutting, interdisciplinary approaches to the analysis of their artistic practice.” - Marguerite Nugent, Director of Culture at CV Life Trust, Coventry, UK This book mines the space where aesthetic expression meets lived experience for Rita Duffy, Mairéad McClean, Paula McFetridge and Ursula Burke. Portrait essays woven with photographs, document each artist’s coming of age in Ireland and Northern Ireland, in the context of her emerging practice. As individuals, their work considers infringements on human rights, systemic violence, gender roles and the negotiation of figurative and literal borders and boundaries. Together, they interrogate conflict and emergence from conflict, locally and globally. Their critical work is threaded with hope, contextualized by past and present political fragmentation. Works considered include Rita Duffy’s paintings, drawings and animation like Siege, The Emperor Has No Clothes and Anatomy of Hope; Mairéad McClean’s films No More, Broadcast and Making Her Mark; Paula McFetridge’s productions like convictions, staged at the Crumlin Road Courthouse, This is What We Sang, performed at the Belfast Synagogue and Belfast Quartered, A Love Story, a promenade through Belfast’s LGBTQ+ underground; and Ursula Burke’s sculptures like Bonfire, Blue Sphinx and Peach Caryatid, and embroidery like The Politicians Frieze. Jennifer Keating is a Teaching Professor of English and the Writing in the Disciplines Specialist in the William S. Dietrich II Institute for Writing Excellence at the University of Pittsburgh, USA. .
Art, Irish. --- Women artists. --- Artists, Women --- Women as artists --- Artists --- Irish art --- Culture --- Great Britain --- Visual Culture. --- History of Britain and Ireland. --- Study and teaching. --- History. --- Cultural studies
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This text explores artists' visualisations of Dublin during a key period of the city's political and social history. Based on close and contextual readings of original paintings and prints, along with new archival research, it shows how artists in Ireland creatively responded to the urban environment where they lived and worked.
Cities and towns in art. --- Dublin (Ireland) --- In art. --- History --- Art history. --- Cities. --- Dublin. --- Everyday Life. --- Irish art. --- Modernity. --- Nineteenth century. --- Twentieth century. --- Urban landscape. --- Urban painting.
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Art, Romanesque --- Art, Medieval --- Art, Irish --- History. --- 091.31 <417> --- 091.31 <417> Verluchte handschriften--Republiek Ierland --- Verluchte handschriften--Republiek Ierland --- Romanesque art --- Christian art and symbolism --- Medieval art --- Irish art --- History
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Since the signing of the Good Friday Agreement in 1998 - the formal end-point of the thirty-year modern 'Troubles' - contemporary visual artists have offered diverse responses to post-conflict circumstances in Northern Ireland. In Ghost-Haunted Land - the first book-length examination of post-Troubles contemporary art - Declan Long highlights artists who have reflected on the ongoing anxieties of aftermath. This wide-ranging study addresses developments in video, photography, painting, sculpture, performance and more, offering detailed analyses of key works by artists based in Ireland and beyond - including 2014 Turner Prize winner Duncan Campbell and internationally acclaimed filmmaker and photographer Willie Doherty. 'Post-Troubles' contemporary art is discussed in the context of both local transformations and global operations - and many of the main points of reference in the book come from broader debates about the place and purpose of contemporary art in today's world.
Art --- Art, Irish. --- Art, Irish --- Irish art --- Art and politics --- Politics and art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects. --- Political aspects --- Northern Ireland. --- G.N.I. --- GNI --- Irlande du Nord --- Kita Airurando --- Kitairurando --- Nordirland --- Norlin Airlann --- Pohjois-Irlanti --- Severna Irlandii︠a︡ --- Tuaisceart Éireann --- 北アイルランド --- Art, Primitive --- 2000-2099 --- Severna Irlandii͡ --- Good Friday Agreement. --- Northern Irish art. --- Willie Doherty. --- built environment. --- film narratives. --- ghost stories. --- ghost-hunting. --- haunted spaces. --- peace process. --- photographic series. --- political framing. --- post-Troubles art. --- post-Troubles period. --- theoretical framing.
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936.4 --- Art, Irish --- -#BIBC:bibl.Reekmans --- Kunst algemeen ; Ierland ; van Mesolithicum tot de 7de eeuw --- Keltische kunst ; geschiedenis --- Tentoonstellingscatalogi ; Parijs ; Grand Palais --- 7.031.1 --- (069) --- Irish art --- 936.4 Geschiedenis van de Kelten --- Geschiedenis van de Kelten --- Exhibitions --- Kunstgeschiedenis ; prehistorische kunst --- (Musea. Collecties) --- Ireland --- Irish Free State --- Antiquities --- -Exhibitions. --- Exhibitions. --- #BIBC:bibl.Reekmans
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Professor Jane Hawkes has devoted her career to the study of medieval stone, exploring its iconographies, symbolic significances and scholarly contexts, and shedding light on the obscure and understudied sculpted stone monuments of Anglo-Saxon England. This volume builds on her scholarly interests, offering new engagements with medieval culture and the current scholarly methodologies that shape the discipline. The contributors approach several significant objects and texts from the early and later Middle Ages, working across several disciplinary backgrounds and periods, largely focusing on the Insular World as it intersects with wider global contexts of the period. The chapters cover a wide range of subjects, from the material culture of baptism, to the material, symbolic and iconographic consideration of the artistic outputs of the Insular world, with essays on sculpture, metalwork, glass and manuscripts, to ideas of stone and salvation in both material and textual contexts, to intellectual puzzles and patterns - both material and mathematic - to consideration of the ways in which the conversion to Christianity played out on the landscape.
Art, Irish --- Art, Anglo-Saxon --- Material culture --- Material culture. --- Themes, motives. --- History --- Hawkes, Jane --- To 1500 --- Great Britain --- Great Britain. --- Anglo-Saxon art --- Irish art --- Culture --- Folklore --- Technology --- Anglo-Saxon England. --- Anglo-Saxon culture. --- Anglo-Saxon iconography. --- Anglo-Saxon literature. --- Christian iconography. --- Insular Iconographies. --- Jane Hawkes. --- art history. --- cultural artifacts. --- cultural intersections. --- historical symbolism. --- iconography. --- intellectual history. --- material culture. --- medieval England. --- medieval art. --- medieval manuscripts. --- medieval sculpture. --- medieval stone. --- medieval studies. --- scholarly contexts. --- sculpted stone monuments. --- symbolic significances.
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Art, Cistercian --- Art, Irish --- Art, Medieval --- Art cistercien --- Art irlandais --- Art médiéval --- Cistercians --- History --- Cistercian art --- 271.12 <415> --- 726.7 <415> --- -Cistercian art --- -Art, Cistercian --- Christian art and symbolism --- Medieval art --- Irish art --- Cisterciënzers. Bernardijnen--Ierland--(als geheel) --- Abdijen. Kloosters--Ierland--(als geheel) --- -Zisterzienser --- White Monks --- Bernardines (Cistercian) --- Order of Cîteaux --- Cîteaux, Order of --- S. Ordo Cisterciensis --- Sacer Ordo Cisterciensis --- Ordo Cisterciensis --- Cisztercita Szerzetes --- Cisterciensi --- Řád cisterciáků --- Cisterciácký řád --- Cisterciens --- Trappists --- -Cisterciënzers. Bernardijnen--Ierland--(als geheel) --- -History --- 726.7 <415> Abdijen. Kloosters--Ierland--(als geheel) --- 271.12 <415> Cisterciënzers. Bernardijnen--Ierland--(als geheel) --- Zisterzienser --- History. --- Art médiéval --- Architecture cistercienne. Irlande. 12e-16e s. --- Bouwkunst (Cisterciënzer). Ierland. 12e-16e eeuw. --- Cistercian art - Ireland --- Art, Medieval - Ireland --- Cistercians - Ireland - History
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