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Dans Racine et les trois publics de l'amour Delphine Calle analyse la séduction du théâtre racinien à partir des débats sur les passions du XVIIe siècle français. Concupiscence ou pur amour, amour-propre ou désir de plaire, l'amour est au cœur de la tragédie racinienne : moteur de l'action tragique, il émeut le public. Celui-ci est triple : le protagoniste amoureux est non seulement scruté par les spectateurs dans la salle, passionnés par la passion, il s'expose devant le personnage qu'il aime et paraît devant le tribunal de sa propre conscience. À l'instar des moralistes du XVIIe siècle, grands censeurs du théâtre, ce livre établit le parallèle entre les expériences amoureuse et théâtrale, pour mieux percer la dramaturgie de l'amour chez Racine. In Racine et les trois publics de l'amour Delphine Calle unravels the seductive power of Racinian tragedy by turning to the 17th-century French debates on love. Whether it is staged as concupiscence or pure love, as self-love or the desire to please, love is at the heart of Racinian theatre: it sparks tragic action and moves its spectators. These spectators are threefold: the tragic lover is not only scrutinized by the real audience, who is passionate about passion, he also feels the gaze of his loved one and of his own conscience, that questions the value of his love. Following the 17th- century moralist theatre critics, this monograph aligns amorous and theatrical experiences, in order to reveal Racine's dramaturgy of love.

Art and history --- History and art --- History --- History in art

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German literature --- Middle High German --- History and art --- Lancelot

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This book examines contemporary artistic practices since 1990 that engage with, depict, and conceptualize history. Examining artworks by Kader Attia, Yael Bartana, Zarina Bhimji, Michael Blum, Matthew Buckingham, Tacita Dean, Harun Farocki and Andrei Ujica, Omer Fast, Andrea Geyer, Liam Gillick and Philippe Parreno, Hiwa K, Amar Kanwar, Bouchra Khalili, Deimantas Narkevičius, Wendelien van Oldenborgh, Walid Raad, Dierk Schmidt, Erika Tan, and Apichatpong Weerasethakul, Art, History, and Anachronic Interventions since 1990 undertakes a thorough methodological reexamination of the contribution of art to history writing and to its theoretical foundations. The analytical instrument of anachrony comes to the fore as an experimental method, as will (para)fiction, counterfactual history, testimonies, ghosts and spectres of the past, utopia, and the "juridification" of history. Eva Kernbauer argues that contemporary art—developing its own conceptual approaches to temporality and to historical research—offers fruitful strategies for creating historical consciousness and perspectives for political agency. The book will be of interest to scholars working in art history, historiography, and contemporary art. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial 4.0 license.

Art and history. --- History and art --- History --- History in art --- Nonfiction. --- Art. --- History.

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Jean Schaack (1895-1959) a pris très tôt la décision de vivre pour sa passion : la peinture. Travailleur assidu, il a participé à de nombreuses expositions de son vivant pour nous laisser un patrimoine national considérable. De nos jours, suite aux généreux dons de la famille de l'artiste, le Musée national d'histoire et d'art dispose d'un ensemble cohérent, représentatif de son oeuvre, à travers lequel l'évolution du peintre peut être suivie. L'exposition Jean Schaack représente une étape importante dans la volonté du musée de dévoiler progressivement ses fonds grâce aux expositions temporaires, accompagnée par la publication d'un catalogue reprenant l'inventaire complet des oeuvres dans les collections du MNHA.

Drawing --- Painting --- Schaack, Jean --- National Museum for History and Art [Luxembourg] --- Painters --- Painting, Modern --- Peintres --- Peinture --- Schaack, Jean, --- Exhibitions --- National Museum for History and Art [Luxemburg] --- MNHA: Musée national d'histoire et d'art Luxembourg

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Art --- Art and history. --- History in art. --- Historical art --- Art and history --- History and art --- History --- History in art --- Historiography.