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An empire invites local collaborators in the making and sustenance of its colonies. Between 1896 and 1910, Japan's project to colonize Korea was deeply intertwined with the movements of reform-minded Koreans to solve the crisis of the Choson dynasty (1392-1910). Among those reformers, it was the Ilchinhoe (Advance in Unity Society)-a unique group of reformers from various social origins-that most ardently embraced Japan's discourse of "civilizing Korea" and saw Japan's colonization as an opportunity to advance its own "populist agendas." The Ilchinhoe members called themselves "representatives of the people" and mobilized vibrant popular movements that claimed to protect the people's freedom, property, and lives. Neither modernist nor traditionalist, they were willing to sacrifice the sovereignty of the Korean monarchy if that would ensure the rights and equality of the people.Both the Japanese colonizers and the Korean elites disliked the Ilchinhoe for its aggressive activism, which sought to control local tax administration and reverse the existing power relations between the people and government officials. Ultimately, the Ilchinhoe members faced visceral moral condemnation from their fellow Koreans when their language and actions resulted in nothing but assist the emergence of the Japanese colonial empire in Korea. In Populist Collaborators, Yumi Moon examines the vexed position of these Korean reformers in the final years of the Choson dynasty, and highlights the global significance of their case for revisiting the politics of local collaboration in the history of a colonial empire.

Ilchinhoe. --- Iljinhoe --- Korea --- Japan --- History. --- Politics and government --- Foreign relations --- HISTORY / Asia / Korea.

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This important new study by one of Korea's leading historians focuses on the international relations of colonial Korea - from the Japanese rule of the peninsula and its foreign relations (1905-1945) to the ultimate liberation of the country at the end of the Second World War. In addition, it fills a significant gap - the 'blank space' - in Korean diplomatic history. Furthermore, it highlights several other fundamental aspects in the history of modern Korea, such as the historical perception of the policy-making process and the attitudes of both China and Britain which influenced US policy regarding Korea at the end of World War II.

Politics and government. --- Diplomatic relations. --- Korea --- History --- Foreign relations --- Politics and government --- Japan. --- Korea. --- diplomacy. --- empire. --- imperialism. --- independence. --- ww2. --- Relations --- Japan --- HISTORY / Asia / Korea.

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This collection brings together themes in East Asian history, diplomacy, culture and politics written by J. E. Hoare since the early 1970s. His writings derive from his training as a historian, from his time as a Research Analyst in the British Foreign Office from 1969-2003, and from his experiences as a diplomat in the Republic of Korea (South Korea), the People's Republic of China, and the Democratic People's Republic of Korea (North Korea). The writings selected for this volume include academic papers, book reviews and some quasi-journalistic articles which reflect both historical research and analysis of current events and issues. The wide-ranging content speaks to the author's specialist fields of interest including diplomacy, biography, extraterritoriality and architecture on which he has published extensively.

Asia, Japan, Korea, Korea, diplomacy. --- HISTORY / Asia / Korea. --- HISTORY / Asia / Japan. --- HISTORY / Asia / China. --- Asian history. --- Hoare, James --- Travel --- East Asia --- Description and travel. --- History --- Politics and government

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"A history of American anthropology focused on Korea from 1882-1945, as the discipline increased its geographical consciousness and Korea opened its ports to foreign trading"-- "In the nineteenth century the predominant focus of American anthropology centered on the native peoples of North America, and most anthropologists would argue that Korea during this period was hardly a cultural area of great anthropological interest. However, this perspective underestimates Korea as a significant object of concern for American anthropology during the period from 1882 to 1945--otherwise a turbulent, transitional period in Korea's history. An Asian Frontier focuses on the dialogue between the American anthropological tradition and Korea, from Korea's first treaty with the United States to the end of World War II, with the goal of rereading anthropology's history and theoretical development through its Pacific frontier. Drawing on notebooks and personal correspondence as well as publications of anthropologists of the day, Robert Oppenheim shows how and why Korea became an important object of study--with, for instance, more published about Korea in the pages of American Anthropologist before 1900 than would be for decades afterward. Oppenheim chronicles the actions of American collectors, Korean mediators, and metropolitan curators who first created Korean anthropological exhibitions for the public. He moves on to examine anthropologists--such as Ales Hrdlicka, Walter Hough, Stewart Culin, Frederick Starr, and Frank Hamilton Cushing--who fit Korea into frameworks of evolution, culture, and race even as they engaged questions of imperialism that were raised by Japan's colonization of the country. In tracing the development of American anthropology's understanding of Korea, Oppenheim discloses the legacy present in our ongoing understanding of Korea and of anthropology's past. "--

HISTORY / Asia / Korea. --- SOCIAL SCIENCE / Anthropology / Cultural. --- Ethnology --- Anthropology --- Human beings --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Fieldwork --- History. --- Korea --- Social life and customs. --- Philosophy. --- Civilization. --- Primitive societies --- Social sciences

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"Since the 1990s Korea has emerged as a production center for transnational popular culture, with Western audiences enjoying local cultural genres like TV dramas and pop music (K-pop). From 1997 to 2007 the Korean Wave (Hallyu) focused on the export of film and TV programs. Hallyu after 2008 diversified amid changing digital technologies and cultural politics. Korean smartphones and social networks have become major components of Hallyu. As with Psy's "Gangman Style," social media have shifted the global cultural flow of popular culture. Jin analyzes the social and tech trends behind Hallyu's global reach, emphasizing the strong connection between technology-avid youth and fandom in different parts of the world. Jin argues for a distinction between Hallyu 1.0 and Hallyu 2.0, marking the emergence after 2008 of different cultural forms. He blends analysis on the export and reception of Korean films, pop music, TV programs, online gaming, and animation with insights from interviews with fans and media industry personnel to tell how the Korean cultural industry grew from a relatively overlooked sector to a global success story"-- "The 2012 smash "Gangnam Style" by the Seoul-based rapper Psy capped the triumph of Hallyu , the Korean Wave of music, film, and other cultural forms that have become a worldwide sensation. Dal Yong Jin analyzes the social and technological trends that transformed South Korean entertainment from a mostly regional interest aimed at families into a global powerhouse geared toward tech-crazy youth. Blending analysis with insights from fans and industry insiders, Jin shows how Hallyu exploited a media landscape and dramatically changed with the 2008 emergence of smartphones and social media, designating this new Korean Wave as Hallyu 2.0. Hands-on government support, meanwhile, focused on creative industries as a significant part of the economy and turned intellectual property rights into a significant revenue source. Jin also delves into less-studied forms like animation and online games, the significance of social meaning in the development of local Korean popular culture, and the political economy of Korean popular culture and digital technologies in a global context"--

Sociology of culture --- Mass communications --- South Korea --- SOCIAL SCIENCE / Media Studies. --- SOCIAL SCIENCE / Popular Culture. --- HISTORY / Asia / Korea. --- Technological innovations --- Mass media and globalization. --- Popular culture and globalization. --- Globalization and mass media --- Globalization --- Globalization and popular culture --- Social aspects. --- Popular culture --- History