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Book
Quæstio quodlibetica, : or a discourse, whether it may bee lawfull to take use for money.
Authors: ---
Year: 1653 Publisher: London : Printed for Humphrey Moseley, and are to be sold at his shop at the Prince's Armes in St. Paul's Church-yard,

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eebo-0158

Keywords

Usury --- Fenton, Roger.


Book
Quæstio quodlibetica, or, A discourse whether it may bee lawfull to take use for money.
Authors: ---
Year: 1653 Publisher: London : Printed for Humphrey Moseley, and are to be sold at his shop ...,

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eebo-0021

Keywords

Usury --- Fenton, Roger. --- Interest


Book
Roger Fenton fényképei : az el nem veszett, de megtalált képek : kiállítás az elte Egyetemi Könyvtárban
Authors: --- --- ---
ISBN: 9789632840369 9632840364 Year: 2008 Publisher: [Budapest] : Eötvös Loránd Tudományegyetem, Egyetemi Könyvtár,

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Roger Fenton : Pasha and Bayadère
Authors: ---
ISBN: 0892363673 Year: 1996 Publisher: Getty Publications

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Roger Fenton : photographer of the 1850s
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ISBN: 1853320161 9781853320163 Year: 1988 Publisher: London South Bank Board


Book
Un duel romantique : Le Giaour de Lord Byron par Delacroix (exposition Paris, musée national Eugène-Delacroix, du 16 décembre 2020 au 8 mars 2021)
Authors: --- --- --- ---
ISBN: 9782847424515 Year: 2020 Publisher: Paris Le Passage

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Book
Roger Fenton of Crimble Hall
Authors: ---
ISBN: 0900406410 Year: 1975 Publisher: London : Gordon Fraser Gallery,

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All the mighty world : the photographs of Roger Fenton, 1852-1860.
Authors: --- --- --- --- --- et al.
ISBN: 9780300199499 0300104901 9780300104905 Year: 2004 Publisher: New Haven (Conn.) Yale university press

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Book
The desiring eye : photographs from Moderna Museet's collection
Authors: --- --- ---
ISBN: 9171005692 Year: 1998 Publisher: Skeppsholmen Moderna Museet

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Abbott, Berenice ; Adams, Ansel ; Adamson, Robert ; Altobelli, Gioaccino ; Annan, Thomas ; Atget, Eugène ; Barnett, Walter ; Barraud, William ; Berggren, Guillaume ; Bonfils, Félix ; Brandt, Bill ; Braun, Adolphe ; Callahan, Harry ; Cameron, Julia Margaret ; Cartier-Bresson, Henri ; Cunningham, Imogen ; Curtis, Edward Sheriff ; Disdéri, André Adolphe Eugène ; Evans, Walker ; Fenton, Roger ; Fergus, John ; Frank, Robert ; Frith, Francis ; Fritz, Adolf ; Gibson, Ralph ; H.E.W. ; Hill, David Octavius ; Käsebier, Gertrude ; Knudstrup, Anna ; Kühn, Heinrich ; Langdon Coburn, Alvin ; Levitt, Helen ; Man Ray ; Mantz, Werner ; Micheler ; Morgan, Barbara ; Mulnier, Ferdinand ; Newman, Arnold ; Percheid, Nicola ; Renger-Patzsch, Albert ; Rude, Ernest ; Salomon, Adam ; Samuel, Antonio ; Sébah, J. Pascal ; Shaw, George Bernard ; Steichen, Edward ; Stieglitz, Alfred ; Strand, Paul ; Summons, Herbert Yowall ; Tournachon), Nadar (Gaspard Félix ; Watkins, Carleton Eugene ; Weston, Edward ; White, Clarence Hudson ; Zwart, Piet


Book
Believing is seeing : observations on the mysteries of photography.
Author:
ISBN: 9781594203015 1594203016 9780143124252 0143124250 Year: 2011 Publisher: New York (N.Y.) Penguin press

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"Academy Award-wining filmmaker Errol Morris investigates the hidden truths behind a series of documentary photographs. In Believing Is Seeing Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record. During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate. Can we recover the truth behind Fenton's intentions in a photograph taken 150 years ago? In the midst of the Great Depression and one of the worst droughts on record, FDR's Farm Service Administration sent several photographers, including Arthur Rothstein, Dorothea Lange, and Walker Evans, to document rural poverty. When Rothstein was discovered to have moved the cow skull in his now-iconic photograph, fiscal conservatives-furious over taxpayer money funding an artistic project-claimed the photographs were liberal propaganda. What is the difference between journalistic evidence, fine art, and staged propaganda? During the Israeli-Lebanese war in 2006, no fewer than four different photojournalists took photographs in Beirut of toys lying in the rubble of bombings, provoking accusations of posing and anti-Israeli bias at the news organizations. Why were there so many similar photographs? And were the accusers objecting to the photos themselves or to the conclusions readers drew from them? With his keen sense of irony, skepticism, and humor, Morris reveals in these and many other investigations how photographs can obscure as much as they reveal and how what we see is often determined by our beliefs. Part detective story, part philosophical meditation, Believing Is Seeing is a highly original exploration of photography and perception from one of America's most provocative observers"--Provided by publisher.

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