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Mit dem Auftreten von Magazinen wie Playboy oder Penthouse, indenen die Körper der Frauen in Hochglanz-Form gebracht zu seinscheinen wie ein maschinell hergestelltes Produkt, ausgedacht, umes in möglichst großer Anzahl visuell einzusetzen, verlor dieerotische Fotografie ihre Adelsurkunden.Die Vermehrung der Bilder von Frauen in allen erdenklichen, selbstgrotesken Posen und schmerzhaften Verrenkungen, hat die bisdahin gültigen Vorstellungen von Erotik ausgehöhlt, zumal dasWort durch Gefühle ergänzt wurde.Es dauerte bis in die 1970er Jahre, um eine künstlerischeAktfotografie von hoher Qualität w

Photography, Erotic. --- Photography of women. --- Photography of the nude. --- Nude photography --- Nude in art --- Women --- Erotic photography --- Erotica

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761.2 --- 766.2 --- Witkin, Joel-Peter --- fotografie --- fotografen, afzonderlijk --- portretfotografie - kinderfotografie, naaktfotografie --- Photography, Erotic --- Erotic photography --- Witkin, Joel-Peter, --- Erotica

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"Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and pick up 25-cent “physique” magazines at newsstands. In one such magazine, he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island sounded exotic, perhaps a name made up by the photographer,” he recalls in the preface to his latest monograph. “I had no idea it was a real place. Certainly, I had no idea then that it was a place I would one day call home.” In 1970, fresh out of law school, Bianchi began traveling to New York, and was invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ lives in the Pines, amassing an image archive of people, parties and private moments. These images, published here for the first time, and accompanied by Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a magical bygone era." -- Publisher's description

Photography of men --- Gay men in art --- Gay erotic photography --- Instant photography --- Seaside resorts --- History --- Bianchi, Tom. --- Fire Island Pines (N.Y.) --- Social life and customs

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"Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides. While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. This clothbound volume compiles the Piers series in one definitive monograph, a powerful tribute to a long-forgotten world at the city's dilapidated margins." --Publisher's website.

Piers --- Gay men --- Gay erotic photography --- Nude in art --- Gay men in art --- Portrait photography --- Photography, Artistic --- Baltrop, Alvin J., --- New York (N.Y.) --- In art.

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Images, Photographic --- Photography, Erotic --- Philosophy --- Ernaux, Annie, --- Narrative --- Photography --- Erotic photography --- Erotica --- Photographic images --- Image processing --- Imaging systems --- Optical images --- Ernaux, Annie --- Photography, Erotic - Philosophy --- Ernaux, Annie, - 1940 --- -Images, Photographic