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Chords (Music) --- Harmony --- History
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Musical analysis --- Chords (Music) --- Tonality --- Sonata form
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La 4ème couverture indique : "Le projet de ces hétérotopies - le mot est de Michel Foucault - est de présenter les modèles mathématiques actuels de la musique. Non pas en essayant de produire une théorie englobante de la musique par les mathématiques, mais de circonscrire, pas à pas, ces « espaces autres » qui invitent à penser dans leurs formes topologiques l'intelligence des objets musicaux. Chaque chapitre apporte une synthèse et une contribution originale : sur la classification des accords et des modes, la question de la diatonicité, l'atonalité, l'autosimilarité, le contrepoint, le tempérament, la justesse des sons, la classification des noeuds dodéca-phoniques et sériels, ou encore sur les algèbres néo- riemanniennes. À la fois ouvrage de référence et de recherche, ces Hétérotopies musicales, préfacées par Hugues Dufourt, constituent la première grande synthèse publiée en français sur les mathématiques et la musique. Une bibliographie d'environ 900 références complète l'ouvrage."
Musical intervals and scales --- Tonality --- Atonality --- Serialism (Music) --- Musical meter and rhythm --- Chords (Music) --- Mathematical models. --- Music and mathematic
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Music theory. --- Tonality. --- Chords (Music) --- Musical intervals and scales --- Théorie musicale. --- Tonalité. --- Accords (Musique) --- Musique (Intervalles et gammes)
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"A leading music psychologist and theorist explains how Major-Minor Tonality came to assume its dominant place within music composition"--
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Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.
Harmony. --- Triads (Music) --- Harmonie --- Triades (Musique) --- Triads (Music). --- Harmony --- Music --- Music, Dance, Drama & Film --- Music Instruction & Study --- Chords (Music) --- Music theory --- E-books
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Database of Piano Chords: An Engineering View of Harmony includes a unique database of piano chords developed exclusively for music research purposes, and outlines the key advantages to using this dataset to further one’s research. The book also describes the physical bases of the occidental music chords and the influence used in the detection and transcription of the music, enabling researchers to intimately understand the construction of each occidental chord. The online database contains more than 275,000 chords with different degrees of polyphony and with different playing styles. Together, the database and the book are an invaluable tool for researchers in this field.
Arrangement (Music) -- Data processing. --- Piano -- Chord diagrams. --- Chords (Music) --- Piano --- Arrangement (Music) --- Engineering & Applied Sciences --- Computer Science --- Data processing --- Chord diagrams. --- Data processing. --- Adaptation (Music) --- Arranging (Music) --- Musical arranging --- Musical transcription --- Transcription (Music) --- Computer science. --- Multimedia information systems. --- Computer Science. --- Multimedia Information Systems. --- Signal, Image and Speech Processing. --- Computer-based multimedia information systems --- Multimedia computing --- Multimedia information systems --- Multimedia knowledge systems --- Information storage and retrieval systems --- Informatics --- Science --- Instrumentation and orchestration --- Instrumentation and orchestration (Band) --- Multimedia systems. --- Signal processing. --- Image processing. --- Speech processing systems. --- Computational linguistics --- Electronic systems --- Information theory --- Modulation theory --- Oral communication --- Speech --- Telecommunication --- Singing voice synthesizers --- Pictorial data processing --- Picture processing --- Processing, Image --- Imaging systems --- Optical data processing --- Processing, Signal --- Information measurement --- Signal theory (Telecommunication) --- UMA-Piano chord database (Computer file) --- UMA Piano chord database
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