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Retrace la vie et l'oeuvre du compositeur italien, qui construit sa renommée à Paris à travers ses opéras. Il se distingue également dans la musique religieuse, avec plusieurs messes et deux requiems. ©Electre 2017
Composers --- Music --- Cherubini, Luigi,
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This volume investigates Luigi Cherubini with the aim of providing a picture of the various faces that a composer and his output could present to European society at the turn of the nineteenth century; a society in which the composer, no longer tied to a patron or a court, tried to integrate himself as a participant in the labor market by finding new, coexisting forms of subsistence, thereby becoming a pre-eminent figure in the industrial and commercial world of the time. Additionally, the volume aims to deepen understanding of the composer’s output in light of the political and social upheavals that took place during his long life, from the French Revolution to the threshold of the Springtime of the People.
Composers --- Cherubini, Luigi, --- Cherubini, Luigi --- Chérurini --- Cherubini, Maria Luigi Carlo Zenobio Salvatore --- Criticism and interpretation. --- Cherubini, Maria Luigi, --- Kerubini, L., --- Cherubini, Luigui, --- Cherubini, L. --- Kerubini, Luidzhi, --- Cherubini, Ludovico, --- Cherubini, Luigi, i.e., Maria Luigi Carlo Zenobio Salvatore, --- Cherubini, Maria Luigi Carlo Zenobio Salvatore, --- Cherubini --- Cherubini, Maria Luigi --- Kerubini, L. --- Cherubini, Luigui --- Kerubini, Luidzhi --- Cherubini, Ludovico --- Cherubini, Luigi, i.e., Maria Luigi Carlo Zenobio Salvatore
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Edoardo Cavallini (Firenze, 1911-1968) è stato una delle personalità più originali e interessanti, ma anche trascurate, del panorama musicale italiano. Compositore prolifico e teorico stimato, fu un pioniere della musica microtonale - o come amava definirla lui pluricromatica - moderna. Il ricchissimo archivio lasciatoci dal Maestro, e oggi conservato presso il Conservatorio Luigi Cherubini di Firenze, ci consente di approfondirne la conoscenza e di recuperare il suo lavoro, dandogli un riconoscimento postumo, ma assolutamente meritato. Il volume si propone come strumento di navigazione tra i materiali documentari presenti nel suo ricchissimo archivio, che spaziano dalla corrispondenza personale a quella ufficiale, passando per appunti manoscritti e inediti. Edoardo Cavallini (Florence, 1911-1968) was one of the most original and interesting, but also neglected, personalities of the Italian music scene. A prolific composer and esteemed theorist, he was a pioneer of microtonal music - or as he liked to call it plurichromatic - modern. The very rich archive left to us by the Maestro, and today preserved at the Luigi Cherubini Conservatory in Florence, allows us to deepen our knowledge and recover his work, giving him posthumous but absolutely deserved recognition. The volume is proposed as a navigation tool among the documentary materials present in its rich archive, which range from personal to official correspondence, passing through handwritten and unpublished notes. Miriam Viapiana, born in Catanzaro in 1992, after having obtained the classical high school diploma at the Liceo P. Galluppi in Catanzaro, she graduated from the University of Bari in Languages and cultures for tourism; he then completed his studies at the University of Florence with a master's degree in archival and librarianship sciences. This is his first publication.
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Edoardo Cavallini (Firenze, 1911-1968) è stato una delle personalità più originali e interessanti, ma anche trascurate, del panorama musicale italiano. Compositore prolifico e teorico stimato, fu un pioniere della musica microtonale - o come amava definirla lui pluricromatica - moderna. Il ricchissimo archivio lasciatoci dal Maestro, e oggi conservato presso il Conservatorio Luigi Cherubini di Firenze, ci consente di approfondirne la conoscenza e di recuperare il suo lavoro, dandogli un riconoscimento postumo, ma assolutamente meritato. Il volume si propone come strumento di navigazione tra i materiali documentari presenti nel suo ricchissimo archivio, che spaziano dalla corrispondenza personale a quella ufficiale, passando per appunti manoscritti e inediti. Edoardo Cavallini (Florence, 1911-1968) was one of the most original and interesting, but also neglected, personalities of the Italian music scene. A prolific composer and esteemed theorist, he was a pioneer of microtonal music - or as he liked to call it plurichromatic - modern. The very rich archive left to us by the Maestro, and today preserved at the Luigi Cherubini Conservatory in Florence, allows us to deepen our knowledge and recover his work, giving him posthumous but absolutely deserved recognition. The volume is proposed as a navigation tool among the documentary materials present in its rich archive, which range from personal to official correspondence, passing through handwritten and unpublished notes. Miriam Viapiana, born in Catanzaro in 1992, after having obtained the classical high school diploma at the Liceo P. Galluppi in Catanzaro, she graduated from the University of Bari in Languages and cultures for tourism; he then completed his studies at the University of Florence with a master's degree in archival and librarianship sciences. This is his first publication.
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