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Understanding Women's Magazines investigates the changing landscape of women's magazines. Anna Gough-Yates focuses on the successes, failures and shifting fortunes of a number of magazines including Elle, Marie Claire, Cosmopolitan, Frank, New Woman and Red and considers the dramatic developments that have taken place in women's magazine publishing in the last two decades.Understanding Women's Magazines examines the transformation in the production, advertising and marketing practices of women's magazines. Arguing that
Women's periodicals, English --- Journalism --- Journalism & Communications --- English women's periodicals --- English periodicals --- History --- #SBIB:031.AANKOOP --- #SBIB:309H1821 --- Persartikels: functies, genres, taalgebruik, historiek --- Great Britain
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Sod houses --- House construction --- Architecture --- Habitations --- Architecture. --- Earth construction. --- Earth houses --- Design and construction --- History --- Construction --- Histoire --- Design and construction. --- Iceland.
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The island nation of Iceland is known for many things—majestic landscapes, volcanic eruptions, distinctive seafood—but racial diversity is not one of them. So the little-known story of Hans Jonathan, a free black man who lived and raised a family in early nineteenth-century Iceland, is improbable and compelling, the stuff of novels. In The Man Who Stole Himself, Gisli Palsson lays out the story of Hans Jonathan (also known as Hans Jónatan) in stunning detail. Born into slavery in St. Croix in 1784, Hans was taken as a slave to Denmark, where he eventually enlisted in the navy and fought on behalf of the country in the 1801 Battle of Copenhagen. After the war, he declared himself a free man, believing that he was due freedom not only because of his patriotic service, but because while slavery remained legal in the colonies, it was outlawed in Denmark itself. He thus became the subject of one of the most notorious slavery cases in European history, which he lost. Then Hans ran away—never to be heard from in Denmark again, his fate unknown for more than two hundred years. It’s now known that Hans fled to Iceland, where he became a merchant and peasant farmer, married, and raised two children. Today, he has become something of an Icelandic icon, claimed as a proud and daring ancestor both there and among his descendants in America. The Man Who Stole Himself brilliantly intertwines Hans Jonathan’s adventurous travels with a portrait of the Danish slave trade, legal arguments over slavery, and the state of nineteenth-century race relations in the Northern Atlantic world. Throughout the book, Palsson traces themes of imperial dreams, colonialism, human rights, and globalization, which all come together in the life of a single, remarkable man. Hans literally led a life like no other. His is the story of a man who had the temerity—the courage—to steal himself.
Fugitive slaves --- Hans Jónatan, --- African Americans. --- Denmark. --- Emilia Regina. --- Hans Jonathan. --- Iceland. --- St. Croix. --- biography. --- color. --- slavery.
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"Ripped, Torn and Cut is a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Mark Perry's iconic Sniffin' Glue (1976-77) was only the first of many, leading the way for hundreds of homemade magazines to be cut and pasted in bedrooms across the UK. Ripped, Torn and Cut is the first book of its kind, it reveals the contested nature of punk's cultural politics by turning the pages of a vibrant underground press."--Cover.
Counterculture --- Punk culture --- Popular culture --- Politics and culture --- Music and rhetoric --- Counterculture. --- Fanzines. --- Politics. --- Popular Music. --- Punk. --- Subculture.
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This book brings together historians, sociologists and social scientists to examine aspects of youth culture. The book’s themes are riots, music and gangs, connecting spectacular expression of youthful disaffection with everyday practices. By so doing, Youth Culture and Social Change maps out new ways of historicizing responses to economic and social change: public unrest and popular culture. .
History. --- Youth --- Great Britain --- Civilization --- Social history. --- Childhood. --- Adolescence. --- Social groups. --- Economic development. --- Social change. --- History of Britain and Ireland. --- Development and Social Change. --- Youth Culture. --- Social History. --- Cultural History. --- Childhood, Adolescence and Society. --- Social life and customs. --- Youth. --- Young people --- Young persons --- Youngsters --- Youths --- Age groups --- Life cycle, Human --- Great Britain-History. --- Youth-Social life and customs. --- Civilization-History. --- Descriptive sociology --- Social conditions --- Social history --- History --- Sociology --- Change, Social --- Cultural change --- Cultural transformation --- Societal change --- Socio-cultural change --- Social evolution --- Development, Economic --- Economic growth --- Growth, Economic --- Economic policy --- Economics --- Statics and dynamics (Social sciences) --- Development economics --- Resource curse --- Great Britain—History. --- Youth—Social life and customs. --- Civilization—History. --- Teen-age --- Teenagers --- Puberty --- Childhood --- Kids (Children) --- Pedology (Child study) --- Families --- Development --- Children.
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This book assesses the legacy of Dick Hebdige and his work on subcultures in his seminal work, Subculture: The Meaning of Style (1979). The volume interrogates the concept of subculture put forward by Hebdige, and asks if this concept is still capable of helping us understand the subcultures of the twenty-first century. The contributors to this volume assess the main theoretical trends behind Hebdige’s work, critically engaging with their value and how they orient a researcher or student of subculture, and also look at some absences in Hebdige’s original account of subculture, such as gender and ethnicity. The book concludes with an interview with Hebdige himself, where he deals with questions about his concept of subculture and the gestation of his original work in a way that shows his seriousness and humour in equal measure. This volume is a vital contribution to the debate on subculture from some of the best researchers and academics working in the field in the twenty-first century.
Subculture. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Civilization—History. --- Ethnology—Europe. --- Great Britain—History. --- Culture—Study and teaching. --- Cultural History. --- British Culture. --- History of Britain and Ireland. --- Cultural Theory. --- Civilization --- Ethnology --- History. --- Study and teaching. --- Great Britain --- Cultural studies --- Cultural history --- England --- History --- Culture. --- Cultural sociology --- Sociology of culture --- Popular culture --- Great Britain. --- Social aspects
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