Listing 1 - 10 of 12 | << page >> |
Sort by
|
Choose an application
Sociology of literature --- Literary semiotics --- Art --- Mass communications --- anno 1500-1599 --- Communicatie [Visuele ] --- Communication [Visual ] --- Communication visuelle --- Emblemen --- Emblems --- Emblèmes --- Signes et symboles --- Signs and symbols --- Symbolen en tekens --- Symboles et signes --- Symbols and signs --- Tekens en symbolen --- Visual communication --- Visuele communicatie --- Wapen (heraldiek) --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Representation, Symbolic --- Semeiotics --- Signs --- Symbolic representation --- Symbols --- Abbreviations --- Omens --- Semiotics --- Sign language --- Symbolism --- Heraldry
Choose an application
How can we account, in a rigorous way, for alchemy's ubiquity? We think of alchemy as the transformation of a base material (usually lead) into gold, but "alchemy" is a word in wide circulation in everyday life, often called upon to fulfill a metaphoric duty as the magical transformation of materials. Almost every culture and time has had some form of alchemy. This book looks at alchemy, not at any one particular instance along the historical timeline, not as a practice or theory, not as a mode of redemption, but as a theoretical problem, linked to real gold and real production in the world. What emerges as the least common denominator or "intensive property" of alchemy is ambivalence, the impossible and paradoxical coexistence of two incompatible elements. Alchemical Mercury moves from antiquity, through the golden age of alchemy in the Dutch seventeenth century, to conceptual art, to alternative fuels, stopping to think with writers such as Dante, Goethe, Hoffmann, the Grimm Brothers, George Eliot, and Marx. Eclectic and wide-ranging, this is the first study to consider alchemy in relation to literary and visual theory in a comprehensive way.
Alchemy in literature. --- Alchemy in art. --- Ambivalence. --- Rhetoric. --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- Ambivalency --- Emotions --- Rhetoric
Choose an application
Fuel --- Power resources --- Philosophy
Choose an application
Advertising, Political --- Advertising --- Propaganda --- Human figure in art. --- Commercial art --- Fascism and art --- Publicité politique --- Publicité --- Propagande --- Corps humain dans l'art --- Art publicitaire --- Fascisme et art --- History --- History. --- Histoire
Choose an application
A provocative reading of the use and manipulation of the body in advertising under Italian fascism, Bodily Regimes offers an enlightening look at the relationship between fascism and capitalism. It is unique in its focus on the intertwined relations of race, class, and gender in the construction of the Italian subject.
Advertising --- Propaganda --- Human figure in art. --- Commercial art --- Fascism and art --- History.
Choose an application
Choose an application
Choose an application
Death --- Language and languages --- Negativity (Philosophy) --- Philosophy --- Hegel, Georg Wilhelm Friedrich. --- Heidegger, Martin
Choose an application
Choose an application
Art styles --- Art --- History --- Arte Povera --- art [discipline] --- art history --- Fabro, Luciano --- Pistoletto, Michelangelo --- Penone, Giuseppe --- Paolini, Giulio --- Merz, Mario --- Zorio, Gilberto --- Anselmo, Giovanni --- Boetti, Alighiero --- Calzolari, Pier Paolo --- Kounellis, Jannis --- Pascali, Pino --- Gilardi, Piero --- Prini, Emilio --- anno 1960-1969 --- anno 1970-1979 --- Italy
Listing 1 - 10 of 12 | << page >> |
Sort by
|